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Richard Neutra’s Kaufmann House, 1946
Photo by Christie’s Realty International Images Ltd.

DIAMOND IN THE DESERT
by Hunter Drohojowska-Philp

May 7, 2008
The redefinition of architecture as art is continuing in the marketplace. Over the past few years, Pierre Koenig’s 1958 Case Study House # 21 sold at Wright Auctions for $3.2 million; Mies Van Der Rohe’s 1951 Farnsworth House went for $7.5 million through Sotheby’s. Can Richard Neutra’s Kaufmann House in Palm Springs fetch $15 to $25 million? Christie’s bets that the fully restored gem of modernism can compete with the record-breaking prices being paid for modern and contemporary art. Like a $25-million David Smith sculpture, it’s from a similar period, and also made of metal. And you can live in the house.

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May

May 7, 2008	BACK AND FORTH by Charlie Finch John Baldessari and Matt Mullican collaborate on "Pong" at Tracy Williams, Ltd.

May 5, 2008	THE DAY THE LIGHTS WENT ON by Jerry Saltz Dan Flavin’s 1964 breakout show, in meticulous reproduction.

May 5, 2008	PITCH PERFECT by Charlie Finch Kentucky’s art-and-culture magazine makes provinciality a glam asset.

May 2, 2008	BREATH OF LIFE by Alexandra Anderson-Spivy New works from the George Rickey estate at Marlborough Chelsea and Maxwell Davidson.

April

Apr. 29, 2008	SCHNABEL AND HIS DOUBLES by Charlie Finch The magic formula behind the success of Julian Schnabel’s films.

Apr. 28, 2008	WASTED YOUTH by Jerry Saltz A collaboration between superhot artists Dan Colen and Nate Lowman instantly looks dated.

Apr. 24, 2008	CRASH TEST by Charlie Finch Living dangerously with Anthony James.

Apr. 24, 2008	JOE & NANCY by N.F. Karlins Joe Brainard’s "The Nancys" get a welcome showing at Tibor de Nagy.

Apr. 23, 2008	THE NEW YORK CANON by Jerry Saltz Thirty years of highs and lows in the New York art world.

Apr. 22, 2008	ART DEALER’S DIARY by Kenny Schachter Obituary: Art Cologne -- an art dealer tolls the bell.

Apr. 21, 2008	DID I TELL YOU THE ONE ABOUT THE CONTRACTOR IN IRAQ? by Steve Mumford On the way to Mosul in Iraq in the spring of 2008.

Apr. 21, 2008	RUNNING, JUMPING, STANDING STILL by Charlie Finch Nobility and vigor in Elizabeth Peyton’s new works.

Apr. 18, 2008	FEAR STRIKES OUT by Charlie Finch Boycott the Olympics, and boycott contemporary Chinese art.

Apr. 17, 2008	FAKE IT 'TIL YOU MAKE IT by Charlie Finch Olafur Eliasson and the illusion of taste.

Apr. 14, 2008	VIDEO RAVE by Hunter Drohojowska-Philp Surveying "California Video" at the Getty Museum.

Apr. 10, 2008	BEAUX VISAGE by N.F. Karlins American portraitist Cecilia Beaux gets a long-overdue reassessment.

Apr. 9, 2008	PLEASURES OF EDO by Fred Stern "Designed for Pleasure: The World of Edo" at Asia Society.

Apr. 8, 2008	THE THREAT OF LOVE by Charlie Finch Walter Robinson puts the error back in eros.

Apr. 7, 2008	The Venus of Long Island City by Jerry Saltz P.S.1’s survey of feminist art shows us the birth of just about every art trend that’s in vogue today.

Apr. 4, 2008	WHITE MEN CAN’T PAINT! by Charlie Finch Morgan Neville’s new film, The Cool School, on the early Los Angeles art scene.

Apr. 4, 2008	THE WATER OF LIFE by Donald Kuspit Fabrizio Plessi’s islands of digital art.

March

Mar. 31, 2008	DIARY OF AN ART STAR by Reverend Jen Touring the new Lower East Side gallery scene.

Mar. 31, 2008	HANGING AT THE HORTS’ by Charlie Finch Talk of Marlene Dumas, Richard Tuttle and Jimmy Page at Susan and Michael Hort’s private view during Armory weekend.

