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 Nighttime Thong 2001 at Team |
FEATURES 2001 ARCHIVES SOMETHING WILD by Jerry Saltz 12/20/01 Katherine Bernhardt's funk, punk, pop paintings. NAILING FAILING by Jerry Saltz 12/13/01 Michael Smith and Joshua White's Latest Success. FOLK RENAISSANCE by N. F. Karlins 12/12/01 The American Folk Art Museum moves into its new home. DEE GLASOE GETS NEW by Charlie Finch 12/11/01 Chelsea's best-kept secret. MY OWN PRIVATE BIENNIAL by Charlie Finch 11/28/01 A response to Larry Rinder's list. HISTORY PAINTING by Jerry Saltz 11/28/01 Kai Althoff's exploration of karma and history. GARRETT'S ATTIC by Wendell Garrett 11/26/01 Thomas Chippendale brings a Rococo revolution to English furniture. TEN YEARS AFTER by Jerry Saltz 11/21/01 The art world in 1991. TEA WITH MARIKO by Kay Itoi 11/20/01 A talk with Mariko Mori on the occasion of her first museum show in Japan. ASK MARK KOSTABI by Mark Kostabi 11/19/01 Persistence breaks down resistance. MIDDLE AMERICANA by Jerry Saltz 11/14/01 "I never painted pictures to be seen," Norman Rockwell at the Guggenheim. NAKED TRUTH by Donald Kuspit 11/12/01 The suggestive absurdity of the human body at C&M Arts. THE CHIEF by Charlie Finch 11/12/01 The fireman in the window of Deitch Projects. ART MARKET GUIDE 2001 by Richard Polsky 11/6/01 The art world gears up for the fall sales in New York. FIGURE ONE by Jerry Saltz 10/31/01 Giacometti and the invention of modern sculpture. WHAT NOW? by Charlie Finch 10/26/01 Going through the motions in the center of world contemporary art. INSIDER OUT by Jerry Saltz 10/24/01 Louis M. Eilshemius and the quadruple whammy of unluckiness. JAPAN'S YEAR OF NARAKAMI by Kay Itoi 10/22/01 The hometown reign of Yoshitomo Nara and Takashi Murakami. THE UNEMPATHIC EYE by Donald Kuspit 10/19/01 Helmut Newton's photographs give the lie to power. CRAVING GRACE by Jerry Saltz 10/18/01 Oliver Payne and Nick Relph's video trilogy at Gavin Brown's Enterprise. CHERUBIC MINIMALIST by Hunter Drohojowska-Philp 10/12/01 Sol LeWitt shines in Southern California. ICON WITH A NIKON by Joyce Caruso 10/12/01 The late fashion photog Guy Bourdin was the king of kink. VIVA LAS VEGAS! by Hunter Drohojowska-Philp 10/10/01 The Guggenheim Museum opens two new branches in Sin City. DRAWING NOTEBOOK by N. F. Karlins 10/9/01 Bruegel's drawings capture the best and worst of the human condition. SUPER ART GEMS OF NEW YORK CITY by Thomas Hoving 10/5/01 The Cloisters ivory cross -- what is its anti-Jewish message and where did it come from? IS WESTERN CULTURE WORTH FIGHTING FOR? by Charlie Finch 10/4/01 Time to restore the songs of New York. ALL AT ONCE by Jerry Saltz 10/3/01 Benjamin Edwards and a new dimensionality for painting. SUPER ART GEMS OF NEW YORK CITY by Thomas Hoving 9/27/01 Topic Mimara and the Bury St. Edmunds Cross, Part I. ART MARKET GUIDE 2001 by Richard Polsky 9/27/01 The Fall auction market -- now what? SYRIA AND CIVILIZATION by N. F. Karlins 9/26/01 A traveling show surveys the range of Syrian and archaeology. KEEPING THE FAITH by Jerry Saltz 9/26/01 When everything changes, what happens to art? OPENING NIGHT by Charlie Finch 9/7/01 The new art season opens in New York. GARRETT'S