Lot Details

Man Ray, Self-Portrait, 1933. Solarized gelatin silver print, 11.2 x 9 inches, 28.4 x 23 cm. Vintage. Signed in pencil recto.

Masked in sunlight and shadow, this striking self-portrait confronts the viewer with the direct gaze of the photographer.

Condition: print on creamy paper, in very good to excellent condition, with only a very slight softening of the lower left corner edge, and even slighter softening of the upper right corner.

Man Ray
(1890-1976)
photographer; painter; filmmaker

Born in Philadelphia, Emmanuel Radnitsky grew up in New Jersey and became a commercial artist in New York in the 1910s. He began to sign his name Man Ray in 1912, although his family did not change its surname to Ray until the 1920s. He initially taught himself photography in order to reproduce his own works of art, which included paintings and mixed media. In 1921 he moved to Paris and set up a photography studio to support himself. There he began to make photograms, which he called "Rayographs." In the 1920s, he also began making moving pictures. Man Ray's four completed films--Return to Reason, Emak Bakia, Starfish, and Mystery of the Chateau--were all highly creative, non-narrative explorations of the possibilities of the medium.

Shortly before World War II, Man Ray returned to the United States and settled in Los Angeles from 1940 until 1951. He was disappointed that he was recognized only for his photography in America and not for the filmmaking, painting, sculpture, and other media in which he worked. In 1951 Man Ray returned to Paris. He concentrated primarily on painting until his death in 1976.[getty.edu]


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The seller has recorded the following condition for this lot:
Biological Degradation / Decay / Deterioration
Area: Other area
Location: Other location
Notes: see lot description for condition as the condition report function does not specifically refer to photography conditions but rather that of painting and works on paper.
Degree: Minor

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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  • Pickup Location: New York, USA
  • Shipping Dimensions: 11.2 x 9 in. (28.45 x 22.86 cm.)
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