Jennifer Bartlett was a contemporary American artist whose paintings, drawings, and prints combined abstraction and representation, as seen in her large-scale installation Rhapsody (1975-1976). Bartlett’s subject matter was often quotidian—a white chair, trees in a garden, a hallway—yet structured and formally analyzed in such a way as to give it a sense of profound meaning. She explored various methodologies to question artistic form, asking, for example, what happens when a painting has no edges? “I did two big series. One was abstract and one was figurative. I think that an abstract painting is actually more figurative than a figurative painting, because it frequently is closer to the thing it is depicting,&rdquo...