ATTIC by Wendell Garrett 9/6/01 The brief, modernist reign of Art Nouveau furniture, 1890-1914. BABYLON NOW by Jerry Saltz 9/5/01 Bucking the system in Bizarro World. WHAT ART DEALERS REALLY WANT by Richard Polsky 9/5/01 It's gotta be the shoes. PICTURING THE PAST by N. F. Karlins 9/4/01 From the Holy Land to indigenous America, vintage photos on view this month in New York. PUBLIC BENJAMIN by Charlie Finch 8/30/01 Benjamin Edwards paints the autoscape. GLAMOUR IN THE GALLERY by Pernilla Holmes 8/30/01 The art market welcomes Steven Meisel. ART MARKET GUIDE 2001 by Richard Polsky 8/24/01 The electrifying art of Dan Flavin. LONDON CALLING by David Ebony 8/20/01 Navigating the Thames: Malcolm Morley and Rachel Whiteread in London. ART MARKET GUIDE 2001 by Richard Polsky 8/15/01 The highly salable work of Alex Katz. THE NEW SEASON by Charlie Finch 8/14/01 Contemporary galleries drive the art world. PARIS JOURNAL by Julie Ryan 8/13/01 Au bon coin: rue Debelleyme and rue Vieille du Temple. ART MARKET GUIDE 2001 by Richard Polsky 8/8/01 Richard Estes stands alone as the top Photo Realist. GARRETT'S ATTIC by Wendell Garrett 8/6/01 The story of Biedermeier furniture, 1815-30. BEAUTY IS COMMOTION by Kay Itoi 8/3/01 An interview with Yasumasa Morimura on the occasion of his Frida Kahlo self-portraits. ART MARKET GUIDE 2001 by Richard Polsky 8/1/01 The Eric Fischl market is stronger than ever. VIDEO KILLED THE INTERNET STAR by Charlie Finch 7/27/01 Quiet is the video event of the summer. SCREEN SAVERS by Jerry Saltz 7/25/01 Video and the artists who love it. FRONTIER ABSTRACTION by Donald Kuspit 7/24/01 Clyfford Still at the Hirshhorn Museum and Sculpture Garden. A STROLL ABOVE THE FREEWAY by Jeremy Gilbert-Rolfe 7/23/01 Sculptor Liz Larner designs a footbridge at Disney. TEA FOR THIEBAUD by Charlie Finch 7/20/01 A bakery, full of creamy pies. THE GODDESS RULES by Ned Higgins 7/20/01 "Woman/Goddess" at the India Center in Manhattan. SIMPLE GIFTS by Victor M. Cassidy 7/19/01 Chicago launches a pair of H.C. Westermann retrospectives. BLOWTORCH REALISM by Jerry Saltz 7/18/01 Leon Golub's blowtorch realism at the Brooklyn Museum. RIB-TICKLIN' RED by Deborah Ripley 7/18/01 Red Grooms rules the print roost. EXCITING TIMES by Barbara Weidle 7/17/01 An interview with David Hockney. IT'S A BEAUTIFUL WORLD by Hunter Drohojowska-Philp 7/16/01 Dave Hickey redeems cosmopolitanism at Site Santa Fe. HICKEY THE PHONY by Charlie Finch 7/16/01 The art crowd eats it up. SUPER ART GEMS OF NEW YORK CITY by Thomas Hoving 7/16/01 The "Hot Pot" finale -- the truth is revealed. SUPER ART GEMS OF NEW YORK CITY by Thomas Hoving 7/13/01 The fifth in a new series by the former director of the Metropolitan Museum. PURE COLOR IN LONDON by Pernilla Holmes 7/12/01 The Fauves come to the Courtauld. BOSTON FOLK by N. F. Karlins 7/11/01 The MFA Boston unveils its folk art treasures for the first time. AFTER THE GOLD RUSH by Jerry Saltz 7/11/01 New York's Chelsea art scene comes of age. SUPER ART GEMS OF NEW YORK CITY by Thomas Hoving 7/10/01 Part IV -- Irrefutable evidence for a good "Hot Pot" provenance. ART MARKET GUIDE 2001 by Richard Polsky 7/10/01 The bulls are out for Claes Oldenburg. SEE IT FRESH by Victor