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FEATURES 2000 ARCHIVES TERMITE QUEEN OF THE THAMES by Jerry Saltz 12/28/00 The Tate Modern rules the British art world. ART MARKET GUIDE 2000 by Richard Polsky 12/27/00 Tom Wesselmann's floundering auction market. GARRETT'S ATTIC by Wendell Garrett 12/26/00 Gustav Stickley and the American Arts & Crafts movement. GREETINGS FRIENDS by Charlie Finch 12/22/00 Once more Santa rides his sleigh... ART MARKET GUIDE 2000 by Richard Polsky 12/20/00 What the James Rosenquist market needs to thrive. THE GRAND PERSPECTIVE by Hunter Drohojowska-Philp 12/19/00 The photography of Sheila Metzner. KRENZYMANDIAS by Charlie Finch 12/15/00 I met a curator from antique land... ASK MARK KOSTABI by Mark Kostabi 12/14/00 How to become a rich and famous artist. ART MARKET GUIDE 2000 by Richard Polsky 12/13/00 Joseph Cornell, the most undervalued of American artists. ART MARKET WATCH by Caroline Krockow 12/8/00 Rising stars in the hot contemporary art market. PRAIRIE SMOKE by Victor M. Cassidy 12/7/00 Northwestern's Mary and Leigh Block Museum unveils its new expansion. LIVING LARGE by Jerry Saltz 12/6/00 Thinking about museums thinking about themselves. ART MARKET GUIDE 2000 by Richard Polsky 12/5/00 Damien Hirst, artist for the masses. BOSTON DIRECT by Francine Koslow Miller 12/5/00 New Boston ICA head Jill Medvedow has plans. THE GREATEST SHOWMAN IN ART by Charlie Finch 12/4/00 Jeffrey Deitch gives us Vanessa Beecroft, Wang Du, more. AMERICAN FLAMER by Jerry Saltz 11/30/00 Peter Saul is raising hell again. ART MARKET WATCH by Caroline Krockow 11/29/00 Modest results at Latin American sales in New York. OUT THERE by Jerry Saltz 11/27/00 Matthew Ritchie paints a world of "Parents and Children." ART MARKET GUIDE 2000 by Richard Polsky 11/27/00 Why the auction market continues to thrive. MARY BOONE'S CHELSEA TRIUMPH by Charlie Finch 11/16/00 An A-list space for the A-list dealer. HOLD THAT POSE! by Stanley Abercrombie 11/15/00 Hedrich Blessing studio mastered architectural photography in Chicago. THE MECHANICAL ID by Hunter Drohojowska-Philp 11/14/00 The culturally perverse art of Paul McCarthy. ART MARKET GUIDE 2000 by Richard Polsky 11/13/00 Prepping for the contemporary art sales in New York. ART MARKET WATCH by Stewart Waltzer 11/10/00 Impressionist and modern art at Sotheby's New York, Nov. 9, 2000. ART MARKET GUIDE 2000 by Richard Polsky 11/10/00 Ed Ruscha, first artist to make words his primary subject. TRUE CONFECTIONS by Jerry Saltz 11/10/00 Sarah Sze's psychedelic neo-Constructivism. ART COLOGNE IN THE PINK Photos by Walter Robinson 11/9/00 Images from Art Cologne 2000. DEALER'S CHOICE by Georg Imdahl 11/9/00 Art Cologne faces a lot of questions. ART MARKET WATCH by Stewart Waltzer 11/9/00 Impressionist and modern art at Christie's New York, Nov. 8, 2000. Plus a word on Phillips. THE NEW LATIN COOL by Hunter Drohojowska-philp 11/3/00 Salomon Huerta turns his brush from heads to houses. ART MARKET GUIDE 2000 by Richard Polsky 11/2/00 Painter Wayne Thiebaud is overdue for international recognition. DREAM ON by Jerry Saltz 11/2/00 Utopia's on the map at the New York Public Library. ASK MARK KOSTABI by Mark Kostabi 10/27/00 Secrets of art success from Artnet Magazine's own advice columnist. ART MARKET