Daphne Alazraki Fine Art
New York

Works Available By
- Mary Abbott
- Richard Anuszkiewicz
- Milton Avery
- Alice Baber
- Vladimir (Yosl) Bergner
- Bernardus Johannes Blommers
- Camille Bombois
- Stanley Boxer
- André Brasilier
- Maurice Brianchon
- Cornelis Johannes de Bruyn
- David Burliuk
- Yvonne Canu
- Jean Jules Louis Cavaillès
- Dan Christensen
- Thomas Sidney Cooper
- Edouard Léon Cortès
- Gene Davis
- Olivier Debré
- Georges d'Espagnat
- Jim Dine
- Jean-Gabriel Domergue
- Raoul Dufy
- Marcel Dyf
- Sam Francis
- François Gall
- Michael Goldberg
- Adolph Gottlieb
- Armand Guillaumin
- André Hambourg
- Carl Robert Holty
- Paul Jenkins
- Herman Frederik Carel ten Kate
- Alex Katz
- Achille Laugé
- Marie Laurencin
- Henri Lebasque
- Léon Augustin L'Hermitte
- Judith Lindbloom
- John Little
- Gustave Loiseau
- Conrad Marca-Relli
- Jacques Martin-Ferrières
- Ferdinand Loyen du Puigaudeau
- Léon Richet
- Jay Rosenblum
- Judith Rothschild
- Théodore Rousseau
- Egon Schiele
- Julian Stanczak
- George Clarkson Stanfield
- Alice Kent Stoddard
- Georges Terzian
- Raymond Thibesart
- Suzanne Valadon
- Louis Valtat
- Willem van de Velde the Elder
- Paul Wonner
Louis Valtat
(French, 1869 – 1952)
Louis Valtat was a French painter and printmaker associated with the Fauvist movement of the early 20th century. Valtat’s early work, generally landscapes and street scenes, used the light touch of Impressionism and the colored dots of Pointillism along with an intense, bright palette, as in Péniches (Barges) (1892). Later in life, while suffering from tuberculosis, he spent several autumns and winters on the Mediterranean, where he intensified his use of color and began to express more Fauvist tendencies, particularly in his seascapes. However, he never fully adopted the extreme boldness of color and form that characterizes the work of the Fauve group. Born August 8, 1869 in Dieppe, France, Valtat studied at the École des...