M. Cassidy 7/9/01 Reinventing photography: Samuel Fein and Alice Hargrave. SUPER ART GEMS OF NEW YORK CITY by Thomas Hoving 7/5/01 The "Hot Pot" III -- the press screams scandal. ART MARKET GUIDE 2001 by Richard Polsky 7/3/01 Collectors take a liking to Mel Ramos. SUPER ART GEMS OF NEW YORK CITY by Thomas Hoving 7/2/01 The hunt for the "Hot Pot," part two -- a money source opens up. SUPER ART GEMS OF NEW YORK CITY by Thomas Hoving 6/29/01 A new series by the former director of the Metropolitan Museum. LOUISE by Charlie Finch 6/28/01 A poem for Louise Bourgeois' spiders at Rockefeller Center. ART MARKET GUIDE 2001 by Richard Polsky 6/27/01 On the difficulties of being an honest art dealer. APPARELED IN CELESTIAL LIGHT by Alexandra Anderson-Spivy 6/25/01 A report from James Turrell's Roden Crater, June 2001. ASK MARK KOSTABI by Mark Kostabi 6/21/01 Fresh tips from Artnet Magazine's own advice columnist. COVER ME by Jerry Saltz 6/20/01 A staggering blur in Carlo McCormick's "LP Show" at Exit Art. AGAINST CATTELAN by Charlie Finch 6/19/01 Maurizio Cattelan's lounge act. GARRETT'S ATTIC by Wendell Garrett 6/15/01 The 17th century age of oak. MY GENERATION by Pernilla Holmes 6/14/01 London gets a video party. PRIMORDIAL SEASONINGS by Jerry Saltz 6/13/01 Verne Dawson at Gavin Brown's Enterprise. SHADOWS OF THE WALL by Alan Moore 6/12/01 The indigestible Wolf Vostell at Janos Gat Gallery in New York. URBAN VISIONARY by Ilka Scobie 6/11/01 An interview with painter Martha Diamond. LIKE LIFE by Jerry Saltz 6/6/01 Ron Mueck at James Cohan Gallery. THE ETHICS ARTIST by Barbara Pollack 6/5/01 William Kentridge's Soho Eckstein cycle. DRAWN AND QUARTERED by Jerry Saltz 5/30/01 James Ensor at the Drawing Center. ART MARKET WATCH by Walter Robinson 5/25/01 O'Keeffe rules the American market. ART MARKET GUIDE 2001 by Richard Polsky 5/22/01 A special spring post-auction wrap-up. POST-BLACK by Jerry Saltz 5/16/01 "Freestyle" at the Studio Museum in Harlem. SUPERNATURAL THING by Jerry Saltz 5/10/01 Tantric snake temptation in Chelsea. ESTHETIC WASTELAND by Donald Kuspit 5/10/01 The haunted industrial landscape of Bernd and Hilla Becher. ART MARKET GUIDE 2001 by Richard Polsky 5/9/01 A special report on the contemporary auctions in New York this spring. BAD ART MAKES A COMEBACK by Charlie Finch 5/8/01 How "branding" perpetuates painterly stasis. CHIHULY COLLECTS by Brook S. Mason 5/3/01 The Seattle glass master is a major collector of the decorative arts. WOMAN OVERBOARD by Jerry Saltz 5/2/01 Hilary Harkness paints a black-comedy universe of perversion. A NIGHT TO REMEMBER by Charlie Finch 5/2/01 A Rosenquist is a Rosenquist is a Rosenquist. Or is it a Koons? ART MARKET GUIDE 2001 by Richard Polsky 5/2/01 Collectors finally catch up with the subtle art of Agnes Martin. LIVING LARGE by Ilka Scobie 4/27/01 A studio visit with Mr. Julian Schnabel, with photos by Luigi Cazzaniga. LETTER TO THE EDITOR 4/25/01 A reply to Richard Polsky on Sean Scully. ART MARKET GUIDE 2001 by Richard Polsky 4/25/01 Robert Gober mesmerizes the market. BYTE LYTE by Jerry Saltz 4/25/01 Tepid "BitStreams" at the Whitney. JACKIEMANIA! by Walter Robinson 4/23/01 The Met unveils its Jacqueline Kennedy blockbuster. LOOKING