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1936
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Letter to the Press, "Not Mincing Words," Art Digest (New York), June 1.
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1937
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"Stimulating an Appetite for Art," Association of American Colleges Bulletin (New York), November.
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Letter to the Press, "The Mellon Gift: "Dear Andy", Art Digest (New York), March 1.
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Letter to the Press, "Answering Bulliet," Art Digest (New York), May 15.
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1942
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"Artists in the Community," Art Education Today (New York).
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"The Artist in Residence," The Carnegie Corporation, (unpublished report).
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1946
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"La Civilisation du Mouvement," LeGuet, Catherine, trans.; Jean Paul Sartre, ed. "The Mobility of Americans," Les Temps Modernes (Paris), August-September.
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1948
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"The Arts Program of the Association of American Colleges," College Art Journal (College Art Association, New York), Spring.
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1950
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Book Review, ('Art Structure' by Henry N. Rasmusen. McGraw-Hill, New York, New York, 1950) College Art Journal (College Art Association, New York), Summer.
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"The Intramural Artist," College Art Journal (College Art Association, New York), Summer.
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1953
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Catalogue Text, Mobile Sculpture. John Herron Art Institute. Indianapolis, Indiana.
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"The Training of the Artist in Colleges and Art Schools: a Symposium," College Art Journal (College Art Association, New York), Fall.
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1956
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"Kinetic Sculpture," Art and Artist, University of California Press. Berkeley, California.
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"Scratch and Engineer and..," Columbia Engineering Quarterly (Columbia University, New York), October.
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1958
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"Abstract Art in Rome," The Louisvillian (Louisville), May.
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1961
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"The Kinetic International," Arts (New York), September.
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"Kinetic Art - A Summary," Louisiana Revy (Humlebæk, Denmark), September.
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1962
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"Prices at Pittsburgh," The Art Journal (College Art Association, New York), Summer.
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"Calder in London," Arts (New York), September.
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1963
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"The Morphology of Movement," Art Journal, no. 22, Summer, pp. 220-231, cover.
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1964
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"New Tendency (Nouvelle tendence recherche continuelle)," The Art Journal (College Art Association, New York), Summer.
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1965
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"Scandale de Succes," Art International (Lugano, Switzerland), May.
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"The Metier," Arts Yearbook 8: Contemporary Sculpture. Art Digest, New York, New York.
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"The Morphology of Movement, A Study of Kinetic Art," Kepes, Gyorgy, ed. The Nature and Art of Motion. George Braziller. New York, New York.
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1965-1966
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"Kinesis Continued," Art in America, December-January.
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1966
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"The Artist on His Work - 12," The Christian Science Monitor (Boston), March 23.
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Introduction, Directions in Kinetic Sculpture, University Art Museum, University of California. Berkeley, California.
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1967
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Statements, Selz, Peter, ed. The Berkeley Symposium of Kinetic Sculpture. Reprinted from Art and Artists magazine (London), February-March.
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Statement, Tuchman, Maurice, ed. American Sculpture of the Sixties. Los Angeles County Museum of Art. Los Angeles, California.
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"Origins of Kinetic Art," Studio International (London), February.
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Introduction, Hans Breder: Sculpture. Richard Feigen Gallery. Chicago, Illinois.
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1969
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"A Reflection: What Art is and is Not," University of Iowa Spectator, no. 9.
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Introduction, Brunius, Teddy, ed. Olle Baertling: Creator of Open Form. Ake Nyblom. Stockholm, Sweden.
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1970
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Statement, "Letters from 3l Artists," Moore, E., ed. Gallery Notes (Albright Knox Art Gallery, Buffalo, New York), Spring.
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"Uber Kinetische Kunst," Bewegung im Raum auf der Flache. Heidelberger Kunstverein. Heidelberg, Germany.
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1971
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Introduction, David Black in Berlin. Deutscher Akademischer Austauschdienst. Berlin, Germany.
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1973
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Book Review, ('Experimental Painting' by Stephen Bann. Universe Books. New York, New York, 1970), The Art Bulletin, vol. LV, no. 4.
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Essay, Kurt Kranz: Bauhaus and Today. Smithsonian Institution. Washington, D.C.
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1974
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Catalogue Statement, Monumenta. Monumenta Newport Inc. Newport, Rhode Island.
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1977
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"All Good Art is Public," Educational Perspectives, vol. 16, no. 3, October.
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"Naum Gabo, 1890-1977," Artforum, November.
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1978
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"Comments on Four Rectangles," Four Open Rectangles Excentric, Square Section. K & B Plaza. New Orleans, Louisiana.
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1979
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Berliner Kunstblatt, Kunst Tage Berlin, no. 22, April, pp. 3-5.
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1980
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Introduction, Bernard and Francois Baschet: Sonorous Sculptures. Staempfli Gallery. New York, New York.
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1981
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"Less is Less," Art Journal, vol. 41, no. 3, Fall.
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1982
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"I Remember or Do I," George Rickey: Kinetic Sculpture on Clydeside. Scottish Arts Council and Glasgow District Court. Glasgow, Scotland.
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Statement, Contemporary Sculpture at Chesterwood. National Trust for Historic Preservation. Washington, D.C.
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Letter to the Press, "Sculptors' Replies Help to Define 'Construction'," Artists Equity Association, October.
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1983
|
|
"George Rickey on His Recent Work," Art Monthly (London), no. 69, September.
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Critical essay on Olle Baertling. Emanuel, Muriel, et al. Contemporary Artists. 2nd ed. St. Martin's Press. New York, New York.
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1984
|
|
Statement, Indiana Influence: The Golden Age of Indiana Landscape Painting - Indiana's Modern Legacy: An Inaugural Exhibition. Fort Wayne Museum. Fort Wayne, Indiana.
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Introduction, William Dole, 1917-1983, Selected Collages. Staempfli Gallery. New York, New York.
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1985
|
|
"Nulla Dies Sine Linea," The Maximal Implications of the Minimal Line. Edith C. Blum Art Institute, Bard College. Annandale on Hudson, New York.
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"South Bend: Seven Decades Later....," George Rickey in South Bend. Snite Museum of Art, University of Notre Dame. Notre Dame, Indiana.
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1986
|
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"The Muse," "Scale," "Hommage a Albers," George Rickey. Maxwell Davidson Gallery, Zabriskie Gallery. New York, New York.
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|
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1987
|
|
"In the Fullness of Time," George Rickey zum 80. Geburtstag: Skulpturen, eine Werkübersicht. Galerie Pels Leusden. Berlin, Germany.
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1993
|
|
"A Technology of Kinetic Art," Scientific American, Science in Pictures, February.
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