Mann, Margery, intro.
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Green, Jonathan, ed.
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Aperture. Millerton, New York. 1973.
Szarkowski, John.
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The Museum of Modern Art. New York, New York. 1973.
Weston, Edward; Nancy Newhall, ed.
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Aperture. Millerton, New York. 1973.
Imogen! Imogen Cunningham photographs, 1910-1973.
University of Washington Press. Seattle, Washington. 1974.
Language of Light: A Survey of the Photography Collection of the University of Kansas Museum of Art.
University of Kansas Museum of Art. Lawrence, Kansas. 1974.
Beaton, Cecil and Gail Buckland.
The Magic Image: The Genius of Photography from 1839 to the Present Day.
Little, Brown. Boston, Massachusetts. 1975.
Thornton, Gene. Masters of the Camera.
Stieglitz, Steichen and Their Successors.
Holt, Rinehart and Winston. New York, New York. 1976.
Mitchell, Margaretta, intro.
After Ninety.
University of Washington Press. Seattle, Washington. 1977.
Danziger, James, and Barnaby Conrad III.
Interviews with Master Photographers.
Paddington Press. New York, New York. pp. 38-54. 1977.
Dater, Judy.
Imogen Cunningham: A Portrait.
New York Graphic Society. Boston, Massachusetts. 1979.
Diverse Images: Photographs from The New Orleans Museum of Art.
Amphoto. Garden City, New York. 1979.
Witkin, Lee.
A Ten Year Salute.
Addison House. Danbury, New Hampshire. 1979.
Witkin, Lee and Barbara London.
The Photograph Collector's Guide.
New York Graphic Society. Boston, Massachusetts. 1979.
Hill, Paul, and Thomas Cooper.
Dialogue with Photography.
Farrar Straus Giroux. New York, New York. pp. 293-311. 1979.
Gee, Helen.
Photography of the Fifties: An American Perspective.
Center for Creative Photography, University of Arizona. Tucson, Arizona. 1980.
Hively, William.
Nine Classic California Photographers.
Friends of the Bancroft Library. Berkeley, California. 1980.
Sullivan, Constance.
Nude Photographs, 1850-1980.
Harper and Row. New York, New York. 1980.
Gruber, Renate and Leo Fritz Gruber.
The Imaginary Photo Museum.
Harmony Books. New York, New York. 1981.
Duval, Jean-Luc.
Photography: History of an Art.
Rizzoli. New York, New York; Skira. Geneva, Switzerland. 1982.
Richardson, Diana Edkins, and John Russell.
Vanity Fair: Photographs of an Age 1914-1936.
Clarkson N. Potter. New York, New York. 1982.
Sandweiss, Martha A.
Masterworks of American Photography: The Amon Carter Museum Collection.
Oxmoor House. Birmingham, Alabama. 1982.
Homer, William Innes.
Alfred Stieglitz and the Photo-Secession.
New York Graphic Society. Boston, Massachusetts. 1983.
Holme, Bryan.
Photography as a Fine Art.
E. P. Dutton. New York, New York. 1983.
Ford, Colin and Bryan Holme.
Portraits.
Thames and Hudson. London, United Kingdom. 1983.
Campbell, John Carden.
2 Dogs +.
Deer Creek Press. Sausalito, California. 1984.
Katzman, Louise.
Photography in California 1945-1980.
Hudson Hills Press. New York, New York in association with the San Francisco Museum of Modern Art. San Francisco, California. 1984.
Rosenblum, Naomi.
A World History of Photography.
Abbeville Press. New York, New York. 1984.
Adams, Ansel and Mary Street Alinder.
Ansel Adams: An Autobiography.
New York Graphic Society. Little, Brown. Boston, Massachusetts. 1985.
Sobieszek, Robert A.
Masterpieces of Photography from the George Eastman House Collection.
Abbeville Press. New York, New York. 1985.
Köhler, Michael.
Ansichten vom Körper: Das Aktfoto 1840-1985.
Edition Stemmle. Schaffhausen, Switzerland. 1986.
Lemagny, Jean-Claude and André Rouillé; Janet Lloyd, trans.
A History of Photography.
Cambridge University Press. Cambridge, Massachusetts. 1986.
Ewing, William A.
The Fugitive Gesture: Masterpieces of Dance Photography.
Thames and Hudson. London, United Kingdom. 1987.
Modern Photography and Beyond: Photographs in the Collection of The National Museum of Modern Art, Kyoto.
National Museum of Modern Art. Kyoto, Japan. 1987.
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Legacy of Light.
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The Graphic Art of Roi Partridge: A Catalogue Raisonné.
Hennessey and Ingalls. Los Angeles, California. 1988.
Sullivan, Constance.
Women Photographers.
Harry N. Abrams. New York, New York. 1990.
Ewing, William A.
Flora Photographica: Masterpieces of Flower Photography 1835 to the Present.
Simon and Schuster. New York, New York. 1991.
Graham, Martha.
Blood Memory.
Doubleday. New York, New York. 1991.
Nakamura, Hiromi.
The Male Nude.
Treville. Tokyo, Japan. 1991.
The Quillan Collection of Nineteenth and Twentieth Century Photographs.
Quillan Company Ltd. New York, New York. 1991.
Rule, Amy, ed.; Richard Lorenz, essay.
Imogen Cunningham: Selected Texts and Bibliography.
Clio Press. Oxford, United Kingdom. 1992.
Lorenz, Richard.
Imogen Cunningham: Ideas Without End.
Chronicle Books. San Francisco, California. 1993.
Malde, Pradip, intro.
Imogen Cunningham: The Poetry of Form.
Stemmle. Schaffhausen, Switzerland. 1993.
Lorenz, Richard.
Imogen Cunningham: Portraiture.
Little, Brown and Co. Boston, Massachusetts. 1997.
Lorenz, Richard.
Imogen Cunningham: On the Body.
Bullfinch Press. Boston, Massachusetts. 1998.
Stepan, Peter.
Icons of photography: the 20th century.
Prestel. New York, New York. 1999.
The century of the body: photoworks, 1900-2000.
Thames & Hudson. London, United Kingdom. 2000.
Lorenz, Richard.
Imogen Cunningham: Flora.
Little, Brown and Company. Boston, Massachusetts. 2001.
Heiting, Manfred, ed.; Richard Lorenz, essay.
Imogen Cunningham, 1883-1976.
Taschen. Cologne, Germany and New York, New York. 2001.
Miller, John, ed.; Anjelica Huston, intro.
Legends: women who have changed the world: through the eyes of great women writers.
New World Library. Novato, California. 2001.
Weber, Bruce, Nan Bush and Leslie Lambert, eds.
Mother's Days.
Little Bear Press. Los Angeles, California. 2002.
Golden, Reuel.
Masters of photography: classic photographic artists of our time.
Cameron House. Wingfield, South Australia. 2008.
