Imogen Cunningham Catalogue
Imogen Cunningham
Selected Catalogues
Internationale Ausstellung des Deutschen Werkbunds: Film und Foto.  Deutscher Werkbund. Stuttgart, Germany. 1929.
A Pageant of Photography.  Golden Gate International Exposition. San Francisco, California. 1940.
Photography at Mid-Century: 10th Anniversary Exhibition.  George Eastman House. Rochester, New York. 1959.
Craven, George.  The Group f/64 Controversy: An Introduction to the Henry F. Swift Memorial Collection of the San Francisco Museum of Art.  San Francisco Museum of Art. San Francisco, California. 1963.
Doty, Robert M., ed.  Photography in America, 1850-1965.  Yale University Art Gallery. New Haven, Connecticut. 1965.
Six Photographers 1965: An Exhibition of Contemporary Photography.  College of Fine and Applied Arts, University of Illinois. Urbana, Illinois. 1965.
Newhall, Beaumont.  Imogen Cunningham, Photographs 1921-1967.  Stanford Art Gallery, Stanford University. Stanford, California. 1967.
Lyons, Nathan.  Photography in the Twentieth Century.  Horizon Press and George Eastman House. New York, New York. 1967.
Women, Cameras, and Images I: Imogen Cunningham.  Museum of History and Technology, Smithsonian Institution. Washington, D. C. 1968.
Newhall, Beaumont.  Photo Eye of the '20s.  George Eastman House, Rochester, New York and the Museum of Modern Art. New York, New York. 1971.
Group f/64.  Fine Arts Center, University of New Mexico Art Museum. Albuquerque, New Mexico. 1972.
Imogen Cunningham: Recent Photographs.  Art Commission "Capricorn Asunder" Gallery. San Francisco, California. 1973.
Massar, Phyllis Dearborn.  Photographs by Imogen Cunningham.  Metropolitan Museum of Art. New York, New York. 1973.
Nordland, Gerald.  Ruth Asawa: A Retrospective View.  San Francisco Museum of Art. San Francisco, California. 1973.
Doty, Robert, ed.; Minor White, intro.  Photography in America.  Whitney Museum of American Art and Random House. New York, New York. 1974.
Imogen Cunningham: Photographs 1910-1973.  Chevron Gallery. San Francisco, California. 1975.
Imogen! Imogen Cunningham, Photographs 1910-1973.  Occidental Center Gallery. Los Angeles, California. 1975.
Women of Photography: An Historical Survey.  San Francisco Museum of Art. San Francisco, California. 1975.
American Photography: Past into Present. Prints from the Monsen Collection of American Photography.  Seattle Art Museum. Seattle, Washington. 1976.
Campbell, Sara, ed.  The Blue Four: Galka Scheyer Collection.  Norton Simon Museum of Art. Pasadena, California. 1976.
Travis, David.  Photographs from the Julien Levy Collection, Starting with Atget.  Art Institute of Chicago. Chicago, Illinois. 1976.
Brown, Milton.  The Modern Spirit: American Painting 1908-1935.  Arts Council of Great Britain. Royal Scottish Academy. Edinburgh; Hayward Gallery. London, United Kingdom. 1977.
Photographs from the Julien Levy Collection.  The Witkin Gallery. New York, New York. 1977.
Mann, Margery.  California Pictorialism.  San Francisco Museum of Modern Art. San Francisco, California. 1977.
Tucker, Jean S., ed.  Group f.64.  University of Missouri. St. Louis, Missouri. 1978.
Photography Rediscovered: American Photographs, 1900-1930.  Whitney Museum of American Art. New York, New York. 1979.
Haenlein, Carl.  1920 Amerika Fotografie 1940: Zwischen Hollywood und Harlem.  Kestner-Gesellschaft. Hannover, Germany. 1980.
Southern California Photography 1900-65, An Historical Survey.  The Photography Museum. Los Angeles, California. 1980.
West-Coast Pictorialism: Etchings and Photographs by Roi Partridge and Imogen Cunningham.  Laguna Beach Museum of Art. Laguna Beach, California. 1980.
American Photographers and the National Parks: A Catalog of the Exhibition.  National Park Foundation. Washington, D. C. 1981.
A Show of Hands: Photographs from the Keoshian Collection.  San Francisco Museum of Modern Art. San Francisco, California. 1981.
Pultz, John and Catherine B. Scallen.  Cubism and American Photography, 1910-1930.  Sterling and Francine Clark Art Institute. Williamstown, Massachusetts. 1981.
Travis, David.  Photography in Chicago Collections.  Art Institute of Chicago. Chicago, Illinois. 1982.
Tsujimoto, Karen.  Images of America: Precisionist Painting and Modern Photography.  San Francisco Museum of Modern Art. San Francisco, California. 1982.
The Photography of Imogen Cunningham: A Centennial Selection.  American Federation of the Arts. New York, New York. 1983.
Ackley, Clifford S.  Photographic Viewpoints: Selections from the Collection, Museum of Fine Arts, Boston.  Museum of Fine Arts. Boston, Massachusetts. 1984.
Imogen Cunningham.  Art Museum of Santa Cruz County. Santa Cruz, California. 1984.
A Personal View: Photography in the Collection of Paul F. Walter.  Museum of Modern Art. New York, New York. 1985.
Billeter, Erika, ed.  Self-portrait in the Age of Photography: Photographers Reflecting their Own Image.  Benteli Verlag. Bern, Switzerland. 1985.
