GOODMAN GALLERY
Johannesburg / Cape Town / London + 1 other location

Artists
- Ruby Onyinyechi Amanze
- Ghada Amer
- El Anatsui
- Willem Boshoff
- Candice Breitz
- Lisa Brice
- Carla Busuttil
- Adam Broomberg and Oliver Chanarin
- Kudzanai Chiurai
- Ernest Cole
- Nolan Oswald Dennis
- Jabulani Dhlamini
- Hasan and Husain Essop
- Mounir Fatmi
- Carlos Garaicoa
- Claire Gavronski
- Kendell Geers
- David Goldblatt
- Gabrielle Goliath
- Dor Guez
- Haroon Gunn-Salie
- Kiluanji Kia Henda
- Nicholas Hlobo
- Robert (Griffiths) Hodgins
- Alfredo Jaar
- Samson Kambalu
- William Kentridge
- Grada Kilomba
- Kapwani Kiwanga
- David Koloane
- Atta Kwami
- Liza Lou
- Gerald Machona
- Paul Maheke
- Gerhard Marx
- Misheck Masamvu
- Cassi Namoda
- Shirin Neshat
- Ernesto Neto
- Sam Nhlengethwa
- Walter Oltmann
- Tabita Rezaire
- Tracey Rose
- Rosenclaire
- Rose Shakinovsky
- Yinka Shonibare
- Mikhael Subotzky
- Pamela Phatsimo Sunstrum
- The Brother Moves On
- Hank Willis Thomas
- Naama Tsabar
- Clive van den Berg
- Minnette Vári
- Diane Victor
- Jeremy Wafer
- Jessica Webster
- Sue Williamson
- Nelisiwe Xaba
Works Available By
- Maxwell Alexandre
- Yto Barrada
- Winston Branch
- Leonardo Drew
- Ghada Amer and Reza Farkhondeh
- Pélagie Gbaguidi
- Jared Ginsburg
- Kate Gottgens
- Remy Jungerman
- Banele Khoza
- Laura Lima
- Mateo Lopez
- Unathi Mkonto
- Ravelle Pillay
- Zineb Sedira
- Gerard Sekoto
- Micha Serraf
- Guy Simpson
- Mikhael Subotzky and Patrick Waterhouse
- Carrie Mae Weems
Shirin Neshat
(Iranian, born 1957)
Shirin Neshat is a contemporary Iranian visual artist best known for her work in photography, video, and film (such as her 1999 film Rapture),which explore the relationship between women and the religious and cultural value systems of Islam. She has said that she hopes the viewers of her work “take away with them not some heavy political statement, but something that really touches them on the most emotional level.” Born on March 26, 1957 in Qazin, Iran, she left to study in the United States at the University of California at Berkeley before her the Iranian Revolution in 1979. While her early photographs were overtly political, her film narratives tend to be more abstract, focusing around themes of gender, identity, and society...