Mar. 26, 2008	A BROWN WORLD by Charlie Finch Painter Deborah Brown captures natural New York.

Mar. 25, 2008	ADVENTURES IN PHOTOGRAPHY by N.F. Karlins A retrospective of the work of 20th-century photographer (and Surrealist muse) Lee Miller.

Mar. 24, 2008	When Cool turns Cold by Jerry Saltz Towards a No Painting Biennial.

Mar. 21, 2008	CHEERS! by Charlie Finch A few words occasioned by Eduardo Sarabia’s Salon Aleman at the Park Avenue Armory.

Mar. 20, 2008	THE RETURN OF MAX ESTENGER by Charlie Finch New works by the artist from Queens.

Mar. 19, 2008	BETWITCHED by Charlie Finch New psychedelic allegories from Lane Twitchell.

Mar. 18, 2008	NOT SO WEI OUT by Charlie Finch Ai Weiwei’s Descending Light at Mary Boone Gallery.

Mar. 17, 2008	STARWALKERS by Charlie Finch Naked wonder from Richard Dupont at Lever House.

Mar. 14, 2008	MY DINNER WITH SIMON by Charlie Finch Veteran curator Simon Watson and the contemporary art banquet.

Mar. 11, 2008	DOOBY DOOBY DUBAI by Charlie Finch A modest proposal for art in the Middle East.

Mar. 7, 2008	ESTHETICS AND ANASTHESIA by Simon Todd An interview with the English artist Keith Coventry.

Mar. 4, 2008	BIENNIAL FOR ONE by Charlie Finch Go to Facebook for your own Whitbash 2008.

Mar. 3, 2008	Fever Dreams by Jerry Saltz A show about archives gets brilliantly lost in the vaults.

February

Feb. 29, 2008	OUR LONG CULTURAL NIGHTMARE WILL SOON BE OVER by Jerry Saltz Thomas Krens steps down as director of the Guggenheim Museum.

Feb. 28, 2008	INTERNATIONAL MAN OF MYSTERY by Charlie Finch Thomas Krens, father of the global art plutocracy.

Feb. 27, 2008	SUGAR SHOCK by Adrian Dannatt Ellen Berkenblit and the face of female esthetics.

Feb. 27, 2008	GRIDLOCK by Charlie Finch "Color Chart" at the Museum of Modern Art.

Feb. 26, 2008	CHILDHOOD’S END by Charlie Finch Anna Craycroft, orphans and hope, and Obama as Manchild.

Feb. 25, 2008	ÉMINENCE GRISE by Jerry Saltz "Jasper Johns: Gray" shows off an imagination that works in non-imaginative ways.

Feb. 22, 2008	THE LAST PICTURE SHOW by Charlie Finch Painter Chris Martin provides Chelsea with its final triumph.

Feb. 22, 2008	DR. STRANGE by Charlie Finch Baird Jones, 1954-2008.

Feb. 20, 2008	GET SMART by Charlie Finch "Design and the Elastic Mind" at MoMA.

Feb. 19, 2008	LOVE FOR SALE by Charlie Finch Peeking at the market for Miroslav Tichy.

Feb. 14, 2008	BROAD MINDED by Charlie Finch Swaping curatorial souls for the favors of the wealthy.

Feb. 12, 2008	THE GRAYING OF MODERNISM by Donald Kuspit The whimper of "Jasper Johns: Gray" at the Metropolitan Museum.

Feb. 11, 2008	THE WAY IT WAS by Charlie Finch The modest beginnings of legendary dealer Richard Bellamy.

Feb. 11, 2008	Artist in Residence by Jerry Saltz When Guy Ben-Ner goes to Ikea, he’s not there for the meatballs.

Feb. 8, 2008	DIARY OF AN ART STAR by Reverend Jen Your favorite American idol goes on a two-city German tour.

Feb. 7, 2008	FATHERS AND SONS by Charlie Finch At the Museum of Biblical Art, "The Art of Forgiveness: Images of the Prodigal Son."

Feb. 6, 2008	LET THEM EAT WATER by Charlie Finch Olafur Eliasson’s "Waterfalls" is just for the good of New Yorkers.

Feb. 4, 2008	A COSMIC JOKE by Charlie Finch Robert Smithson’s Spiral Jetty was designed to be passive.

