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GREAT EXPECTATIONS
by Charlie Finch

Dec. 22, 2008

When Samuel Johnson was a boy afflicted with the scrofula, his mother took him on an arduous journey to London to have the young critic-to-be touch the hem of Queen Anne’s garment in the belief that her son would be healed. ...more



December
Dec. 19, 2008
An Afternoon at the Met
by Christopher Sweet
Visiting Rudy Burckhardt’s New York, N. Why?
Dec. 17, 2008
REMEMBERING WILLOUGHBY
by Charlie Finch
Willoughby Sharp, 1936-2008.
Dec. 17, 2008
LUST OR LIFE
by Charlie Finch
Kiki Seror’s motifs of carnality.
Dec. 15, 2008
TOP TEN 2008
by Jerry Saltz
The best art shows of 2008.
Dec. 12, 2008
PALE FIRE
by Hunter Drohojowska-Philp
New sculptures by Rachel Whiteread and George Stoll.
Dec. 11, 2008
DUBIOUS DUMAS
by Charlie Finch
Marlene Dumas’ painting is lugubrious and lazy.
Dec. 10, 2008
ASK MARK KOSTABI
by Mark Kostabi
Advice for artists in an economic downturn.
Dec. 8, 2008
SPANISH ABSTRACTION
by Donald Kuspit
Elie Halioua’s abstract paintings reach for the "incommunicado core of the self."
Dec. 8, 2008
GIVE PEACE A CHANCE
by Charlie Finch
Lisa Ruyter’s "Atoms for Peace" in Vienna
Dec. 4, 2008
The Good, The Bad, and The Greedy
by Richard Polsky
Looking at the art-market slump of the early 1990s for lessons for today..
Dec. 3, 2008
ROBERTA ON YOUTUBE
by Charlie Finch
The celebrated New York Times art critic tells all.
Dec. 2, 2008
SHERMAN’S MARCH OF TIME
by Jerry Saltz
Cindy Sherman, the original chameleon of contemporary art, shows her characters aging -- and is reborn.
Dec. 1, 2008
THE PERSONAL IS NOT POLITICAL
by Charlie Finch
Kate Winslet makes the Holocaust palatable in Stephen.
November
Nov. 26, 2008
GEORGES NÖEL TODAY
by Walter Robinson
Rediscovering the veteran French painter Georges Nöel.
Nov. 24, 2008
THE SOFT PARADE
by Charlie Finch
Common sense for hard times.
Nov. 24, 2008
ZEN ABSTRACTION
by Donald Kuspit
In Philadelphia, new sculptures, and sets for Fidelio, by Jun Kaneko.
Nov. 20, 2008
FEET DON’T FAIL ME NOW
by Charlie Finch
Pipilotti Rist’s "Pour Your Body Out" at MoMA.
Nov. 19, 2008
DRUNKEN MASTER
by Hunter Drohojowska-Philp
German artist Martin Kippenberger made mockery his method.
Nov. 18, 2008
A SILVER LINING
by Charlie Finch
All-female sales could cure a down market.
Nov. 17, 2008
Night at the Museum
by Jerry Saltz
No sex at the Guggenhiem Museum.
Nov. 12, 2008
LIGHTER THAN EROS
by Charlie Finch
"Eros" at Richard L. Feigen & Co.
Nov. 10, 2008
World in a Bottle
by Jerry Saltz
Giorgio Morandi and the pleasures of being minor.
Nov. 10, 2008
I AM A BERLINER!
by Charlie Finch
Brigid Berlin, the last of the superstars.
Nov. 6, 2008
THE FATE OF THE $5 POLLOCK
by Thomas Hoving
ARTnews traces a tortuous tale of Pollock paintings and possibly pilfered fingerprints.
Nov. 5, 2008
WHITE ON WHITE
by Charlie Finch
Barack Obama rebukes William Eggleston.
Nov. 4, 2008
SHAKEOUT TIME
by Richard Polsky
Advice for art collectors in a volatile market.
Nov. 3, 2008
FRIEZE AFTER THE FREEZE
by Jerry Saltz
At London’s big art fair, signs of financial trouble -- but maybe that’s okay.
October
Oct. 31, 2008
THE GRAND ACQUISITOR
by Thomas Hoving
"The Philippe de Montebello Years" at the Metropolitan Museum of Art.
