Lot Details

Richard Avedon, Rex Harrison, 1948. Vintage gelatin silver print, 11 x 10.5 inches (27.9 x 26.7 cm). Inscribed.
This is an original vintage Richard Avedon photograph used for publication in the January 1949 issue of Harper's Bazaar. The original tear sheet from the magazine and a clipping of the publication stamp are also included.

Richard Avedon (1923–2004) was the most important fashion photographer and portraitist in America throughout a six-decade career. Serving in the Merchant Marines during World War II, Avedon was assigned to the photography unit and learned his trade making identification portraits. After the war, he found work as a photographer for Harper’s Bazaar and Theater Arts and began a fruitful apprenticeship with legendary editor, designer, and artist Alexey Brodovitch. Rising quickly to prominence, Avedon invigorated the staid fashion photography of the time, staging fictional tableaux and developing an unprecedented theatrical style. Moving to Vogue in 1966 and The New Yorker in 1992, Avedon continued to innovate in fashion, portraiture, and advertising reportage as well as in print and television advertising.

From his first book (Observations, 1959) and his first one-man exhibition at the Smithsonian Institution in 1962, Avedon was also recognized for his artistry. Extraordinarily prolific throughout his career, he produced many books, including Nothing Personal (1964), Portraits (1976), An Autobiography (1993), The Sixties (1999), Woman in the Mirror (2005), and Performance (2008). His exhibitions include Portraits, 1969–1975 at New York’s Marlborough Gallery in 1975; Avedon: Photographs 1947–1977 at the Metropolitan Museum of Art in 1978; In the American West at the Amon Carter Museum in Fort Worth, Texas in 1985; Evidence: 1944–1994 at the Whitney Museum of American Art in 1994; and Richard Avedon: Portraits at the Metropolitan Museum of Art in 2002.[corcoran.org]

Richard Avedon, Dorian Lee, 1949. Gelatin silver print, 16 x 20 inches, 50.8 x 61 cm. Edition 28/75. Signed, numbered, stamped.

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Publication: Harper's Bazaar, January 1949
The seller has recorded the following condition for this lot:
Remains of Hinges / Adhesive
Area: Other area
Location: Other location
Notes: Remains of two hinges on the upper edge on the verso.
Degree: Minor

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Ex-collection of Harper's Bazaar editor Dorthy Wheelock.
  • Pickup Location: New York, USA
  • Shipping Dimensions: 11 x 10.5 in. (27.94 x 26.67 cm.)
Accepted: Wire Transfer, Check
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