WATCH by Caroline Krockow 10/27/00 Big hopes for young art at the contemporary auctions in New York. JUDD'S TWILIGHT QUEST FOR PERFECTION by Charlie Finch 10/26/00 Challenging assumptions about American Minimalism. ART MARKET GUIDE 2000 by Richard Polsky 10/25/00 What has happened to Julian Schnabel's painting? CLOSED ENDS AT MOMA by Charlie Finch 10/24/00 The new installation at the Museum of Modern Art comes signed and sealed. ART MARKET GUIDE 2000 by Richard Polsky 10/19/00 The Sam Francis market is a market that's waiting to explode. THE CERAMIST'S SEED by Victor M. Cassidy 10/16/00 Jun Kaneko is a master of form, line, pattern and color. AMERICAN DREAM WEAVER by Cara Maniaci 10/13/00 Edward Steichen at the Whitney Museum. CELEBRITY ART by Robert Andrew Parker 10/12/00 The inside story of the paintings in Vincente Minnelli's 1956 film, Lust for Life. ART MARKET GUIDE 2000 by Richard Polsky 10/11/00 Cindy Sherman and the secrets of success in fine art photography. THE PURSUIT OF HAPPINESS by Jerry Saltz 10/11/00 Damien Hirst, the one true pop-star artist. HERMAN MONSTER by Hunter Drohojowska-Philp 10/9/00 L.A. artist Roger Herman lives life large. A SOVIET FLYBOY PINES FOR THE WILSON SISTERS by Charlie Finch 10/6/00 For Jane and Louise. ART MARKET GUIDE 2000 by Richard Polsky 10/5/00 The baffling but undeniable success of Jeff Koons. TEEN ANGELS by Jerry Saltz 10/5/00 Rineke Dijkstra's adolescents, stilled and in ecstatic action. THE SLOW DEATH OF DAMIEN HIRST by Charlie Finch 10/4/00 Hirst goes down the garden path to chaos. ART MARKET GUIDE 2000 by Richard Polsky 9/28/00 David Hockney, America's greatest living realist. THE TERRIBLE TRIALS OF MRS. T by Hunter Drohojowska-Philp 9/27/00 Konstantin Kakanis takes on the contemporary art world. TILE AND FASHION by Jerry Saltz 9/27/00 Jorge Pardo's Project at the Dia Center for the Arts. ART MARKET GUIDE 2000 by Richard Polsky 9/21/00 Jean-Michel Basquiat, the most expensive artist of the 1980s. BRUTAL NUDES by Charlie Finch 9/18/00 David Smith's "Last Nudes" at Gagosian in New York. GARRETT'S ATTIC by Wendell Garrett 9/15/00 The Arts and Crafts furniture of California designers Greene & Greene. ART MARKET GUIDE 2000 by Richard Polsky 9/14/00 The $17-million sale of Orange Marilyn energized the Warhol market. BABYLON CALLING by Jerry Saltz 9/13/00 Thoughts on newness for the new season. ASK MARK KOSTABI by Mark Kostabi 9/11/00 Money and spirituality -- are they at odds with each other? THE REVOLUTION BEGINS IN THE NUDE by Charlie Finch 9/8/00 Katy Grannan's "Dream America" photographs. SEASON'S GREETINGS by Charlie Finch 9/6/00 The New York art world starts afresh. BODY BEAUTIFUL by Hunter Drohojowska-Philp 9/6/00 Celebrity photographer Pat York finds inspiration in the strangest places. ART MARKET WATCH by Richard Polsky 8/29/00 Five bargains in the contemporary art market. ZEUGMA NEARS EXTINCTION by Ozgen Acar 8/28/00 Part I: Plunderers and rising river waters do in a historic site. Part II: Zeugma's plundered mosaics. INTO THE NANOLANDSCAPE by Victor M. Cassidy 8/25/00 Exotically crafted virus models by Frances Whitehead. PAT HEARN by Charlie Finch 8/21/00 A poem in memory of the late dealer. CHICAGO FIVE by Karl Erickson 8/18/00 Five great new Chicago artists. AMERICAN MODERN by