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Internationale Ausstellung des Deutschen Werkbunds: Film und Foto.
Deutscher Werkbund. Stuttgart, Germany. 1929.
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A Pageant of Photography.
Golden Gate International Exposition. San Francisco, California. 1940.
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Photography at Mid-Century: 10th Anniversary Exhibition.
George Eastman House. Rochester, New York. 1959.
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Craven, George.
The Group f/64 Controversy: An Introduction to the Henry F. Swift Memorial Collection of the San Francisco Museum of Art.
San Francisco Museum of Art. San Francisco, California. 1963.
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Doty, Robert M., ed.
Photography in America, 1850-1965.
Yale University Art Gallery. New Haven, Connecticut. 1965.
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Six Photographers 1965: An Exhibition of Contemporary Photography.
College of Fine and Applied Arts, University of Illinois. Urbana, Illinois. 1965.
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Newhall, Beaumont.
Imogen Cunningham, Photographs 1921-1967.
Stanford Art Gallery, Stanford University. Stanford, California. 1967.
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Lyons, Nathan.
Photography in the Twentieth Century.
Horizon Press and George Eastman House. New York, New York. 1967.
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Women, Cameras, and Images I: Imogen Cunningham.
Museum of History and Technology, Smithsonian Institution. Washington, D. C. 1968.
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Newhall, Beaumont.
Photo Eye of the '20s.
George Eastman House, Rochester, New York and the Museum of Modern Art. New York, New York. 1971.
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Group f/64.
Fine Arts Center, University of New Mexico Art Museum. Albuquerque, New Mexico. 1972.
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Imogen Cunningham: Recent Photographs.
Art Commission "Capricorn Asunder" Gallery. San Francisco, California. 1973.
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Massar, Phyllis Dearborn.
Photographs by Imogen Cunningham.
Metropolitan Museum of Art. New York, New York. 1973.
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Nordland, Gerald.
Ruth Asawa: A Retrospective View.
San Francisco Museum of Art. San Francisco, California. 1973.
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Doty, Robert, ed.; Minor White, intro.
Photography in America.
Whitney Museum of American Art and Random House. New York, New York. 1974.
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Imogen Cunningham: Photographs 1910-1973.
Chevron Gallery. San Francisco, California. 1975.
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Imogen! Imogen Cunningham, Photographs 1910-1973.
Occidental Center Gallery. Los Angeles, California. 1975.
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Women of Photography: An Historical Survey.
San Francisco Museum of Art. San Francisco, California. 1975.
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American Photography: Past into Present. Prints from the Monsen Collection of American Photography.
Seattle Art Museum. Seattle, Washington. 1976.
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Campbell, Sara, ed.
The Blue Four: Galka Scheyer Collection.
Norton Simon Museum of Art. Pasadena, California. 1976.
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Travis, David.
Photographs from the Julien Levy Collection, Starting with Atget.
Art Institute of Chicago. Chicago, Illinois. 1976.
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Brown, Milton.
The Modern Spirit: American Painting 1908-1935.
Arts Council of Great Britain. Royal Scottish Academy. Edinburgh; Hayward Gallery. London, United Kingdom. 1977.
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Photographs from the Julien Levy Collection.
The Witkin Gallery. New York, New York. 1977.
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Mann, Margery.
California Pictorialism.
San Francisco Museum of Modern Art. San Francisco, California. 1977.
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Tucker, Jean S., ed.
Group f.64.
University of Missouri. St. Louis, Missouri. 1978.
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Photography Rediscovered: American Photographs, 1900-1930.
Whitney Museum of American Art. New York, New York. 1979.
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Haenlein, Carl.
1920 Amerika Fotografie 1940: Zwischen Hollywood und Harlem.
Kestner-Gesellschaft. Hannover, Germany. 1980.
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Southern California Photography 1900-65, An Historical Survey.
The Photography Museum. Los Angeles, California. 1980.
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West-Coast Pictorialism: Etchings and Photographs by Roi Partridge and Imogen Cunningham.
Laguna Beach Museum of Art. Laguna Beach, California. 1980.
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American Photographers and the National Parks: A Catalog of the Exhibition.
National Park Foundation. Washington, D. C. 1981.
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A Show of Hands: Photographs from the Keoshian Collection.
San Francisco Museum of Modern Art. San Francisco, California. 1981.
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Pultz, John and Catherine B. Scallen.
Cubism and American Photography, 1910-1930.
Sterling and Francine Clark Art Institute. Williamstown, Massachusetts. 1981.
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Travis, David.
Photography in Chicago Collections.
Art Institute of Chicago. Chicago, Illinois. 1982.
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Tsujimoto, Karen.
Images of America: Precisionist Painting and Modern Photography.
San Francisco Museum of Modern Art. San Francisco, California. 1982.
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The Photography of Imogen Cunningham: A Centennial Selection.
American Federation of the Arts. New York, New York. 1983.
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Ackley, Clifford S.
Photographic Viewpoints: Selections from the Collection, Museum of Fine Arts, Boston.
Museum of Fine Arts. Boston, Massachusetts. 1984.
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Imogen Cunningham.
Art Museum of Santa Cruz County. Santa Cruz, California. 1984.
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A Personal View: Photography in the Collection of Paul F. Walter.
Museum of Modern Art. New York, New York. 1985.
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Billeter, Erika, ed.
Self-portrait in the Age of Photography: Photographers Reflecting their Own Image.
Benteli Verlag. Bern, Switzerland. 1985.
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Modernist Masterworks to 1925: From 'the deLIGHTed eye,' a private collection.
International Center of Photography. New York, New York. 1985.
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Signs of the Times, Some Recurring Motifs in Twentieth-Century Photography.