Feb. 4, 2008	Emerging, After All These Years by Jerry Saltz The gallery gold rush has allowed artists who’ve spent decades on the fringes to grab at the prize.

January

Jan. 28, 2008	CRITICAL MASS by Charlie Finch The keys to the art-critical kingdom.

Jan. 23, 2008	TORRID ALLEGORY by Paul Jeromack Fragonard lets it all hang out in the "Allegories of Love."

Jan. 22, 2008	LATE BLOOMER by Charlie Finch Nobuhiro Ishihara’s symbolic creatures.

Jan. 18, 2008	CUT AND PASTE by Charlie Finch "Fit to Print" at Gagosian Gallery in New York.

Jan. 18, 2008	DANGEROUS BEAUTY by Hunter Drohojowska-Philp Graciela Iturbide and the astonishment of Mexico.

Jan. 17, 2008	REPETITIVE STRESS by Charlie Finch Zhang Peili provides a chilling look at the world’s oldest civiliation.

Jan. 14, 2008	PENNMANSHIP by Charlie Finch Steely esthetic asceticism from Irving Penn.

Jan. 9, 2008	NAVAL GAZING by Charlie Finch Julian Schnabel’s new "Navigation Drawings."

Jan. 9, 2008	THE TRIUMPH OF THE BIG D by Alexandra Anderson-Spivy "Pattern and Decoration" painting returns, in two museum exhibitions.

Jan. 7, 2008	WHAT MAKES A MASTERPIECE by Charlie Finch A tale of the art market, 2008.

Jan. 4, 2008	DUTCH MASTERS by Paul Jeromack "The Age of Rembrandt" at the Metropolitan Museum of Art.

Jan. 4, 2008	OUT ON A LIMB FOR 2008 by Charlie Finch Scoping out the new year.

Jan. 3, 2008	ECSTASY MACHINE by Jerry Saltz The Metropolitan Museum of Art is a visit to the entire world.

December

Dec. 29, 2007	THE ASHES OF CHARISMA by Charlie Finch Contemporary artists and their pretensions.

Dec. 28, 2007	WAR AND SEX by Michèle C. Cone Patriotism, propaganda and passion at Exit Art.

Dec. 21, 2007	A CHRISTMAS EVE MEMORY by Charlie Finch New York City in the 1950s.

Dec. 19, 2007	TROLLING AT THE TROLL by Charlie Finch A new museum opens on the Lower East Side.

Dec. 18, 2007	DRAWING NOTEBOOK by N.F. Karlins Contemporary artists explore the Morgan Library collection in "Drawing Connections"

Dec. 17, 2007	THE YEAR IN ART by Jerry Saltz Matthew Barney, Kara Walker, Richard Prince, the Whitney, the New Museum, the Met, more.

Dec. 14, 2007	ART AND THE PRESIDENCY by Charlie Finch Art takes a leave from the 2008 campaign.

Dec. 13, 2007	WAITING FOR GAGOSIAN by Lavinia Filippi Gagosian Gallery opens a space in Rome.

Dec. 12, 2007	CRAP ON CRAP by Charlie Finch Lucian Freud’s inferior art.

Dec. 10, 2007	Little House on the Bowery by Jerry Saltz Has the New Museum sold itself short?

Dec. 7, 2007	CLASSICS AND COMMERCIALS by Charlie Finch Selling art and selling out.

Dec. 3, 2007	WEEKDAY UPDATE by Charlie Finch A single masterpiece on view in New York’s Chelsea art district.

Dec. 3, 2007	CAN YOU DIG IT? by Jerry Saltz At Gavin Brown, Urs Fischer takes a jackhammer to Chelsea itself.

November

Nov. 30, 2007	EVE OF DESTRUCTION by Charlie Finch Employing entropy in the world of art.

Nov. 28, 2007	THE UNCURATORIAL CURATOR by Ilka Scobie An interview with New Museum curator Massimiliano Gioni.

Nov. 28, 2007	WATTS UP by Charlie Finch Sober symbolism in new paintings by Ouattara Watts.

Nov. 28, 2007	ALL-STARS AND ART STARS by Daniel Grant The fine art of being a sports artist.

