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Camille Pissarro, Suicide, from Les Turpitudes Sociales, 1889-90, Collection of Jean Bonne, Geneva
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THE IDEALIST IMPRESSIONIST
by Alexandra Anderson-Spivy



After those Tanglewood concerts, culture-vulture visitors to the Berkshires typically include a day trip to the Clark Art Institute on their itinerary, where they are guaranteed a museum visit without peer. This summer, the earnest, now distinctly graying baby-boomer crowd is flocking to “Pissarro’s People,” a scholarly exhibition organized and curated by the dynamo art historian Richard R. Brettell.

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