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“Sherrie Levine: Mayhem,” installation view at the Whitney Museum, with False God, 2008, left, and Krazy Kat: 1, 1988
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Sherrie Levine

by Jerry Saltz

Imagine it’s 1981. You’re an artist, in love with art, smitten with art history. You’re also a woman, with almost no mentors to look to; art history just isn’t that into you.


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