Nov. 26, 2007	SPECTACULAR SHOW by Charlie Finch Symbols of transformation from Indian artist Bharti Kher.

Nov. 26, 2007	Where Are All the Women? by Jerry Saltz On MoMA’s identity politics.

Nov. 21, 2007	NOT A FAIRY TALE by Donald Kuspit Judy Fox’s Snow White and the Seven Sins.

Nov. 21, 2007	ESTRANGED IN A STRANGE LAND by Charlie Finch Hu Xiangdong packages China for consumption.

Nov. 20, 2007	SWEETNESS IS LIGHT by Julia Morton Cosimo Cavallaro’s chocolate saints.

Nov. 20, 2007	THE VIRTUES OF TRANSPARENCY by Charlie Finch Time to smash open the doors of auctionland.

Nov. 14, 2007	EYE CANDY V. HARD CANDY by Julia Morton Whitney Museum curator Shamim Momin talks the talk.

Nov. 13, 2007	AN EXPLOSION OF COLOR, IN BLACK AND WHITE by Jerry Saltz Kara Walker’s silhouettes don’t just broach America’s touchiest subject -- they detonate it.

Nov. 12, 2007	DUPED! by Charlie Finch New homonculi from cybersculptor Richard Dupont.

Nov. 9, 2007	© ART by Hunter Drohojowska-Philp Takashi Murakami’s retrospective at the Museum of Contemporary Art Los Angeles.

Nov. 8, 2007	PECULIAR INSTITUTIONS by Charlie Finch Remembering galleries of times past.

Nov. 5, 2007	THE WILD ONE by Jerry Saltz Steven Parrino was bent on destroying painting in order to save it.

Nov. 2, 2007	BLACK BOX by Charlie Finch Douglas Gordon’s new burnt-Warhol-on-mirror works.

Nov. 1, 2007	A LOST OPPORTUNITY by Charlie Finch Martin Puryear at the Museum of Modern Art.

October

Oct. 26, 2007	A NOT-SO-VAST RIGHT-WING CONSPIRACY by Charlie Finch The art blogs and their nonexistent readers.

Oct. 25, 2007	A SHOEBOX SHOW by Charlie Finch Park Avenue Bank hosts a show of works by 20th-century women artists.

Oct. 24, 2007	KASHMIR HIGH by Fred Stern "The Arts of Kashmir " at Asia Society in New York.

Oct. 23, 2007	I AM STONED (ARE YOU STONED?) by Charlie Finch The secret Conceptual Art techniques of Lawrence Weiner.

Oct. 22, 2007	The Elephant in the Room by Jerry Saltz Why you should give a crap about Chris Ofili’s new paintings.

Oct. 19, 2007	DIARY OF AN ART STAR by Reverend Jen Back to School special: Reverend Jen’s Art Tips for Boys and Girls.

Oct. 18, 2007	CHINA DOLLARS by Charlie Finch What’s behind the boom in Chinese contemporary?

Oct. 16, 2007	POPULAR PAINTINGS by Charlie Finch "XXL: Size Matters" at the Hudson Valley Center.

Oct. 15, 2007	ANARCHY IN THE U.K. by Emilie Trice Zak Smith brings his politics and porn to London.

Oct. 15, 2007	LOS ANGELES COOL by Hunter Drohojowska-Philp Three shows prove that Los Angeles art was hot in the 1960s.

Oct. 12, 2007	ART ABOUT LIFE by Charlie Finch Lisa Yuskavage versus death.

Oct. 10, 2007	ART MARKET GUIDE 2007 by Richard Polsky A look at the art market, October 2007.

Oct. 10, 2007	ART INFLAMES by Charlie Finch Vandalizing Andres Serrano in Sweden.

Oct. 9, 2007	QUESTIONS OF CRAFT by N.F. Karlins "Shy Boy, She Devil, and Isis" puts "conceptual craft" in the spotlight.

Oct. 5, 2007	VOLUNTEER SLAVERY by Charlie Finch Kara Walker and the injection of sex into horror.

Oct. 5, 2007	THE WATSON LOOK by Mary Barone Gordon Watson curates a decorative arts auction at Sotheby’s London.

Oct. 3, 2007	SHARPSHOOTER by Alexandra Anderson-Spivy He’s back: Willoughby Sharp in performance.

