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Camille Pissarro, The Harvest, 1882, The National Museum of Western Art, Tokyo
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by Alexandra Anderson-Spivy

After those Tanglewood concerts, culture-vulture visitors to the Berkshires typically include a day trip to the Clark Art Institute on their itinerary, where they are guaranteed a museum visit without peer. This summer, the earnest, now distinctly graying baby-boomer crowd is flocking to “Pissarro’s People,” a scholarly exhibition organized and curated by the dynamo art historian Richard R. Brettell.