Lot Details

As one of the leading artists and developers of the Impressionist movement, Camille Pissarro (1830-1903) was known not only for his contributions to the style of the movement, but for the complex theories he applied to Impressionism as well. Pissarro’s works are distinguished by his perception of light as inseparable from the subjects it illuminated. His fluid strokes ranged from the delicate to the bold, allowing the sense of light to go beyond mere sight into the realm of pure emotion. Having studied under Camille Corot, Pissarro went on to study at the École des Beaux-Arts and Académie Suisse where he met Claude Monet and was later introduced to Pierre Auguste Renoir and Alfred Sisley. With their shared resentment towards the Paris Salon and its insistence upon dictated academic formalism, Pissarro and his colleagues held an independent exhibition displaying their Impressionist works in 1874. He was the only artist to display his art at all eight Paris Impressionist Exhibitions (1874-1886) and was considered a major influence on Post-Impressionist artists Paul Gauguin, Paul Cézanne, and Vincent van Gogh, among numerous others.

Select Public Collections:
Metropolitan Museum of Art (New York, NY)
Solomon R. Guggenheim Museum (New York, NY)
Museum of Modern Art (New York, NY)
Louvre Museum (Paris)
National Gallery (London, UK)
Museum of Fine Arts (Boston, MA)
J. Paul Getty Museum (Los Angeles, CA)
Art Institute of Chicago (Chicago, IL)

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The seller has recorded the following condition for this lot:
Biological Degradation / Decay / Deterioration
Overall Yes
Date: Old
Notes: Mild consistent age tone throughout. See images.
Surface Soiling
Specific Areas Yes
Date: Unavailable – contact Specialist for details
Area: Other area
Location: Other location
Notes: Spot of foxing on right edge, recto. See images.
Degree: Minor

Definition Key
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.

Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

  • Pickup Location: Japan
  • Shipping Dimensions: 6.1 x 4 in. (15.49 x 10.16 cm.)
Accepted: Wire Transfer
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