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Mann, Margery, intro.
Imogen Cunningham: Photographs.
University of Washington Press. Seattle, Washington. 1970.
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Diamondstein, Barbaralee.
Open Secrets: Ninety-four Women in Touch with Our Time.
Viking Press. New York, New York. pp. 79-84. 1972.
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Green, Jonathan, ed.
Camera Work: A Critical Anthology.
Aperture. Millerton, New York. 1973.
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Szarkowski, John.
Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art.
The Museum of Modern Art. New York, New York. 1973.
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Weston, Edward; Nancy Newhall, ed.
The Daybooks of Edward Weston (Vols 1-2).
Aperture. Millerton, New York. 1973.
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Imogen! Imogen Cunningham photographs, 1910-1973.
University of Washington Press. Seattle, Washington. 1974.
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Language of Light: A Survey of the Photography Collection of the University of Kansas Museum of Art.
University of Kansas Museum of Art. Lawrence, Kansas. 1974.
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Beaton, Cecil and Gail Buckland.
The Magic Image: The Genius of Photography from 1839 to the Present Day.
Little, Brown. Boston, Massachusetts. 1975.
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Thornton, Gene. Masters of the Camera.
Stieglitz, Steichen and Their Successors.
Holt, Rinehart and Winston. New York, New York. 1976.
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Mitchell, Margaretta, intro.
After Ninety.
University of Washington Press. Seattle, Washington. 1977.
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Danziger, James, and Barnaby Conrad III.
Interviews with Master Photographers.
Paddington Press. New York, New York. pp. 38-54. 1977.
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Dater, Judy.
Imogen Cunningham: A Portrait.
New York Graphic Society. Boston, Massachusetts. 1979.
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Diverse Images: Photographs from The New Orleans Museum of Art.
Amphoto. Garden City, New York. 1979.
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Witkin, Lee.
A Ten Year Salute.
Addison House. Danbury, New Hampshire. 1979.
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Witkin, Lee and Barbara London.
The Photograph Collector's Guide.
New York Graphic Society. Boston, Massachusetts. 1979.
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Hill, Paul, and Thomas Cooper.
Dialogue with Photography.
Farrar Straus Giroux. New York, New York. pp. 293-311. 1979.
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Gee, Helen.
Photography of the Fifties: An American Perspective.
Center for Creative Photography, University of Arizona. Tucson, Arizona. 1980.
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Hively, William.
Nine Classic California Photographers.
Friends of the Bancroft Library. Berkeley, California. 1980.
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Sullivan, Constance.
Nude Photographs, 1850-1980.
Harper and Row. New York, New York. 1980.
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Gruber, Renate and Leo Fritz Gruber.
The Imaginary Photo Museum.
Harmony Books. New York, New York. 1981.
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Duval, Jean-Luc.
Photography: History of an Art.
Rizzoli. New York, New York; Skira. Geneva, Switzerland. 1982.
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Richardson, Diana Edkins, and John Russell.
Vanity Fair: Photographs of an Age 1914-1936.
Clarkson N. Potter. New York, New York. 1982.
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Sandweiss, Martha A.
Masterworks of American Photography: The Amon Carter Museum Collection.
Oxmoor House. Birmingham, Alabama. 1982.
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Homer, William Innes.
Alfred Stieglitz and the Photo-Secession.
New York Graphic Society. Boston, Massachusetts. 1983.
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Holme, Bryan.
Photography as a Fine Art.
E. P. Dutton. New York, New York. 1983.
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Ford, Colin and Bryan Holme.
Portraits.
Thames and Hudson. London, United Kingdom. 1983.
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Campbell, John Carden.
2 Dogs +.
Deer Creek Press. Sausalito, California. 1984.
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Katzman, Louise.
Photography in California 1945-1980.
Hudson Hills Press. New York, New York in association with the San Francisco Museum of Modern Art. San Francisco, California. 1984.
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Rosenblum, Naomi.
A World History of Photography.
Abbeville Press. New York, New York. 1984.
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Adams, Ansel and Mary Street Alinder.
Ansel Adams: An Autobiography.
New York Graphic Society. Little, Brown. Boston, Massachusetts. 1985.
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Sobieszek, Robert A.
Masterpieces of Photography from the George Eastman House Collection.
Abbeville Press. New York, New York. 1985.
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Köhler, Michael.
Ansichten vom Körper: Das Aktfoto 1840-1985.
Edition Stemmle. Schaffhausen, Switzerland. 1986.
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Lemagny, Jean-Claude and André Rouillé; Janet Lloyd, trans.
A History of Photography.
Cambridge University Press. Cambridge, Massachusetts. 1986.
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Ewing, William A.
The Fugitive Gesture: Masterpieces of Dance Photography.
Thames and Hudson. London, United Kingdom. 1987.
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Modern Photography and Beyond: Photographs in the Collection of The National Museum of Modern Art, Kyoto.
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Sullivan, Constance.
Legacy of Light.
Alfred Knopf. New York, New York. 1987.
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White, Anthony R.
The Graphic Art of Roi Partridge: A Catalogue Raisonné.
Hennessey and Ingalls. Los Angeles, California. 1988.
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Sullivan, Constance.
Women Photographers.
Harry N. Abrams. New York, New York. 1990.
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Ewing, William A.
Flora Photographica: Masterpieces of Flower Photography 1835 to the Present.
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Graham, Martha.
Blood Memory.
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Nakamura, Hiromi.
The Male Nude.
Treville. Tokyo, Japan. 1991.
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The Quillan Collection of Nineteenth and Twentieth Century Photographs.
Quillan Company Ltd. New York, New York. 1991.
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Rule, Amy, ed.; Richard Lorenz, essay.
Imogen Cunningham: Selected Texts and Bibliography.
Clio Press. Oxford, United Kingdom. 1992.
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Lorenz, Richard.
Imogen Cunningham: The Modernist Years.
Treville Company Ltd. Tokyo, Japan. 1993.
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Lorenz, Richard.
Imogen Cunningham: Ideas Without End.
Chronicle Books. San Francisco, California. 1993.
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Malde, Pradip, intro.
Imogen Cunningham: The Poetry of Form.
Stemmle. Schaffhausen, Switzerland. 1993.
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Lorenz, Richard.
Imogen Cunningham: Portraiture.
Little, Brown and Co. Boston, Massachusetts. 1997.
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Lorenz, Richard.
Imogen Cunningham: On the Body.
Bullfinch Press. Boston, Massachusetts. 1998.
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Stepan, Peter.
Icons of photography: the 20th century.
Prestel. New York, New York. 1999.
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The century of the body: photoworks, 1900-2000.
Thames & Hudson. London, United Kingdom. 2000.
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Lorenz, Richard.
Imogen Cunningham: Flora.
Little, Brown and Company. Boston, Massachusetts. 2001.
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Heiting, Manfred, ed.; Richard Lorenz, essay.
Imogen Cunningham, 1883-1976.
Taschen. Cologne, Germany and New York, New York. 2001.
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Miller, John, ed.; Anjelica Huston, intro.
Legends: women who have changed the world: through the eyes of great women writers.
New World Library. Novato, California. 2001.
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Weber, Bruce, Nan Bush and Leslie Lambert, eds.
Mother's Days.
Little Bear Press. Los Angeles, California. 2002.
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Golden, Reuel.
Masters of photography: classic photographic artists of our time.
Cameron House. Wingfield, South Australia. 2008.
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