BAILLY GALLERY
Geneva / Paris

Artists
- Pierre Bonnard
- Georges Braque
- Alexander Calder
- Marc Chagall
- Chu Teh-Chun
- Edgar Degas
- Kees van Dongen
- Jean Dubuffet
- Léonard Tsuguharu Foujita
- Sam Francis
- Alberto Giacometti
- Diego Giacometti
- David Hockney
- Claude Lalanne
- François-Xavier Lalanne
- Fernand Léger
- Henri Matisse
- Claude Monet
- Pablo Picasso
- Pierre-Auguste Renoir
- Zao Wou-Ki
Works Available By
- Bao Vuong
- Eugène Boudin
- Antoine Bourdelle
- Harmen Brethouwer
- Bernard Buffet
- Rembrandt Bugatti
- Charles Camoin
- Yves Clerc
- Lovis Corinth
- Sonia Delaunay
- Maurice Denis
- Georges d'Espagnat
- Raoul Dufy
- Maurice Estève
- Achille-Émile Othon Friesz
- Juan Gris
- Auguste Herbin
- Jacques Hérold
- Oscar Jespers
- Moïse Kisling
- R.B. Kitaj
- František Kupka
- Antoine de (Comte) La Rochefoucauld
- Georges Lacombe
- Achille Laugé
- Marie Laurencin
- Henri Laurens
- Gaston Etienne Le Bourgeois
- Henri Le Sidaner
- Henri Lebasque
- Sol LeWitt
- André Lhote
- Gustave Loiseau
- Maximilien Luce
- Henri Charles Manguin
- Louis Marcoussis
- Albert Marquet
- Henri Jean Guillaume Martin
- Jean Metzinger
- Gustave Miklos
- Joan Miró
- Henry Moore
- Henry Moret
- Ferdinand Parpan
- Max Pechstein
- Francis Picabia
- Camille Pissarro
- Serge Poliakoff
- Auguste Rodin
- Edouard Marcel Sandoz
- Georges Seurat
- Paul Signac
- Léon de Smet
- Sirio Tofanari
- Louis Valtat
- Maurice de Vlaminck
- Édouard Vuillard
- Theodore Wores
- Ossip Zadkine
Chu Teh-Chun
(Chinese/French, 1920 – 2014)
Chu Teh-Chun was a Chinese-French abstract painter who pioneered the integration of traditional Chinese painting techniques with Western abstract art. Born on October 24, 1920 in Hangzhou, China, he studied at the National School of Fine Arts, now known as China Academy of Art, where he met fellow artists Wu Guanzhong and Zao Wou-Ki, with three friends becoming affectionately known as the “Three Musketeers” of Chinese Modernist Art for their inventive and influential practices. In 1949, he moved to Tapei where he taught at the National University before moving to Paris in 1955. There, he was strongly influenced by the abstract works of Nicolas de Stäel, which encouraged him to move away from figurative painting entirely. By...



