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 Switch 1999 |
FEATURES 1999 ARCHIVES CIRCUS MAXIMUS by Jerry Saltz 12/30/99 Richard Serra's monumental Switch at Gagosian. THE ROVING EYE by Anthony Haden-Guest 12/29/99 The return of Brancusi's Endless Column. STRUTHSKY by Jerry Saltz 12/28/99 German photographers Andreas Gursky and Thomas Struth. VELAZQUEZ IN MANHATTAN by Fred Stern 12/20/99 The Frick shows six works from New York collections. OUT OF THE FOG by Jerry Saltz 12/20/99 Paintings by Sarah Morris and Peter Doig. MY EYE by Thomas Hoving 12/17/99 A fundamental change for the year 2000. ALL MY MEMORIES ARE HIPPIE ONES by Stanley Abercrombie 12/16/99 SFMoMA shows Bay Area design 1967-1973. GARRETT'S ATTIC by Wendell Garrett 12/15/99 Card tables and card playing in Colonial America. MILLENNIAL DREAMS by N. F. Karlins 12/13/99 "Vision and Prophecy" at the Museum of American Folk Art. THE ROVING EYE by Anthony Haden-Guest 12/10/99 Hilfiger, Saatchi, what's the difference? Plus Dan Asher & Mike Cockrill. TO HELL WITH PICTURES by Victor M. Cassidy 12/9/99 Ellsworth Kelly in Chicago. MEMORY LANE by Jerry Saltz 12/8/99 700 portraits by Timothy Greenfield-Sanders. TIME AND BARNETT NEWMAN by Charlie Finch 12/6/99 Getting the thin line at the Museum of Modern Art. THE MANAGERIAL SUBLIME by Jerry Saltz 12/3/99 At Barbara Gladstone, new paintings by Lari Pittman. NATIVE SPEAKERS by Robert Mahoney 11/29/99 Eerie Western visions by Brad Kahlhamer. NYMPHS, MESSENGERS AND MUSES by Jerry Saltz 11/24/99 New work by John Currin at Andrea Rosen. THE RETURN OF BAD TASTE by Charlie Finch 11/22/99 Norman Rockwell and his epigones. MOCA'S NEW GUARD by Irit Krygier 11/16/99 A conversation with new MOCA director Jeremy Strick. CASTING CALL by Jerry Saltz 11/15/99 New work by Rachel Whiteread at Luhring Augustine, New York. GEORGE WASHINGTON, MAN OR MYTH? by Wendell Garrett 11/10/99 George Washington's image from the 18th century to the present. THE ROVING EYE by Anthony Haden-Guest 11/9/99 Robert Rosenblum on Norman Rockwell, chats with Peggy Preheim and Joe Coleman, plus more. OFFBEAT AND NAKED by Linda Nochlin 11/5/99 The nude at its best. THE TROUBLING NUDE by Donald Kuspit 11/3/99 In the beginning was nakedness.... PEACEABLE KINGDOM by N. F. Karlins 11/2/99 Edward Hicks at the Philadelphia Museum. MY EYE by Thomas Hoving 10/29/99 A few further thoughts on the Brooklyn Museum mess. ENTERTAINING MR. SOANE by Stanley Abercrombie 10/28/99 Neoclassical architect Sir John Soane at the Royal Academy. A PAINTER'S PROGRESS by Dennis Kardon 10/26/99 Jenny Saville, Jonathan Lasker and other painterly matters. PARTIAL ECLIPSE by Jerry Saltz 10/25/99 Francesco Clemente at the Solomon R. Guggenheim Museum. A GLARING ABSENCE by Jerry Saltz 10/25/99 MoMA's "People" omits women artists. STYLISH DRESSER by Brook S. Mason 10/21/99 The rising market for Christopher Dresser's modern designs. DISEMBODIES by Amy Fusselman 10/20/99 Ellen Gallagher's provocative abstractions. TASTING MENU by Jerry Saltz 10/14/99 Part II of "The American Century" opens at the Whitney. THE ROVING EYE by Anthony Haden-Guest 10/14/99 Hiro Yamagata, the richest artist in the world. Plus, a tale of a truant tie. PARIS 1900 by N. F. Karlins 10/13/99 The American School at the Universal Exposition. GUY ART by Jerry Saltz 10/12/99 A selection of male artists around the city. GARRETT'S ATTIC by Wendell Garrett 10/12/99 A Boulle cabinet on