Oct. 2, 2007	WHY ARE THE GRINGOS IN COLOMBIA? by Steve Mumford Stories from the Baghdad 28th Combat Support Hospital.

September

Sept. 28, 2007	PRINCE CHARMING by Charlie Finch Richard Prince, market Leviathan.

Sept. 27, 2007	GOODBYE GLENN by Charlie Finch Hello Halbreich -- staff changes at the Museum of Modern Art.

Sept. 26, 2007	OLD SCHOOL by Charlie Finch André Emmerich, 1924-2007

Sept. 25, 2007	LOOKING by Charlie Finch When the eye is not invited in.

Sept. 24, 2007	FROM A TO Z by Phyllis Tuchman "All the More Real" at the Parrish Art Museum.

Sept. 24, 2007	HOW TO REBUILD THE GUGGENHEIM by Jerry Saltz Trying to take the "heim" out of the Guggenheim.

Sept. 21, 2007	FRANKINSCENSE by Charlie Finch Natalie Frank’s new paintings are both disturbing and entrancing.

Sept. 21, 2007	CONCRETE COLISEUM by Roberta Fallon Artist Mark Shetabi’s parking garages are emblems of society gone wrong.

Sept. 19, 2007	THE TALENT by Charlie Finch Hollywood stars and art stars, both dim.

Sept. 17, 2007	BACK FROM THE BRINK by Jerry Saltz MoMA relives painting’s postwar near-death experience.

Sept. 17, 2007	THE MACHINE SELF AND THE SQUIGGLE GAME by Donald Kuspit Rebecca Horn’s performance of her body ego.

Sept. 12, 2007	MIXED MESSAGES by Charlie Finch Marian Goodman Gallery celebrates its 30th anniversary.

Sept. 10, 2007	ANOTHER OPENING, ANOTHER SHOW by Charlie Finch Deborah Kass at Kasmin -- and Bottino -- plus the Collector Fair.

Sept. 7, 2007	DARKNESS VISIBLE by Charlie Finch On Lisa Ruyter: One Million Postcards.

Sept. 5, 2007	The return of midcareer by Charlie Finch A glance at the contemporary gallery offerings in New York this fall.

August

Aug. 27, 2007	BOHEMIAN RHAPSODY by Jerry Saltz Remembering Elizabeth Murray.

Aug. 24, 2007	ART CLASS by Ben Davis Marx, "a new theory of the market," art and politics.

Aug. 23, 2007	ART OPPORTUNITIES by Charlie Finch A change in market values means a change in art values.

Aug. 22, 2007	SHCONTEMPORARY PREVIEW by Lee Ambrozy The new art fair in Shanghai hopes to steal Beijing’s crown as capital of Chinese contemporary art.

Aug. 21, 2007	DIARY OF AN ART STAR by Reverend Jen Art, sun and revelation in the Hamptons.

Aug. 20, 2007	THE TROUBLE WITH YOUTH by Donald Kuspit The adolescent avant-garde versus the new Old Masters.

Aug. 17, 2007	HOW HE PAINTS HIS MASTERPIECE by Charlie Finch Waiting for Bob Dylan’s painting exhibition.

Aug. 17, 2007	JOE LEWIS: CLAIRVOYANCE by Walter Robinson From the Bronx to Chelsea, via pictoralism, minimalism and deconstruction.

Aug. 13, 2007	JUST BRUCE by Charlie Finch Bruce Wolmer, 1948-2007, RIP.

Aug. 8, 2007	FINALLY, SOMEBODY by Hunter Drohojowska-Philp Rediscovering the eccentric (and influential) abstractions of Mary Heilmann.

Aug. 6, 2007	LIQUID SKIES by Charlie Finch Will the hedge fund crisis sink the art market?

July

July 31, 2007	THE MAGICAL MURPHYS by Alexandra Anderson-Spivy During the Jazz Age, Sara and Gerald Murphy lived life as an artistic exercise.

July 30, 2007	A BIZARRE COLLECTOR by Charlie Finch A visit to Kykuit, the estate of the now-forgotten Nelson Rockefeller.

July 30, 2007	BIRDS OF PARADISE by N.F. Karlins "Justin McCarthy" at the two-year old GoggleWorks Center for the Arts in downtown Reading, Pa.