Sherrie Levine, After Courbet: 1-18, 2009, postcards on mat board, Paula Cooper Gallery, New York, installation view in “Sherrie Levine: Mayhem,” Whitney Museum of American Art
Imagine it’s 1981. You’re an artist, in love with art, smitten with art history. You’re also a woman, with almost no mentors to look to; art history just isn’t that into you.