Oct. 30, 2008
FAME-FUCKING AND
OTHER FRIVOLITIES

by Donald Kuspit
The temptations of Elizabeth Peyton’s idealized celebrities.
Oct. 29, 2008
MIRÓ, MIRÓ ON
THE WALL

by Charlie Finch
A hyperactive hodgepodge at MoMA reveals an anachronistic painter’s painter.
Oct. 23, 2008
BLACK LIGHT DISTRICT
by Charlie Finch
Sensuous and reflective craft in "Japanese Postwar Photography"
Oct. 22, 2008
CERAMIC HISTORY
by Hunter Drohojowska-Philp
Ken Price talks about his long escape from "art craft hell."
Oct. 21, 2008
A MIRACLE FOR MUSEUMS
by Thomas Hoving
The Arts and Artifacts Indemnity Program now has a $5-billion domestic component.
Oct. 20, 2008
DARK VICTORY
by Jerry Saltz
Vincent Van Gogh’s outrageous vulnerability.
Oct. 16, 2008
KING TUT IS BACK!
by Thomas Hoving
"Tutankhamun and the Golden Age of the Pharoahs" opens at the De Young Museum in 2009.
Oct. 15, 2008
ANIMALISM
by Charlie Finch
Alexander Calder is for kids.
Oct. 14, 2008
WELCOME TO THE ’60S, YET AGAIN
by Jerry Saltz
Martha Rosler can’t move beyond the easy arguments of her youth.
Oct. 10, 2008
DIABOLICAL SCIENCE
by Simon Todd
The Goth science of British artist Paul Fryer.
Oct. 9, 2008
NOW YOU SEE IT, NOW YOU DON’T
by Alexandra Anderson-Spivy
New works by Cecily Brown and Vik Muniz.
Oct. 3, 2008
RENAISSANCE GOOFBALL
by Charlie Finch
On the road with Elliott Arkin and "Mr. Artsee"
Oct. 2, 2008
"SMASHING" BLACK CYLINDERS
by Thomas Hoving
Dale Chihuly’s magical "Black Cylinders."
Sept. 29, 2008
LOOKING OUT FOR NO. 2
by Jerry Saltz
The good, the bad and the terrible of the new Chelsea art season.
Sept. 26, 2008
RAZZLE WITHOUT DAZZLE
by Charlie Finch
New beaded masterpieces from Liza Lou.
Sept. 23, 2008
LET’S GET SERIOUS FOR A MOMENT
by Jerry Saltz
Is the apocalyptic art of "After Nature" a sign of newfound earnestness?
Sept. 18, 2008
MUSEUM DATE
by Jerry Saltz
A colloquy with architecture critic Justin Davidson on the new Museum of Arts and Design in Manhattan.
Sept. 18, 2008
AN ALIEN VISION
by Charlie Finch
"Van Gogh and the Colors of Night" at the Museum of Modern Art.
Sept. 17, 2008
A GLORY AT THE CURRIER MUSEUM
by Thomas Hoving
Curator Kurt Sundstrom discovers an overlooked masterpiece by Florentine sculptor Antonio Rossellino.
Sept. 17, 2008
SOPHIE AND ALAIN
by Charlie Finch
French Pop artist Alain Jacquet dies in New York at age 69.
Sept. 16, 2008
SEX, DEATH, DINNER
by Jerry Saltz
An art critic gets ravished by a legendary Spanish chef.
Sept. 15, 2008
KRASNER’S "LITTLE IMAGE" PAINTINGS
by Robert G. Edelman
Lee Krasner’s breakout abstractions from 1946-50.
Sept. 12, 2008
COMFORT AND JOY
by Charlie Finch
New paintings by Damian Loeb and Isca Greenfield-Sanders.
Sept. 11, 2008
THE TRIUMPH OF SHIT
by Donald Kuspit
Andres Serrano, Paul McCarthy and the avant-garde artist as an anal masturbator.
Sept. 11, 2008
TSUNAMI TIME
by Charlie Finch
A retreat to curatorial sensibility in the museum world.
Sept. 10, 2008
DIARY OF AN ART STAR
by Reverend Jen
Braving Hurricane Hanna for the sake of avant-garde art.
Sept. 8, 2008
MY DINNER WITH KISSINGER
by Charlie Finch
The still-vibrant psyche of 85-year-old Henry Kissinger.
Sept. 2, 2008
A FIRMAMENT OF STARSby Charlie Finch
Gearing up for the new fall art season.