Stanley Abercrombie 8/15/00 The Met looks at design between the wars. ART MARKET WATCH by Richard Polsky 8/14/00 A "soft landing" for contemporary art? METAMORPHOSIS IN CHELSEA by Charlie Finch 8/11/00 Enjoying the New York art world's summer of success. AMAZING GRACE by Jerry Saltz 8/9/00 The resonant art of Chardin at the Metropolitan Museum. CLOTHES MAKE THE MAN by Kimberly Bradley 8/8/00 Harold Koda takes the reins at the Met's Costume Institute. GARRETT'S ATTIC by Wendell Garrett 8/7/00 A close look at American marquetry furniture. LONDON'S NEW GLORY by Brook S. Mason 8/3/00 The Gilbert Collection unveiled at Somerset House in London. HOSTILE WITNESS by Jerry Saltz 8/2/00 Barbara Kruger's retrospective at the Whitney Museum of American Art. MASTERS OF THEIR OWN DOMAIN by Giovanni Garcia-Fenech 7/31/00 Contemporary artists dot-com themselves. HOW TO FIRE A MOMA DIRECTOR by Charlie Finch 7/28/00 One solution to the PASTA strike. PRAIRIE SMOKE by Victor M. Cassidy 7/27/00 The quiet people who make the art world what it is. ASK MARK KOSTABI by Mark Kostabi 7/25/00 Questions and answers with Artnet Magazine's own advice columnist. AUNTIE HERO by Jerry Saltz 7/19/00 Alice Neel's amazing portraits at the Whitney Museum. THE DAWN OF ABSTRACTION by Kimberly Bradley 7/13/00 Portuguese Futurist Amadeo de Souza Cardoso. CONTRARY COLOR by Hunter Drohojowska-Philp 7/12/00 The sultry abstractions of Las Vegas artist Yek. PRAIRIE SMOKE by Victor M. Cassidy 7/11/00 A survey of Chicago's newest galleries. GARRETT'S ATTIC by Wendell Garrett 7/11/00 The record-setting $2.2-million Rococo dressing and writing commode. A GLIMPSE OF RENAISSANCE SPAIN by Stanley Abercrombie 7/6/00 The newly renovated Vélez Blanco Patio at the Metropolitan Museum. THE REALM OF THE SENSES by Jerry Saltz 7/5/00 Works by 12 young artists at Deitch Projects. GE-GNOMES by Charlie Finch 6/30/00 Creating souls for third-millennium machines. SUBSTITUTE FOR LOVE by Jerry Saltz 6/28/00 Morton Bartlett's ardent, awkward, inexplicable photographs at Ricco/Maresca. RETURN FROM THE BALL by Paul Jeromack 6/26/00 De Troy's painting Return from the Ball causes a stir in the July Old Master sales in London. ARTNET AUCTION REPORT by Brook S. Mason 6/23/00 Art Deco triumphs over Art Nouveau at the decorative arts sales at Christie's and Sotheby's in New York. SCULPTURE AT BASEL by Mary Barone 6/23/00 A ton of sculpture at Art Basel 31, June 21-26. JEFFERSONIAN KOONS by Jerry Saltz 6/21/00 Sitting in the midst of Rockefeller Center, Puppy is like a new Statue of Liberty: it receives and redeems. THE WORLD OF ROYERE by Jennifer Olshin 6/20/00 Furniture fanatics genuflect before the works of the mid-century designer Jean Royère. DECORATIVE ARTS DIARY by Brook S. Mason 6/19/00 Super-gilt at the Grosvenor House Art & Antiques Fair in London. I LOST IT AT THE AUCTION by Alan Moore 6/19/00 Reporter ditches notebook, grabs paddle at graffiti auction debacle. PUPPY CHOW by Charlie Finch 6/16/00 A poem on Jeff Koons' new topiary at Rockefeller Center. DUCHAMP: AN EXCHANGE 6/15/00 Francis M. Naumann and Donald Kuspit on the continuing importance of Marcel Duchamp. ASK MARK KOSTABI by Mark Kostabi 6/14/00 Questions and answers with Artnet Magazine's own advice columnist. GARRETT'S ATTIC by Wendell Garrett 