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| Big Day for Britain The Tate Modern opens to the public in the former Bankside Power Station on May 12, 2000. |
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![]() Nick Serota and the press. |
![]() At the top of one of Louise Bourgeois' 30-foot-tall steel towers. |
![]() Bourgeois' Maman, a 30-foot-tall pregnant spider straddling the bridge in the Tate's Turbine Hall. |
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![]() An entrance to the third-floor galleries. |
![]() Claude Monet's Water Lilies and Richard Long's Red State Circle. |
![]() The Abstract Expressionist gallery. |
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![]() Michael Craig-Martin, An Oak Tree, 1973. |
![]() Steve McQueen, still from Bear, 1993. |
![]() Salvador Dalí, Lobster Telephone, 1936 |
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![]() The Minimalism gallery. |
![]() The Joseph Beuys gallery. |
![]() The Bridget Riley gallery. |
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![]() Rebecca Horn, Ballet of the Woodpeckers, 1986. |
![]() Antony Gormley, one part of Three Ways: Mould, Hole and Passage, 1981 |
![]() Juan Muñoz, Towards the Corner, 1998. |
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![]() Tatsuo Miyajima, Opposite Circle, 1991. |
![]() Richard Hamilton, The State, 1997; The Citizen, 1981-83; and The Subject, 1988-90. |
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![]() The Tony Cragg gallery. |
![]() Germaine Richier, Chess Board, 1959. |
![]() Howard Hodgkin and Pierre Bonnard. |
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