Sept. 2, 2008
THE ROAD TO TAL AFAR
by Steve Mumford
Working with the Iraqi army in Mosul.
August
Aug. 27, 2008
A DEALER LOOKS BACK
by Richard Polsky
Changes in the art world over the last 30 years.
Aug. 26, 2008
DOWNEAST ROUNDUP
by Alexandra Anderson-Spivy
Summer art in Maine, 2008.
Aug. 25, 2008
THINGS FALL APART
by Charlie Finch
David Kramer’s new book-cum-artwork, Snake Oil.
Aug. 20, 2008
ANGELS ON THE GROUND
by Charlie Finch
The film Beautiful Losers chronicles Alleged Gallery and the 1990s “Street Art” movement.
Aug. 19, 2008
REPLY TO THE OLYMPICS CONTROVERSY
by Cai Guo-Qiang
The Chinese art star responds to reports of digital trickery during the opening ceremonies of the Beijing Olympics.
Aug. 18, 2008
A BILLET DOUX FOR THE MET
by Thomas Hoving
What the mighty Metropolitan Museum of Art ought to do next.
Aug. 12, 2008
THE EMPERORS OF ART
by Charlie Finch
Hypermaterialism from Fifth Avenue to Dubai to Beijing.
Aug. 8, 2008
THE MURDER OF DAMIEN HIRST (as told to Charlie Finch)
by Charlie Finch
The perfect work of art.
Aug. 5, 2008
CLOSE ENCOUNTERS
by Ilka Scobie
Chuck Close talks about the young artists he admires and his new tapestry work.
July
July 30, 2008
A KISS FOR KIRCHNER
by Charlie Finch
"Kirchner and the Berlin Street" at the Museum of Modern Art.
July 25, 2008
BERKSHIRE IDLER
by Charlie Finch
The state of the arts at Belvoir Terrace Camp in Lenox, Mass.
July 24, 2008
EVERYTHING PLUS THE KITCHEN SINK
by Alexandra Anderson-Spivy
"Jess 1923-2004" and two group shows put the spotlight on collage.
July 23, 2008
A SIGG JOKE
by Charlie Finch
More thoughts on the case against the Olympics in China.
July 22, 2008
NOT JUST HOT AIR
by Jerry Saltz
Jeff Koons, better than you think.
July 21, 2008
BITING AND BRUISED
by Hunter Drohojowska-Philp
The painting of Marlene Dumas.
July 17, 2008
J.M.W. TURNER, ONE OF A KIND, ONCE AND FOREVER
by Thomas Hoving
Turner transformed grim and jejune reality into compelling fantasies of color, light and atmosphere.
July 14, 2008
Dia’s Last Chance
by Jerry Saltz
Does Philippe Vergne have what it takes to keep Dia from being DOA?
July 11, 2008
PAIN IS THE NAME OF THE GAME
by Charlie Finch
Painter Chuck Connelly in HBO’s new The Art of Failure.
July 9, 2008
TREASURES OF HAJJI BABA
by N.F. Karlins
"Woven Splendor from Timbuktu to Tibet: Exotic Rugs and Textiles from New York Collectors" at the New-York Historical Society.
July 9, 2008
WATER FALLACIES
by Charlie Finch
Public art and the public good.
July 8, 2008
UBIQUITOUS ART
by Charlie Finch
The idea of art is everywhere these days.
July 7, 2008
Take Me to the River
by Jerry Saltz
Olafur Eliasson’s New York City Waterfalls come on with a wink, not a whoosh.
July 2, 2008
THE DELLA ROBBIA DEBACLE
by Paul Jeromack
A glazed terracotta by Andrea della Robbia falls off the wall at the Metropolitan Museum.
July 2, 2008
AN IDLER’S DIARY
by Charlie Finch
Julian Laverdiere, Doug Blau, Sherry Wong, Catherine Murphy, more.
June
June 30, 2008
BURIED TREASURES
by Thomas Hoving
Two spectacular treasures on loan to the Met.
June 27, 2008
OIL PAINTING
by Charlie Finch
Abstract Expressionism in the sheikdom.
June 25, 2008
CHAOS THEORY
by Charlie Finch
Buckminster Fuller, Paul McCarthy, and Salvador Dali’s "Painting and Film"
June 25, 2008
COWBOYS IN ROME
by Lavinia Filippi
Richard Prince opens at Gagosian Gallery in Rome.
