Edward Kienholz was an American artist known for his found-object assemblages and installations he referred to as tableauxs. In one of his most controversial works, The State Hospital (1966), Kienholz provided a grisly account of the filth-laden conditions he saw while working at a mental hospital during the 1940s. “I mostly think of my work as the spoor of an animal that goes through the forest and makes a thought trail, and the viewer is the hunter who comes and follows the trail,” he once reflected. “At one point I as the trail-maker disappear. The viewer then is confronted with the dilemma of ideas and directions.” Born on October 23, 1927 in Fairfield, WA, he grew up on a wheat farm where he learned carpentry, metalwork...