stand at the Getty Museum. THE REANIMATORS by Alan Moore 10/11/99 Conceptual art walking at P.S.1 and in SoHo. REVENGE OF THE REAL by Jerry Saltz 10/8/99 "Sensation's" second life. THE ROVING EYE by Anthony Haden-Guest 10/1/99 "Sensation" opens at the Brooklyn Museum. MY EYE by Thomas Hoving 10/1/99 Who's to blame for the Brooklyn mess? THE ROVING EYE by Anthony Haden-Guest 9/30/99 An interview with NYPD target Tom Sachs. CHINESE GOLD by Christopher French 9/29/99 "The Golden Age of Chinese Archeology" at the National Gallery of Art. GIULIO ROMANO, MASTER SEDUCER by N. F. Karlins 9/28/99 A long-overdue show of drawings by the Mannerist master. DECOY AND DAYDREAMER by Jerry Saltz 9/23/99 Young photographers Justine Kurland and Nikki S. Lee. THE ROVING EYE by Anthony Haden-Guest 9/22/99 Giuliani protests "Sensation," plus more. THE ROVING EYE by Anthony Haden-Guest 9/22/99 A long-lost movie starring Jean-Michel Basquiat. QUESTIONS FOR THE AMERICAN CENTURY 9/22/99 Lisa Phillips talks about "The American Century, Part II" at the Whitney Museum. GOING, GOING, GONE by Donald Kuspit 9/16/99 Avant-garde art, a hard act to follow. FALL IN THE TRENCHES by Jerry Saltz 9/10/99 A preview of art this autumn in New York. GARRETT'S ATTIC by Wendell Garrett 9/9/99 "Worldly Goods: The Arts of Early Pennsylvania" at the Philadelphia Museum. GILT COMPLEX by Brook S. Mason 9/8/99 The quintessential English country home look. RALPH RAPSON by Stanley Abercrombie 9/2/99 A retrospective look at the modernist architect and designer. THE PRIVATE EYE by Elisabeth Kley 8/31/99 A studio visit with New York artist Aki Fujiyoshi. MY EYE by Thomas Hoving 8/27/99 Kudos for the Boston MFA overhaul. IMITATION WARHOL by Jerry Saltz 8/26/99 Takashi Murakami's factory-works at Bard. ROMANCING THE SKY by Joy Garnett 8/24/99 Cosmic contemplation at the Montreal Museum of Fine Arts. THE ROVING EYE by Anthony Haden-Guest 8/23/99 Leo Castelli, R.I.P. NO SEX PLEASE by Jerry Saltz 8/19/99 No nonsense nudes in contemporary art at the Aldrich Museum. THE CURIOUS MR. SOTTSASS by Amy Fusselman 8/17/99 A visit with Ettore Sottsass, Jr. GARRETT'S ATTIC by Wendell Garrett 8/13/99 The Pompadour highboy at the Metropolitan Museum of Art. FAME FATALE by Jerry Saltz 8/12/99 "Fame after Photography" at MoMA. THE PORCELAIN SECRET by N. F. Karlins 8/11/99 The Saint-Cloud Manufactory at New York's Bard Graduate Center. MARILYN'S GHOST by Douglas Kelley 8/9/99 Marilyn Monroe's stuff at Christie's New York. NOMADIC VENICE by Carolee Thea 8/6/99 Is the ideal of multinationalism radical enough? THE YIN-YANG BIENNALE by Lisa Liebmann 8/6/99 Inimism and euphoria in Venice. BRONX TALES by Jerry Saltz 8/6/99 Urban Mythologies at the Bronx Museum. WARHOL'S LAST SUPPER by Anthony Haden-Guest 8/3/99 At the Guggenheim SoHo, Warhol's final works. EYEBURN by David Cohen 7/28/99 Bridget Riley at the Serpentine Gallery, London. DESIGN'S HIP ICONOCLAST by Stanley Abercrombie 7/27/99 The late Tibor Kalman at the San Francisco MoMA. MOOD SWINGS by Jerry Saltz 7/23/99 The summer's best group shows. SUMMER MADNESS by Andrew Decker 7/21/99 Steve Wynn's latest art deal. MY EYE by Thomas Hoving 7/20/99 Art for Dummies and "The American Century." DRIVE TIME by Jerry Saltz 7/19/99 Shows by Saint Clair Cemin, Wade Guyton and Pedro Barbeito. RUSSEL WRIGHT AND MODERN AMERICA by James Zemaitis 7/15/99 The First Annual Russel Wright Collectors Weekend at Manitoga, Garrison, N.Y., June 