Lot Details

Johns plays with art and mapping, creating a work of his own, upside down. This print is in great condition and on very thick paper with a few hinges remaining on verso from previous framing.

Jasper Johns, born in 1930, is an American painter and printmaker. His work is often described as Neo-Dadaist, though he is often considered within the Pop Art and Abstract Expressionist movements. Johns studied at the University of South Carolina and briefly at the Parsons School of Design in New York City. In New York, Johns met long time friends Robert Rauschenberg, Merce Cunningham and John Cage, with whom he explored the contemporary art scene. Johns’ subject matter often includes images and objects from popular culture including the classical iconography of everyday symbols, such as: flags, maps, targets, letters and numbers. His style is lush and painterly, and he is famous for incorporating such media into his surfaces as encaustic and wax-based paint and plaster relief. His work plays with presented opposites, contradictions, paradoxes, and ironies much like Marcel Duchamp. Johns also produces intaglio prints, sculptures and lithographs with similar subject themes. In 2007, the National Gallery in Washington D.C. held a retrospective of his work entitled “Jasper Johns: An Allegory of Painting 1955-65.” Other major museums including the Museum of Modern Art in New York have held solo exhibitions of his work in recent years.

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The seller has recorded the following condition for this lot:
Remains of Hinges / Adhesive
Area: Verso, Other area
Notes: There are four hinges remaining on the verso.
Degree: Minor

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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  • Pickup Location: Indiana, USA
  • Shipping Dimensions: 38 x 31 in. (96.52 x 78.74 cm.)
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