June 23, 2008
MUGGY UGLY
by Charlie Finch
A new Dennis Oppenheim art project in Union Square Park definitely does not improve the summer weather.
June 23, 2008
Two Coats of Painting
by Jerry Saltz
Tony Shafrazi, the man who tagged Guernica, tries another way of superimposing new art and old.
June 17, 2008
ANGELS AND ALLIGATORS
by Mary Barone
An interview with the New York artist Rachel Feinstein.
June 19, 2008
GUNS AND COLLAGES
by Carlo McCormick
New works from country conceptualist Mike Osterhout.
June 17, 2008
TALKING PICTURES
by N.F. Karlins
"Glossolalia" at the Museum of Modern Art.
June 13, 2008
MASTERPIECES BY THE MINORS
by Paul Jeromack
With its recent purchase of a seascape by Abraham de Verwer, the National Gallery of Art makes a smart collecting move.
June 13, 2008
AN IDLER’S DIARY
by Charlie Finch
Wandering around SoHo and Chelsea at the beginning of summer.
June 12, 2008
BLUE-COLLAR HEAVEN
by Kevin Nance
A mythic vision of Chicago in Tony Fitzpatrick’s "Portraits of a Remembered City"
June 10, 2008
LAY YOUR BURDEN DOWN
by Charlie Finch
Chris Burden’s What My Dad Gave Me (2008) at Rockefeller Center.
June 9, 2008
AMERICAN OPTIMIST
by Kevin Nance
Jeff Koons is the Energizer Bunny of contemporary art.
June 9, 2008
STATUARY STORY

by Jerry Saltz
David Altmejd’s otherworldly figures create narrative just by standing still.
June 6, 2008
SINISTER SKIES
by Alexandra Anderson-Spivy
Roger Brown’s dialogue with disaster.
June 3, 2008
THE BASEL OF THE FUTURE
by Stefan Kobel
An interview with Art Basel co-director Marc Spiegler.
June 2, 2008
The Art World’s Space Invader
by Jerry Saltz
Does a Warhol look different when it’s hanging above someone’s TV set? Ask Louise Lawler.
May
May 29, 2008
AN ART MUTUAL FUND
by Richard Polsky
The Los Angeles dealer and author of I Bought Andy Warhol sets up his own "art mutual fund."
May 28, 2008
AMERICAN INVENTOR
by Jerry Saltz
Remembering Rauschenberg.
May 28, 2008
GOODBYE JOHN
by Charlie Finch
John Weber, 1932-2008.
May 23, 2008
LIGHT INDUSTRY
by Charlie Finch
Whimsy and dignity in photographs by Bernd and Hilla Becher.
May 21, 2008
COP ROCK
by Steve Mumford
At combat outpost Rock in Mosul.
May 21, 2008
THE HOLISTIC DIRECTOR
by Phyllis Tuchman
An interview with LACMA head Michael Govan.
May 20, 2008
THE EYES HAVE IT
by Charlie Finch
Operatic lust in new paintings by Rosa Loy.
May 20, 2008
DEATH AND THE ARTIST
by Michèle C. Cone
Issues of freedom and fame in the work of the Fluxus artist Yoko Ono.
May 19, 2008
ELIZABETH II
by Jerry Saltz
Elizabeth Peyton returns to life.
May 14, 2008
RAUSCHENBERG/WARHOL
by Charlie Finch
RIP Robert Rauschenberg, 1925-2008.
May 13, 2008
THE ADVANCE OF BEAUTY
by Donald Kuspit
Thomas Chimes and Lynda Benglis at Locks Gallery in Philadelphia.
May 12, 2008
MISSION ABORTED
by Charlie Finch
The nuances of Yale’s Aliza Shvarts controversy.
May 8, 2008
DIAMOND IN THE DESERT
by Hunter Drohojowska-Philp
Richard Neutra’s modernist Kaufmann House in Palm Springs goes up for auction.
May 7, 2008
BACK AND FORTH
by Charlie Finch
John Baldessari and Matt Mullican collaborate on "Pong" at Tracy Williams, Ltd.
May 5, 2008
AMONG THE KURDS
by Steve Mumford
The war in Mosul is one of bombs.
May 5, 2008
THE DAY THE LIGHTS WENT ON
by Jerry Saltz
Dan Flavin’s 1964 breakout show, in meticulous reproduction.
