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Melville, Robert.
"The Snake on the Dining Room Table,"
View,
no. 6, May, 1946.
pp. 9-10.
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"Portrait Express: Dorothea Tanning,"
Art Documents,
no. 18, March, 1952.
p. 15.
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Lebel, Robert.
"Dorothea Tanning,"
Cahiers d'Art,
vol. 28, no. 1, 1953.
pp. 137-140.
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Duits, Charles.
"Le surréalisme,"
XXe Siècle,
vol. 26, no. 24, December, 1964.
p. 120.
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Waldberg, Patrick.
"Tanning ou La mémoire ensorcelée,"
XXe Siècle,
vol. 28, no. 27, December, 1966.
pp. 129-130.
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Lebel, Robert.
"Il Surrealismo Dopo il 1940,"
Arte Moderna,
vol. 35, 1967.
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"Dorothea Tanning,"
Mizue,
no. 803, December, 1971.
pp. 64-79.
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Freudenheim, Milt.
"Up from Galesburg with Dorothea Tanning,"
Chicago Daily News: Panorama,
June 29-30, 1974.
p. 12.
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Jouffroy, Alain.
"La révolution est femme,"
XXe Siècle-Panorama 74-Le surréalisme I,
vol. 36, no. 42, June, 1974.
pp. 112-16.
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Mizue,
no. 838, January, 1975.
pp. 20-45, rep. pp. 12, 34.
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Gerhardt, Kuwertz and Schumann.
"Weibliche Inhalte auf weibliche Weise darstellen,"
Magazin Kunst,
no. 4, 1975.
pp. 77-79.
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Grünburger, Tulla.
"Dorothea Tanning: Konstnären befriad i både färg och form,"
Veckojournalen,
October 17, 1978.
pp. 24-25.
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Pretzell, Lothar.
"Himmlische und irdische Liebe: Gedanken zum Werk von Dorothea Tanning,"
Kunstmagazin,
June, 1980.
pp. 28-31.
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Schmied, Wieland.
"Die Türen des Unbewussten,"
Kunstmagazin,
June, 1980.
pp. 22-27.
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Lumbard, Paula.
"Dorothea Tanning: On the Threshold to a Darker Place,"
Woman's Art Journal,
vol. 2, no. 1, Spring/Summer, 1981.
pp. 49-52.
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Chadwick, Whitney.
"The Muse as Artist: Women in the Surrealist Movement,"
Art in America,
vol. 73, no. 7, July, 1985.
pp. 120-128.
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Gruen, John.
"Among the Sacred Monsters,"
ARTnews,
vol. 87, no. 3, March, 1988.
pp. 178-182.
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Roberts, Helene.
"Metaphors of the Self in the Paintings of Dorothea Tanning,"
Visual Resources Association,
vol. 23, no. 4, Winter, 1996.
pp. 79-82.
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Falkenstein, Michelle.
"The Oldest Living Surrealist Tells (Almost) All,"
ARTnews,
vol. 100, no. 8, September, 2001.
pp. 146-7.
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Conley, Katharine.
"Les révolutions de Dorothea Tanning,"
Pleine Marge: Cahiers de littérature, d'arts plastiques, & de critique,
no. 36, December, 2002.
pp. 146-175.
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Kang, Soo Y.
"Tanning's Pictograph: Repossessing Woman's Fantasy,"
Aurora, The Journal of the History of Art,
vol. III, 2002.
pp. 89-104.
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Mundy, Jennifer.
"Quiet Mystery,"
Tate Arts and Culture,
issue 6, July-August, 2003.
pp. VI-VIII.
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Temkin, Ann.
"On Dorothea Tanning,"
Grand Street 72: Detours,
Fall, 2003.
pp. 126-139.
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Kramer, Jane.
"Self Inventions: Dorothea Tanning, Painter Turned Poet,"
The New Yorker,
May 3, 2004.
pp. 40-60.
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Lundström, Anna.
"Bodies and Spaces: On Dorothea Tanning's Sculptures,"
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pp. 121-130.
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Schwabsky, Barry.
"Her Wild Entire: On Dorothea Tanning,"
The Nation,
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pp. 31-34.
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Spies, Werner.
"Attentat auf die eigene Person,"
Frankfurter Allgemeine Zeitung,
no. 193, August 21, 2010.
pp. Z1-2.
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Sundberg, Martin.
"The Metamorphosis of Dorothea Tanning: On the Painting Insomnias,"
Konsthistorisk tidskrift/Journal of Art History,
vol. 79, no. 1, March, 2010.
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Conley, Katharine.
"Surrealism's Ghostly Automatic Body,"
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vol. 15, no. 3, June, 2011.
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McAra, Catriona.
"Surrealism's Curiosity: Lewis Carroll and the Femme-Enfant,"
Papers of Surrealism,
Issue 9, Summer, 2011.
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Carruthers, Victoria.
"Dorothea Tanning and Her Gothic Imagination,"
Journal of Surrealism and the Americas,
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Glueck, Grace.
"Dorothea Tanning, Surrealist Painter, Dies at 101,"
The New York Times,
February 1, 2012.
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