GOODMAN GALLERY
Johannesburg / Cape Town / London + 1 other location

Artists
- Ruby Onyinyechi Amanze
- Ghada Amer
- El Anatsui
- Willem Boshoff
- Candice Breitz
- Lisa Brice
- Carla Busuttil
- Adam Broomberg and Oliver Chanarin
- Kudzanai Chiurai
- Ernest Cole
- Nolan Oswald Dennis
- Jabulani Dhlamini
- Hasan and Husain Essop
- Mounir Fatmi
- Carlos Garaicoa
- Claire Gavronski
- Kendell Geers
- David Goldblatt
- Gabrielle Goliath
- Dor Guez
- Haroon Gunn-Salie
- Kiluanji Kia Henda
- Nicholas Hlobo
- Robert (Griffiths) Hodgins
- Alfredo Jaar
- Samson Kambalu
- William Kentridge
- Grada Kilomba
- Kapwani Kiwanga
- David Koloane
- Atta Kwami
- Liza Lou
- Gerald Machona
- Paul Maheke
- Gerhard Marx
- Misheck Masamvu
- Cassi Namoda
- Shirin Neshat
- Ernesto Neto
- Sam Nhlengethwa
- Walter Oltmann
- Tabita Rezaire
- Tracey Rose
- Rosenclaire
- Rose Shakinovsky
- Yinka Shonibare
- Mikhael Subotzky
- Pamela Phatsimo Sunstrum
- The Brother Moves On
- Hank Willis Thomas
- Naama Tsabar
- Clive van den Berg
- Minnette Vári
- Diane Victor
- Jeremy Wafer
- Jessica Webster
- Sue Williamson
- Nelisiwe Xaba
Works Available By
- Maxwell Alexandre
- Yto Barrada
- Winston Branch
- Leonardo Drew
- Ghada Amer and Reza Farkhondeh
- Pélagie Gbaguidi
- Jared Ginsburg
- Kate Gottgens
- Remy Jungerman
- Banele Khoza
- Laura Lima
- Mateo Lopez
- Unathi Mkonto
- Ravelle Pillay
- Zineb Sedira
- Gerard Sekoto
- Micha Serraf
- Guy Simpson
- Mikhael Subotzky and Patrick Waterhouse
- Carrie Mae Weems
Ghada Amer
(Egyptian, born 1963)
Ghada Amer is a contemporary Egyptian artist best known for her erotic embroideries that deal with social issues, including sexuality, female identity, and Islamic culture. Through her intricate fabric work, the artist seeks to present a representation of the nude female body which is autonomous from burden of the male gaze through needlework, a traditionally female discipline. For example, in her work Snow White Without the Dwarves, Amer stitches a doe-eyed Snow White with images of naked women touching themselves in the background, a symbol of the princess’s sexual liberation. "I liked the idea of representing women through the medium of thread because it is so identified with femininity," she has said of her work. "I wanted to paint...