May 5, 2008
PITCH PERFECT
by Charlie Finch
Kentucky’s art-and-culture magazine makes provinciality a glam asset.
May 2, 2008
BREATH OF LIFE
by Alexandra Anderson-Spivy
New works from the George Rickey estate at Marlborough Chelsea and Maxwell Davidson.
April
Apr. 29, 2008
SCHNABEL AND HIS DOUBLES
by Charlie Finch
The magic formula behind the success of Julian Schnabel’s films.
Apr. 28, 2008
WASTED YOUTH
by Jerry Saltz
A collaboration between superhot artists Dan Colen and Nate Lowman instantly looks dated.
Apr. 24, 2008
CRASH TEST
by Charlie Finch
Living dangerously with Anthony James.
Apr. 24, 2008
JOE & NANCY
by N.F. Karlins
Joe Brainard’s "The Nancys" get a welcome showing at Tibor de Nagy.
Apr. 23, 2008
THE NEW YORK CANON
by Jerry Saltz
Thirty years of highs and lows in the New York art world.
Apr. 22, 2008
ART DEALER’S DIARY
by Kenny Schachter
Obituary: Art Cologne -- an art dealer tolls the bell.
Apr. 21, 2008
DID I TELL YOU THE ONE ABOUT THE CONTRACTOR IN IRAQ?
by Steve Mumford
On the way to Mosul in Iraq in the spring of 2008.
Apr. 21, 2008
RUNNING, JUMPING, STANDING STILL
by Charlie Finch
Nobility and vigor in Elizabeth Peyton’s new works.
Apr. 18, 2008
FEAR STRIKES OUT
by Charlie Finch
Boycott the Olympics, and boycott contemporary Chinese art.
Apr. 17, 2008
FAKE IT 'TIL
YOU MAKE IT

by Charlie Finch
Olafur Eliasson and the illusion of taste.
Apr. 14, 2008
VIDEO RAVE
by Hunter Drohojowska-Philp
Surveying "California Video" at the Getty Museum.
Apr. 10, 2008
BEAUX VISAGE
by N.F. Karlins
American portraitist Cecilia Beaux gets a long-overdue reassessment.
Apr. 9, 2008
PLEASURES OF EDO
by Fred Stern
"Designed for Pleasure: The World of Edo" at Asia Society.
Apr. 8, 2008
THE THREAT OF LOVE
by Charlie Finch
Walter Robinson puts the error back in eros.
Apr. 7, 2008
The Venus of Long Island City
by Jerry Saltz
P.S.1’s survey of feminist art shows us the birth of just about every art trend that’s in vogue today.
Apr. 4, 2008
WHITE MEN CAN’T PAINT!
by Charlie Finch
Morgan Neville’s new film, The Cool School, on the early Los Angeles art scene.
Apr. 4, 2008
THE WATER OF LIFE
by Donald Kuspit
Fabrizio Plessi’s islands of digital art.
March
Mar. 31, 2008
DIARY OF AN ART STAR
by Reverend Jen
Touring the new Lower East Side gallery scene.
Mar. 31, 2008
HANGING AT THE HORTS’
by Charlie Finch
Talk of Marlene Dumas, Richard Tuttle and Jimmy Page at Susan and Michael Hort’s private view during Armory weekend.
Mar. 26, 2008
A BROWN WORLD
by Charlie Finch
Painter Deborah Brown captures natural New York.
Mar. 25, 2008
ADVENTURES IN PHOTOGRAPHY
by N.F. Karlins
A retrospective of the work of 20th-century photographer (and Surrealist muse) Lee Miller.
Mar. 24, 2008
When Cool turns Cold
by Jerry Saltz
Towards a No Painting Biennial.
Mar. 21, 2008
CHEERS!
by Charlie Finch
A few words occasioned by Eduardo Sarabia’s Salon Aleman at the Park Avenue Armory.
Mar. 20, 2008
THE RETURN OF MAX ESTENGER
by Charlie Finch
New works by the artist from Queens.
Mar. 19, 2008
BETWITCHED
by Charlie Finch
New psychedelic allegories from Lane Twitchell.
Mar. 18, 2008
NOT SO WEI OUT
by Charlie Finch
Ai Weiwei’s Descending Light at Mary Boone Gallery.
Mar. 17, 2008
STARWALKERS
by Charlie Finch
Naked wonder from Richard Dupont at Lever House.
Mar. 14, 2008