San Francisco Museum of Modern Art. San Francisco, California. 1985.
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Coke, Van Deren and Diana C. du Pont.
Photography: A Facet of Modernism.
Hudson Hills Press. New York, New York and San Francisco Museum of Modern Art. San Francisco, California. 1986.
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Lingwood, James, ed.
Staging the Self: Self-portrait Photography 1840s-1980s.
National Portrait Gallery. London, United Kingdom. 1986.
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Gascar, Pierre.
Botanica: Photographies de végétaux aux XIXe et XXe siècles.
Centre National de la Photographie. Paris, France. 1987.
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Garner, Gretchen.
Reclaiming Paradise, American Women Photograph the Land.
Tweed Museum of Art, University of Minnesota. Duluth, Minnesota. 1987.
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La danza moderna di Martha Graham.
Teatro Municipale Valli. Reggio Emilia, Italy. 1987.
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Lorenz, Richard.
Imogen Cunningham, Frontiers: Photographs 1906-1976.
The Imogen Cunningham Trust and United States Information Agency. Berkeley, California. 1987.
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Of People and Places: The Floyd and Josephine Segel Collection of Photography.
Milwaukee Art Museum. Milwaukee, Wisconsin. 1987.
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Weiermair, Peter, and Christian Bouqueret.
Il nudo maschile nella fotografia del XIX e del XX sec.
Edizioni Essegi and Pinacoteca Communale. Ravenna, Italy. 1987.
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After the Manner of Women: Photographs by Käsebier, Cunningham, and Ulmann.
J. Paul Getty Museum. Malibu, California. 1988.
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Foster, Alasdair, with Roberta McGrath.
Behold the Man: The Male Nude in Photography.
Stills Gallery. Edinburgh, Scotland. 1988.
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Lorenz, Richard.
Imogen Cunningham, Fronteras: Fotografías 1906-1976.
Círculo de Bellas Artes. Madrid, Spain. 1988.
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Barrett, Nancy and Stephen White.
Parallels and Contrasts: Photographs from the Stephen White Collection.
Stephen White Editions. Beverly Hills, California. 1988.
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Vintage Photographs by Women of the '20s and '30s.
Edwynn Houk Gallery. Chicago, Illinois. 1988.
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American Photographers: Loan Exhibition from The National Museum of Modern Art, Kyoto.
Shoto Museum of Art. Shibuya, Japan. 1988.
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Focus: Photographs from the Collection of Helen Johnston.
de Saisset Museum, Santa Clara University. Santa Clara, California. 1989.
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Greenough, Sarah, Joel Snyder, David Travis, and Colin Westerbeck.
On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography.
National Gallery of Art. Washington, D. C. 1989.
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Hambourg, Maria Morris and Christopher Phillips.
The New Vision: Photography Between the World Wars. Ford Motor Company Collection at the Metropolitan Museum of Art.
Metropolitan Museum of Art and Harry N. Abrams. New York, New York. 1989.
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Heyman, Therese Thau.
Picturing California: A Century of Photographic Genius.
Chronicle Books and Oakland Museum. San Francisco, California. 1989.
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Lorenz, Richard.
Imogen Cunningham, Grenzen: Fotografien 1906-1976.
Zentrum für Kunstausstellungen der DDR. Berlin, Germany. 1989.
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The Eclectic Spirit: Imogen Cunningham 1883-1976.
Glasgow Museums & Art Galleries. Glasgow, United Kingdom. 1990.
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Heyman, Therese Thau, ed.
Seeing Straight: The f.64 Revolution in Photography.
Oakland Museum. Oakland, California. 1992.
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Watkins to Weston: 101 Years of California Photography 1849-1950.
Santa Barbara Museum of Art and Roberts Rinehart Publishers. Santa Barbara, California. 1992.
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Reed, Jane Levy.
Imogen Cunningham: Paris in the Sixties.
Alliance français de San Francisco. San Francisco, California. 1993.
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Wilson, Michael G. and Dennis Reed.
Pictorialism in California: Photographs 1900-1940.
J. Paul Getty Museum. Malibu, California. 1994.
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Imogen Cunningham: a retrospective exhibition.
Howard Greenberg Gallery. New York, New York. 1995.
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Chiaroscuro: highlights and shades of six photographers.
Art Gallery, University of Maryland. College Park, Maryland. 1999.
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Imogen Cunningham: a unique collection of vintage photographs of her children.
John Stevenson Gallery. New York, New York. 2001.
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Martin, David F., essay; Richard V. West and Debra J. Byrne, eds.
Pioneer Women Photographers: Myra Albert Wiggins, Adelaide Hanscom Leeson, Imogen Cunningham, Ella E. McBride.
Frye Art Museum. Seattle, Washington. 2002.
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Holm, Michael Juul, Ernst Jonas Bencard, and Paul Erik Tøjner.
The flower as Image.
Louisiana Museum of Modern Art. Humlebaek, Denmark. 2004.
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Reed, Dennis.
Perceptions: Bay Area photography, 1945-1960.
Arts Council of Los Angeles Valley College. Los Angeles, California. 2006.
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Imogen Cunningham: vintage photographs 1910-1973.
John Stevenson Gallery. New York, New York. 2006.
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Johnson, Robert Flynn, Karin Breuer, and Louise Siddons.
Rembrandt to Thiebaud: a decade of collecting works on paper.
Fine Arts Museums of San Francisco. San Francisco, California. 2007.
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Paired: Imogen Cunningham and Rondal Partridge, featuring works by Horace Bristol.
East West Gallery. Santa Barbara, California. 2007.
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Padon, Thomas, ed.
TruthBeauty: pictorialism and the photograph as art, 1845-1945.
Vancouver Art Gallery. Vancouver, Canada. 2008.
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