BAILLY GALLERY
Geneva / Paris

Artists
- Pierre Bonnard
- Georges Braque
- Alexander Calder
- Marc Chagall
- Chu Teh-Chun
- Edgar Degas
- Kees van Dongen
- Jean Dubuffet
- Léonard Tsuguharu Foujita
- Sam Francis
- Alberto Giacometti
- Diego Giacometti
- David Hockney
- Claude Lalanne
- François-Xavier Lalanne
- Fernand Léger
- Henri Matisse
- Claude Monet
- Pablo Picasso
- Pierre-Auguste Renoir
- Zao Wou-Ki
Works Available By
- Bao Vuong
- Eugène Boudin
- Antoine Bourdelle
- Harmen Brethouwer
- Bernard Buffet
- Rembrandt Bugatti
- Charles Camoin
- Yves Clerc
- Lovis Corinth
- Sonia Delaunay
- Maurice Denis
- Georges d'Espagnat
- Raoul Dufy
- Maurice Estève
- Achille-Émile Othon Friesz
- Juan Gris
- Auguste Herbin
- Jacques Hérold
- Oscar Jespers
- Moïse Kisling
- R.B. Kitaj
- František Kupka
- Antoine de (Comte) La Rochefoucauld
- Georges Lacombe
- Achille Laugé
- Marie Laurencin
- Henri Laurens
- Gaston Etienne Le Bourgeois
- Henri Le Sidaner
- Henri Lebasque
- Sol LeWitt
- André Lhote
- Gustave Loiseau
- Maximilien Luce
- Henri Charles Manguin
- Louis Marcoussis
- Albert Marquet
- Henri Jean Guillaume Martin
- Jean Metzinger
- Gustave Miklos
- Joan Miró
- Henry Moore
- Henry Moret
- Ferdinand Parpan
- Max Pechstein
- Francis Picabia
- Camille Pissarro
- Serge Poliakoff
- Auguste Rodin
- Edouard Marcel Sandoz
- Georges Seurat
- Paul Signac
- Léon de Smet
- Sirio Tofanari
- Louis Valtat
- Maurice de Vlaminck
- Édouard Vuillard
- Theodore Wores
- Ossip Zadkine
Auguste Herbin
(French, 1882 – 1960)
Auguste Herbin was a French painter who was a contemporary of and studiomate to the famed founders of Cubism: Pablo Picasso, Georges Braque, and Juan Gris. Differentiating himself from his peers, Herbin’s work was most often aligned with geometric abstraction, though his earlier paintings were notably influenced by the aesthetics and ideas of New Objectivity and Surrealism. His practice culminated in his later, best-known abstractions which consist of flat, colorful compositions of triangles, circles, and rectangles that he described as his “alphabet plastique.” Between the 1930s and 1940s, Herbin participated in several important artist groups and publications associated with non-figurative abstraction, including the Abstraction...