19-20, 1999. GARRETT'S ATTIC by Wendell Garrett 7/13/99 The Herter Brothers dining room chairs for the William H. Vanderbilt Mansion in New York City. WINTER IN NEW YORK by N. F. Karlins 7/7/99 Cool off with "Impressionists in Winter" at the Brooklyn Museum. RESIDENT ALIEN by Jerry Saltz 7/7/99 Rirkrit Tiravanija's human laboratory at Gavin Brown's Enterprise. THE PERFECT HOME by Meredith Mendelsohn 7/1/99 The very private un-private house at MoMA. IMMENSE MINIATURES by Jerry Saltz 7/1/99 Toba Khedoori's ethereal drawings. DEATH AND PICASSO by Donald Kuspit 6/30/99 Another look at "Picasso and the War Years, 1937-1945." BROOKLYN SPICE by Paul Laster 6/29/99 An art scene grows in Brooklyn. D.C. ART-O-MATIC by Christopher French 6/25/99 The alternative space movement stirs in Washington, D.C. RISING TIDE by Jerry Saltz 6/25/99 Impressions of the Venice Biennale. SOUL OF THE PEOPLE by Victor M. Cassidy 6/23/99 Spanish folk art in the Americas. PATTERN & DISSIPATION by Jerry Saltz 6/22/99 Christian Schumann and Philip Taaffe, two painters who stick to the surface. BEYOND THE BEDSPREAD by N. F. Karlins 6/21/99 Quilts by African American artists at the American Craft Museum. GARRETT'S ATTIC by Wendell Garrett 6/15/99 Anthony G. Quervelle's fine 19th-century furniture. THE UNICORN RETURNS by Fred Stern 6/11/99 The Cloisters is once again complete. JOYFULLY PRECARIOUS by David Cohen 6/7/99 The many sides of British sculptor and printmaker Ivor Abrahams. ART OF DARKNESS by Jerry Saltz 6/4/99 Ashley's Bickerton's humorously horrific new paintings. PICKY, PICKY by Jerry Saltz 6/2/99 Artists' collections at two New York galleries. HIPPIE INTENSITY by Robert Mahoney 6/2/99 New works by Mike Kelley explore intuition and faith. BORNEO IN NEW YORK by N. F. Karlins 5/28/99 At the Metropolitan Museum, a show of the art of the Kenyah-Kayan. THE INDEFINITE ART by Donald Kuspit 5/27/99 "Global Conceptualism" at the Queens Museum. COVETED CLOTHS by Fred Stern 5/26/99 A look at the unusual collecting area of African textiles. LEGACY OF INVENTION by Stanley Abercrombie 5/25/99 An encyclopedic look at the work of Charles and Ray Eames. HALO OF PAINTING by Donald Kuspit 5/24/99 Julian Schnabel's plate paintings. WANTING IT by Jerry Saltz 5/24/99 New paintings by Sean Landers at Andrea Rosen Gallery. THE POMO ART MARKET by N. F. Karlins 5/21/99 "Pomo Indian Basket Weavers: Their Baskets and the Art Market," at the National Museum of the American Indian in New York. IMAGE AND REFLECTION by Christopher French 5/19/99 Portraits by Jean-Auguste-Dominique Ingres at the National Gallery of Art. THE CURIOUS CASE OF DR. GACHET by Walter Robinson 5/17/99 The Met shows the collection of van Gogh's doctor. GARRETT'S ATTIC by Wendell Garrett 5/14/99 The Perkins oak court cupboard offered at Sotheby's New York. INSIDE JOB by Jerry Saltz 5/13/99 The Museum as Muse at the Museum of Modern Art. OUR CENTURY, OURSELVES by Jerry Saltz 5/6/99 The American Half-Century at the Whitney Museum of American Art. KUNSTSTAG 1999 by Michael Duncan 5/5/99 A report from the Frankfurt Art Fair, Apr. 22-26, 1999. ENGLAND'S ARK by Stanley Abercrombie 4/30/99 An omnium-gatherum from London's V&A. CRITICAL SITUATION by Alan Moore 4/27/99 Four African American art writers on the state of art criticism today. MY EYE by Thomas Hoving 4/26/99 Time for the Lehman Collection Break-Out.
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