Henri Cartier-Bresson

French, 1908–2004

Siphnos, Greece, 1961

Gelatin silver print
Image: 11.75 x 17.63 in. (29.84 x 44.78 cm.)
Sheet: 16 x 20 in. (40.64 x 50.8 cm.)
Signed on recto in ink and copyright credit blindstamp in the margin

Printed 1990s

Lot ID

147890
Ending
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Susanna Wenniger
Head Of Photographs

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Lot Details

About This Lot

Henri Cartier-Bresson traveled the globe to document some of the 20th century’s most significant moments. In Siphnos, Greece, Cartier-Bresson photographed a young girl running up a pathway in a seemingly deserted Grecian town. The heat is palpable in the image, emphasized by the defined, stark shadows against the white buildings.

Other impressions of this image are held in the collections of the Museum of Modern Art, New York (there titled Island of Siphnos, the Cyclades, Greece) and the Phillips Collection, Washington, D.C.

Henri Cartier-Bresson (French, 1908–2004) is widely revered as the father of photojournalism and was a co-founder of Magnum Photos. In 1952, he released his groundbreaking monograph, Images à la Sauvette (The Decisive Moment), which has influenced generations of photographers. He is the recipient of four Overseas Press Club of America Award (1948, 1954, 1960, 1964); Prix de la Société Française de Photographie (1959); and the Grand Prix National de la Photographie (1981). His works are included in the permanent collections of the Victoria and Albert Museum, London, United Kingdom; Tel Aviv Museum of Art, Israel; the J. Paul Getty Museum, Los Angeles; Kahitsukan Kyoto Museum of Contemporary Art, Kyoto, Japan; among others.

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Publication:
  • Peter Galassi, Henri Cartier-Bresson: The Modern Century (New York: The Museum of Modern Art, New York, 2010), pl. 63.
  • Peter Galassi, Jean Clair, Philippe Arbaizar, Henri Cartier-Bresson: The Man, the Image and the World (London: Thames & Hudson, 2003), pl. 344, p. 235.
  • Henri Cartier-Bresson, Erik Orsenna, Gerard Mace, Henri Cartier-Bresson: City and Landscapes (New York: Bulfinch Press, 2001) p. 84.
  • Jean-Pierre Montier, Henri Cartier-Bresson and the Artless Art (London: Thames & Hudson, 1996), pl. 48, p. 56.
The seller has recorded the following condition for this lot:
The present work is in excellent condition with scattered areas of artist's original retouching visible in raking light.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Peter Fetterman Gallery, Santa Monica (acquired directly from the artist)
  • Private Collection, California
  • Private Collection, Paris
  • Ships From: France
  • Shipping Dimensions: 20 x 24 in. (50.8 x 60.96 cm.)
Accepted: Wire Transfer
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