DOWN ON MAN'S BEST FRIEND by Charlie Finch 4/23/01 Deborah Brown's canine paintings at Cheryl Pelavin. THE SEMIOTIC ANTI-SUBJECT by Donald Kuspit 4/20/01 Postmodernism's repudiation of subjectivity. ART MARKET GUIDE 2001 by Richard Polsky 4/18/01 Chuck Close, the art world's universally beloved artist. NONOBJECTIVITY AS A CRISIS OF SUBJECTIVITY by Donald Kuspit 4/13/01 How pure art came to the artist's emotional rescue. MORNINGS WITH HARRY CALLAHAN by Victor M. Cassidy 4/12/01 Chicago storefronts in color by the famed photographer. WILD THING by Jerry Saltz 4/11/01 William Blake brings heaven and hell to the Met. ART MARKET GUIDE 2001 by Richard Polsky 4/11/01 Sean Scully's paintings are difficult not to like. But... THE ROMANTIC SUBJECT by Donald Kuspit 4/6/01 Art as the embodiment of creative illness. GARRETT'S ATTIC by Wendell Garrett 4/5/01 A history of Chinese furniture, through the Ming Dynasty, 1368-1644. TWO ESKIMOS by Charlie Finch 4/4/01 The cold new world of Will Cotton and Damian Loeb. HOPPER IN JAPAN by Gail Levin 3/30/01 Epitomizing mid-century America for a Japanese art audience. ASK MARK KOSTABI by Mark Kostabi 3/29/01 Practical advice for the ambitious artist. READING RUPPERSBERG by Hunter Drohojowska-Philp 3/29/01 The novel that writes itself comes of age. HEAT OF THE MOMENT by Jerry Saltz 3/28/01 Gary Hume's rakish new paintings have an air of now. ART MARKET GUIDE 2001 by Richard Polsky 3/28/01 Don Judd's work offers the best deal in the art market. THE ROMANCE OF STRUCTURE by Victor M. Cassidy 3/26/01 Sculptor Robert Stackhouse at the Arizona Museum of Art. THE PURITAN BODY by Donald Kuspit 3/23/01 Suggestive new paintings by Philip Pearlstein at Robert Miller. SIGNS OF LIFE ON 26TH STREET by Charlie Finch 3/23/01 New work by Justine Kurland and Maria Marshall in West Chelsea. DUST TO DUST by Jerry Saltz 3/22/01 Vik Muniz's photos at the Whitney. ART MARKET GUIDE 2001 by Richard Polsky 3/21/01 Cy Twombly's art inspires near-religious devotion. DRAWING THE UNIVERSE by Hunter Drohojowska-Philp 3/20/01 Russell Crotty maps the globe of heaven. ART FROM THE EAST by Fred Stern 3/16/01 At the galleries for Asia Week: China jade, Japanese screens and archaic bronze bells. MAASTRICHT MASTERS by Brook S. Mason 3/15/01 The booming market for 16th- and 17th-century paintings. ART MARKET GUIDE 2001 by Richard Polsky 3/14/01 Brice Marden rules the market for contemporary painting. BACKDOOR MAN by Jerry Saltz 3/14/01 The wit and wisdom of Paul McCarthy. HERE, MY DEAR, VERMEER by Charlie Finch 3/13/01 A poem for the old Dutch treat. COLLECTING BEAUTY Hunter Drohojowska-Philp 3/8/01 Christie's auctions the exotic high-and-low holdings of L.A. decorator Tony Duquette. DECORATIVE PAINTING FOR THE NEW CENTURY Victor M. Cassidy 3/8/01 Bonnard, Vuillard, Denis and Roussel in "Beyond the Easel." ART MARKET GUIDE 2001 by Richard Polsky 3/7/01 The mysteries of the David Salle market. GARRETT'S ATTIC by Wendell Garrett 3/6/01 The rise of mahogany and the Palladian style in the Early Georgian period. ARCHITECT OF CALIFORNIA by Hunter Drohojowska-Philp 3/6/01 How R.M. Schindler invented the classic California house. SIGNIFYING MALICE by Donald Kuspit 3/5/01 Bruce Nauman's