6/13/00 Beds of state. MY EYE by Thomas Hoving 6/9/00 The Morgan Library's knockout exhibition of the treasures from ancient Ur. Does this Sumerian gold beat "Tut"? THE TAMING OF THE '80s by Jerry Saltz 6/8/00 "Around 1984: A Look at Art in the '80s" at P.S.1 in New York. MIXED LEGACY by Victor M. Cassidy 6/8/00 American art from historic black colleges and universities. AMERICAN MONUMENT by N. F. Karlins 6/7/00 African American folk sculptor William Edmondson. LAGERFELD'S NEOCLASSICAL GAS by Joyce Caruso Corrigan 6/5/00 The designer Karl Lagerfeld sells his things. MOMA SHITS PASTA by Charlie Finch 6/5/00 A few words on the staff strike at the Museum of Modern Art. MY EYE by Thomas Hoving 6/2/00 Isn't it time for a world free-trade agreement for works of art? ONLY SUBVERT by Jerry Saltz 6/2/00 Robert Rosenblum's "1900" at the Guggenheim. GHOST ARCHITECTURE by Hunter Drohojowska-Philp 5/31/00 The uncanny photos of James Casebere. THE ART DEALERS: MEHDI CHOUAKRI by Kimberly Bradley 5/30/00 The first installment of an occasional series on art dealers looks at Berlin gallerist Medhi Chouakri. THE RICH SPIRITUALITY OF DAN NAMINGHA by Thomas Hoving 5/26/00 He has captured the land, the people and the sacred rituals of New Mexico better than anyone. IMPROVISUS: JAZZ AND ART by Halima Taha 5/26/00 How do artists portray the sounds and rhythms of jazz? RUFF TRADE by Jerry Saltz 5/25/00 Thomas Ruff turns on-line porn into art. REAL LIFE by N. F. Karlins 5/24/00 The Latin American still life at El Museo del Barrio in New York. WILD KINGDOM by Charlie Finch 5/23/00 Is Steve Mumford any good? Plus, a quiz. ANDREW WYETH AT 82 by Thomas Hoving 5/19/00 Still Going with a Full Head of Steam. MR. KITSCH by Charlie Finch 5/19/00 A poem on the occassion of "1900" at the Guggenheim Museum. MY EYE by Thomas Hoving 5/18/00 The new hot, mix-master museum installations. Will they anger the public as well as the critics? TO HAVE AND TO HOLD: THE RENAISSANCE MARRIAGE CHEST by Wendell Garrett 5/16/00 The Italian Renaissance marriage chest -- the most elaborate object in the palace. MY EYE: A BELLYFUL OF GREAT DRAWINGS FROM VIENNA'S ALBERTINA by Thomas Hoving 5/12/00 Get your esthetic juices surging by a visit to the Frick's Albertina show. SWISH MYTH by Jerry Saltz 5/12/00 A tribute to Andy Warhol's women at C & M Arts. FABRICATION: SLAVERY OF THE ART WORLD? by Charlie Finch 5/11/00 All those poor artist's assistants. BIG DAY FOR BRITAIN 5/9/00 A preview of the Tate Modern, which opens May 12, 2000. ASK MARK KOSTABI by Mark Kostabi 5/8/00 Talking with Jeff Koons, how to sell your art on the Internet, more. MY EYE by Thomas Hoving 5/5/00 The Phillips Auctioneers highly vaunted Impressionist and Modern Art Evening sale on Thursday May 11th -- How good is the Art? THE STEINBERG SAGA by Brook S. Mason 5/4/00 Dealer Richard Feigen to offer Saul Steinberg's Old Masters at the International Art Fair. MY EYE by Thomas Hoving 4/28/00 The gloriously renovated Ringling Museum seems about to collapse -- yet again. HOME ALONE by Jerry Saltz 4/27/00 James Castle at the Drawing Center. HOWL AGAIN! by Charlie Finch 4/26/00 A poem on Vanessa Beecroft and the art world's encounter with the military. MY EYE by Thomas Hoving 4/24/00 The new Cypriot Galleries at the Met -- why