A.F. Lallemont, Femme d'Oualata, Casablanca, Maroc, Tete d'Outre-Mer, 1922. Bromide print, 11 x 9 inches, 28 x 23 cm.
A fine example of a bromide print of a beautiful native Moroccan woman.
A.F. Lallemont, Femme d'Oualata, Casablanca, Maroc, Tete d'Outre-Mer, 1922. Bromide print, 11 x 9 inches, 28 x 23 cm.
A fine example of a bromide print of a beautiful native Moroccan woman.
| Water Damage or Warping | |
| Area: | Image |
| Location: | Upper left |
| Notes: | Small water/chemical spots. |
| Degree: | Minor |
| Image | The central image area, composition, or focal point; the area inside the margins/plate marks. |
| Margin | Areas bordering the central image, outside the plate marks, or the perimeter area. |
| Edge | The farthest edge of the object. |
| Verso | The reverse/back of the object. |
| Minor | An existing condition which generally does not involve risk of loss. |
| Moderate | Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator. |
| Major | Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator. |
| Extreme | Advanced and severe damage; work is insecure and at great risk. |
