"Sherrie Levine: Mayhem," installation view with Lead Knot: 7, 1988, metallic paint on plywood, courtesy Paula Cooper Gallery, New York, and Simon Lee Gallery, London
Imagine it’s 1981. You’re an artist, in love with art, smitten with art history. You’re also a woman, with almost no mentors to look to; art history just isn’t that into you.