so little out of so much? Do I detect a whiff of archaeological bigotry? EXTERMINATING PAINTING by Jeremy Gilbert-Rolfe 4/20/00 "Examining Pictures" at the UCLA Hammer Museum in Los Angeles. SWISS BLISS by Jerry Saltz 4/19/00 The hallucinatory video body art of Pipilotti Rist. GARRETT'S ATTIC by Wendell Garrett 4/19/00 Paul de Lamerie, England's master silversmith. MY EYE by Thomas Hoving 4/14/00 Give Metropolitan Museum patron Mary Griggs Burke a tickertape parade, the keys to New York City and every other art honor of the decade. Plus some art alerts. STRANGE TIMES IN DEITCHLAND by Charlie Finch 4/14/00 Avant-garde adventures of art dealer Jeffrey Deitch. PRAIRIE SMOKE by Victor M. Cassidy 4/11/00 A report on three small art museums in Chicago. GOLDEN TIME AT THE STUDIO MUSEUM by Joyce Corrigan 4/12/00 A talk with Studio Museum of Harlem curator Thelma Golden. PIPILOTTIPOETRI by Charlie Finch 4/11/00 A verse from Artnet's poet laureate on the occasion of Swiss artist Pipilotti Rist's first solo show in New York. THE SIMPLE ARTS by Stanley Abercrombie 4/10/00 The Arts and Crafts Movement in Britain, 1880-1910. MY EYE by Thomas Hoving 4/7/00 Whatta Haacker! A frank appraisal of the controversial installation, plus what's really great at the Biennial, a Met trustee blackballs a heavy hitter, hot, new, very old porn, Grünewald delights, Piero the Magnificent. ANYTHING GOES by Jerry Saltz 4/6/00 New work by Tom Friedman at Feature. ASK MARK KOSTABI by Mark Kostabi 4/4/00 A few signposts for the road to art success. MY EYE by Thomas Hoving 4/3/00 The best early Chinese figures, last chance for Riemenschneider show (why bother?) and elephant art? Gimme a break! DISCO DREAMS by Anthony Haden-Guest 3/31/00 Antonio Lopez and the culture of '70s nightlife. DECORATIVE ARTS DIARY by Brook S. Mason 3/30/00 At Maastricht and around the world, collectors crave medieval and Renaissance works of art. BYE BYE, BIENNIAL by Charlie Finch 3/29/00 A poetic look at the big Whitney show. MY SIXTH SENSE by Jerry Saltz 3/29/00 Dead people everywhere at the Whitney Biennial. A SHORT HISTORY OF PLASTIC by Donald Kuspit 3/27/00 Naum Gabo and new technology. PLASTIC BELGIUM by James Zemaitis 3/27/00 Brussels and Antwerp as design centers. PANTON'S PLASTIC UNIVERSE by Marc Spiegler 3/27/00 A retrospective of '60s design icon Verner Panton. PRAIRIE SMOKE by Victor M. Cassidy 3/23/00 Chicago Imagists, Pat Steir, Raphael and Titian, Amadeo de Souza Cardoso, Tim Lowly. LUCIDITY ON FIRE by Jerry Saltz 3/22/00 The Metropolitan's Walker Evans retrospective. SENSURRONDINONE by Charlie Finch 3/22/00 Ugo Rondinone's mesmerizing videodrome at Matthew Marks. ART FROM THE EAST by Fred Stern 3/21/00 Asia week in New York. GARRETT'S ATTIC by Wendell Garrett 3/15/00 250 years of Sévres porcelain. ART EN PLEIN AIR by Thomas Flynn 3/9/00 Sculpture in the English countryside. SIGN OF DESIGN by Jennifer Olshin 3/8/00 The Cooper-Hewitt unveils the first "National Design Triennial." GREATER EXPECTATIONS by Jerry Saltz 3/8/00 No dead animals, very little sex in "Greater New York" at P.S.1. POET IN WOOD AND STONE by Fred Stern 3/7/00 Medieval sculptor Tilman Riemenschneider at the Metropolitan Museum. THE ROVING EYE by Anthony Haden-Guest 3/6/00 Snoopy meets the Christos. SOCK IT TO ME