Lot Details

Peter Beard adds a playful inscription to his classic image of orphaned cheetah cubs: instead of writing out the word 'dear,' he has drawn a little image of an ear following the letter 'D,' and under his thumb print he has written a number as if he were a prisoner.

Peter Beard (American, b.1938) is a photographer and writer known for his collage-work and extensive diaries. While moving around between Long Island, New York City, and Alabama during his childhood, Beard began the habit of keeping diaries that later became source material for many of his collage works. Beard documented his travels and photographs within his diaries from the age of 12, shortly before his first trip to Africa in 1955. In 1957, Beard applied as a pre-med student to Yale before switching to art history, studying under the influential art historian and theoretician, Joseph Albers. After graduating, Beard returned to Kenya where he made his home in East Africa, acquiring “Hog Ranch,” the property adjacent to Karen Blixen’s, near the Ngong Hills. In the early 1960s he worked at Tsavo National Park where he photographed and documented the demise of elephants and Black Rhinos, and published multiple books on the subject. During this period he began to create photographic collages that explored the interconnectedness of humans and animals. In addition to his own work, Beard has befriended and collaborated with many artists, including Andy Warhol, Andrew Wyeth, Richard Lindner, Terry Southern, Truman Capote, and Francis Bacon. In addition to his collaborations with well-known artists, he photographed prominent politicians, supermodels, rock stars, and New York City celebrities during the 1970s and 1980s. After his art exhibition in 1975 at the Blum Helman Gallery, Beard continued to show his work throughout galleries in Paris, Los Angeles, New York, Tokyo, and cities throughout Africa.

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The seller has recorded the following condition for this lot:
Tears / Punctures / Holes
Area: Image
Location: Upper right, Lower right, Upper left, Lower left
Notes: Small thumbtack holes in the black border on each corner.
Degree: Minor

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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  • Pickup Location: California, USA
  • Shipping Dimensions: 9 x 13.5 in. (22.86 x 34.29 cm.)
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