figurative works from the 1980s. ART MARKET GUIDE 2001 by Richard Polsky 2/28/01 Richard Diebenkorn gets on the art-auction radar. ART MARKET GUIDE 2001 by Richard Polsky 2/22/01 Alexander Calder, the "recession-proof" artist. PSYCHITECTURAL DIGEST by Jerry Saltz 2/21/01 Ricci Albenda's "Tasseract" at Andrew Kreps. ART AND ITS PASSIONS by Giovanni Garcia-Fenech 2/15/01 Notes on an interview with Italian super-curator Achille Bonito Oliva. LEO AND LISA, LATHER AND LIGHT by Charlie Finch 2/15/01 New paintings by Lisa Ruyter at Leo Koenig in Tribeca. ART MARKET GUIDE 2001 by Richard Polsky 2/14/01 A look at the auction results of Pop artist Jim Dine. HISTORY LESSON by Jerry Saltz 2/14/01 Huyghe's debut, a fascinating media spectacle. FUZZY LOGIC by Robert Mahoney 2/12/01 Adult-erated art in "Childhood and Contemporary Art" at P.S.1. ART MARKET GUIDE 2001 by Richard Polsky 2/8/01 Robert Rauschenberg's prices are about to take off. ON THE ROCKS by Jerry Saltz 2/7/01 Nan Goldin at Matthew Marks Gallery. MANET'S STILL LIFES by N. F. Karlins 2/6/01 The exhibition that originated at the Muse d'Orsay makes its only U.S. stop at the Walters Art Museum. VALENTINE ANTIQUE by Sherry Wong 2/6/01 A walking tour of New York's famous Antique District. CATHERINE THE GREAT COLLECTOR by Stanley Abercrombie 2/5/01 At London's Somerset House, an exhibition on the sensational Russian tsarina. ART MARKET GUIDE 2001 by Richard Polsky 2/2/01 Jasper Johns, America's greatest living artist. NORMAN DUBROW GIVES IT AWAY by Charlie Finch 2/2/01 A profile of the savvy contemporary art collector. ASK MARK KOSTABI by Mark Kostabi 2/1/01 When you've got the goods, the collectors come out of the woods. GARRETT'S ATTIC by Wendell Garrett 1/26/01 Thomas Hope and George Bullock, innovators of English Regency furniture. ART MARKET GUIDE 2001 by Richard Polsky 1/25/01 Despite its esthetic importance, the work of Frank Stella struggles at auction. WALL POWER by Jerry Saltz 1/24/01 Has Sol LeWitt gone stale? I KISSED ANDY WARHOL by April Elizabeth Lamm 1/23/01 Something quietly erotic is happening at the International Center of Photography. LASCIVIOUS OLD MASTERS by Walter Robinson 1/22/01 The sensuous Renaissance at auction in New York. SOLAR POWER by Jerry Saltz 1/19/01 After three decades, Twombly returns with a majestic cycle of paintings. SUPERFLAT by Hunter Drohojowska-Philp 1/18/01 Anime comes of age at the Los Angeles Museum of Contemporary Art. STEVE MUMFORD PAINTS A PICTURE by Charlie Finch 1/12/01 A day in the life of New York art, 2001. ART MARKET GUIDE 2001 by Richard Polsky 1/10/01 Growing demand in the Roy Lichtenstein market. TAOISM AND THE ARTS OF CHINA by Victor M. Cassidy 1/10/01 A profound encounter with one of history's great civilizations. STOP MAKING SENSE by Jerry Saltz 1/5/01 MoMA's "Open Ends" is a perfect mess. ART WILL SURVIVE, AND THRIVE, ON THE NET by Charlie Finch 1/4/01 Contemporary art has a rosy future on the Internet. Features 2004 Archives Features 2003 Archives Features 2002 Archives Features 2001 Archives Features 2000 Archives Features 1999 Archives Features 1998 Archives Features 1997 Archives Features 1996 Archives |
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