AGAIN AT P.S.1 by Charlie Finch 3/3/00 "Greater New York" hits Long Island City. VIDEO BUDDHA by Jennifer Sachs Samet 2/29/00 "The Worlds of Nam June Paik" at the Guggenheim Museum. CARIBBEAN CASTAWAY by Ann Magnuson 2/29/00 A report from the "Sixth Annual Caribbean Biennial" on St. Kitt's. MY EYE by Thomas Hoving 2/28/00 How to clean up Sotheby's -- finally! HAVE AIRBRUSH, WILL COTTON by Charlie Finch 2/25/00 Paintings for the sweet tooth by the New York City artist. SOCIETY'S CHILD by Jerry Saltz 2/23/00 Sam Taylor-Wood depicts the London bohemian at Matthew Marks. DECORATIVE ARTS DIARY by Brook S. Mason 2/22/00 George Washington lives on in silver, textiles and clocks. MAKING AN OLD MASTERS SALE by Fred Stern 2/22/00 An interview with Christie's Old Masters specialist, Anthony Crichton-Stuart. ONE MORE THOUGHT ON CECILY BROWN by Charlie Finch 2/18/00 A look at the paintings. SCIENCE FAIR by Jerry Saltz 2/17/00 Scientific and medical illustrations at the New York Public Library. RUNNING AMOK by Jerry Saltz 2/17/00 Alex Bag at American Fine Arts. HOW TO MAKE ART IN AN EPIDEMIC by Robert Atkins 2/16/00 AIDS and contemporary art. GARRETT'S ATTIC by Wendell Garrett 2/14/00 Dutch cultural heritage in the New World. SYMBOLS OF LOVE by Kate Hunt 2/11/00 For Valentine's Day, a bit of romance in Chinese Art. PAINTING.COM by Jerry Saltz 2/10/00 Is Cecily Brown to art what tech stocks are to the market? THE ROVING EYE by Anthony Haden-Guest 2/9/00 Bernard Buffet's final works, Sam Taylor-Wood's party. SIMON SAYS COLLECT by Simon Watson 2/8/00 Abstraction is the thing for cutting-edge collectors. AN EMINENT VICTORIAN by Stanley Abercrombie 2/7/00 E.W. Goodwin's career examined at the Bard Graduate Center. BROWN SUGAR by Dennis Kardon 2/2/00 Cecily Brown's new paintings are physically female. AFRICAN AMERICAN ART IN TODAY'S ART MARKET by Halima Taha 1/31/00 Filling the gaps in "American" art collections. ALEX BAGS TAYLOR WOOD by Charlie Finch 1/28/00 Time for a tea party. STRAIGHT, WHITE AND BITTERSWEET by Jerry Saltz 1/28/00 Tim Gardner's suburban status quo at 303 Gallery. THE I-DON'T-GET-IT ESTHETIC by Jerry Saltz 1/20/00 "Opposite Day," new work by John Miller at Metro Pictures, New York. MY EYE by Thomas Hoving 1/17/00 All art is abstract. ABSTRACTION ON THE ROPES? by Donald Kuspit 1/17/00 The idea of quality in an indifferent art world. THE ROVING EYE by Anthony Haden-Guest 1/14/00 Cecily Brown at Gagosian, Robert Miller opens, plus a note on Street Art. THOUGHTS ON CECILY'S OPENING by Charlie Finch 1/14/00 A poem. GARRETT'S ATTIC by Wendell Garrett 1/10/00 Adriaen de Vries sculpture in Los Angeles. HI-RES 2000 by Dennis Kardon 1/10/00 Make all those resolutions blur-free. THE CALOUSTE GULBENKIAN STORY by Fred Stern 1/7/00 At the Metropolitan Museum, 80 works from the legendary collector. THE STORY OF SPRINGTIME by Fred Ross 1/6/00 Pierre August Cot's famous painting, lost and found. THE ROVING EYE by Anthony Haden-Guest 1/5/00 Liz & Andy, Christopher Davidge, Barney's kilt, more. Features 2004 Archives Features 2003 Archives Features 2002 Archives Features 2001 Archives Features 2000 Archives Features 1999 Archives Features 1998 Archives Features 1997 Archives Features 1996 Archives |
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