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Smith, Roberta.
"Singular Artists Who Work in the First Person Plural,"
The New York Times,
May 10, 1987.
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Russell, John.
"Review of 'McDermott and McDermott,' Robert Miller Gallery, New York,"
The New York Times,
March 10, 1989.
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Grundberg, Andy.
"In an Archaic Manner, With Modern Overtones,"
The New York Times,
November 30, 1990.
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Spring, Justin.
"Review of 'McDermott and McGough,' Sperone Westwater, New York,"
Artforum,
March, 1991, p. 125.
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Loke, Margarett.
"A Collector Who Knew How to Beat the Drum and Sound the Trumpet (Review of 'Harry Lunn: Hommage,' Edwynn Houk Gallery, New York),"
The New York Times,
January 26, 2001.
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Cotter, Holland.
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The New York Times,
December 7, 2001.
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Heartney, Eleanor.
"Review of 'The Lust That Comes From Nothing' by McDermott & McGough, American Fine Arts at P.H.A.G., New York,"
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Smith, Roberta.
"Looking Back At the Flurry On the Far Side,"
The New York Times,
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Breidenbach, Tom.
"Review of 'A True Story Based on Lies' by McDermott & McGough, Cheim & Read, New York,"
Artforum,
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"Pearl Blauvelt/McDermott & McGough,"
The New Yorker,
July 2, 2007.
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Johnson, Ken.
"Review of 'Because of Him' by McDermott & McGough, Cheim & Read, New York, and 'Detroit' by McDermott & McGough, Nicholas Robinson Gallery, New York,"
The New York Times,
April 18, 2008.
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Goodman, Jonathan.
"McDermott & McGough: Nicholas Robinson and Cheim & Read,"
Art in America,
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"McDermott & McGough,"
The New Yorker,
April 14, 2008.
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Kunitz, Daniel.
"Onscreen Angst, Straight From the '60s,"
The New York Sun,
April 3, 2008.
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"McDermott & McGough,"
Village Voice,
April 9-15, 2008.
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"McDermott & McGough,"
The New Yorker,
January 24, 2011.
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