Modernist Masterworks to 1925: From 'the deLIGHTed eye,' a private collection.  International Center of Photography. New York, New York. 1985.
Signs of the Times, Some Recurring Motifs in Twentieth-Century Photography.  San Francisco Museum of Modern Art. San Francisco, California. 1985.
Coke, Van Deren and Diana C. du Pont.  Photography: A Facet of Modernism.  Hudson Hills Press. New York, New York and San Francisco Museum of Modern Art. San Francisco, California. 1986.
Lingwood, James, ed.  Staging the Self: Self-portrait Photography 1840s-1980s.  National Portrait Gallery. London, United Kingdom. 1986.
Gascar, Pierre.  Botanica: Photographies de végétaux aux XIXe et XXe siècles.  Centre National de la Photographie. Paris, France. 1987.
Garner, Gretchen.  Reclaiming Paradise, American Women Photograph the Land.  Tweed Museum of Art, University of Minnesota. Duluth, Minnesota. 1987.
La danza moderna di Martha Graham.  Teatro Municipale Valli. Reggio Emilia, Italy. 1987.
Lorenz, Richard.  Imogen Cunningham, Frontiers: Photographs 1906-1976.  The Imogen Cunningham Trust and United States Information Agency. Berkeley, California. 1987.
Of People and Places: The Floyd and Josephine Segel Collection of Photography.  Milwaukee Art Museum. Milwaukee, Wisconsin. 1987.
Weiermair, Peter, and Christian Bouqueret.  Il nudo maschile nella fotografia del XIX e del XX sec.  Edizioni Essegi and Pinacoteca Communale. Ravenna, Italy. 1987.
After the Manner of Women: Photographs by Käsebier, Cunningham, and Ulmann.  J. Paul Getty Museum. Malibu, California. 1988.
Foster, Alasdair, with Roberta McGrath.  Behold the Man: The Male Nude in Photography.  Stills Gallery. Edinburgh, Scotland. 1988.
Lorenz, Richard.  Imogen Cunningham, Fronteras: Fotografías 1906-1976.  Círculo de Bellas Artes. Madrid, Spain. 1988.
Barrett, Nancy and Stephen White.  Parallels and Contrasts: Photographs from the Stephen White Collection.  Stephen White Editions. Beverly Hills, California. 1988.
Vintage Photographs by Women of the '20s and '30s.  Edwynn Houk Gallery. Chicago, Illinois. 1988.
American Photographers: Loan Exhibition from The National Museum of Modern Art, Kyoto.  Shoto Museum of Art. Shibuya, Japan. 1988.
Focus: Photographs from the Collection of Helen Johnston.  de Saisset Museum, Santa Clara University. Santa Clara, California. 1989.
Greenough, Sarah, Joel Snyder, David Travis, and Colin Westerbeck.  On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography.  National Gallery of Art. Washington, D. C. 1989.
Hambourg, Maria Morris and Christopher Phillips.  The New Vision: Photography Between the World Wars. Ford Motor Company Collection at the Metropolitan Museum of Art.  Metropolitan Museum of Art and Harry N. Abrams. New York, New York. 1989.
Heyman, Therese Thau.  Picturing California: A Century of Photographic Genius.  Chronicle Books and Oakland Museum. San Francisco, California. 1989.
Lorenz, Richard.  Imogen Cunningham, Grenzen: Fotografien 1906-1976.  Zentrum für Kunstausstellungen der DDR. Berlin, Germany. 1989.
The Eclectic Spirit: Imogen Cunningham 1883-1976.  Glasgow Museums & Art Galleries. Glasgow, United Kingdom. 1990.
Heyman, Therese Thau, ed.  Seeing Straight: The f.64 Revolution in Photography.  Oakland Museum. Oakland, California. 1992.
Watkins to Weston: 101 Years of California Photography 1849-1950.  Santa Barbara Museum of Art and Roberts Rinehart Publishers. Santa Barbara, California. 1992.
Reed, Jane Levy.  Imogen Cunningham: Paris in the Sixties.  Alliance français de San Francisco. San Francisco, California. 1993.
Wilson, Michael G. and Dennis Reed.  Pictorialism in California: Photographs 1900-1940.  J. Paul Getty Museum. Malibu, California. 1994.
Imogen Cunningham: a retrospective exhibition.  Howard Greenberg Gallery. New York, New York. 1995.
Chiaroscuro: highlights and shades of six photographers.  Art Gallery, University of Maryland. College Park, Maryland. 1999.
Imogen Cunningham: a unique collection of vintage photographs of her children.  John Stevenson Gallery. New York, New York. 2001.
Martin, David F., essay; Richard V. West and Debra J. Byrne, eds.  Pioneer Women Photographers: Myra Albert Wiggins, Adelaide Hanscom Leeson, Imogen Cunningham, Ella E. McBride.  Frye Art Museum. Seattle, Washington. 2002.
Holm, Michael Juul, Ernst Jonas Bencard, and Paul Erik Tøjner.  The flower as Image.  Louisiana Museum of Modern Art. Humlebaek, Denmark. 2004.
Reed, Dennis.  Perceptions: Bay Area photography, 1945-1960.  Arts Council of Los Angeles Valley College. Los Angeles, California. 2006.
Imogen Cunningham: vintage photographs 1910-1973.  John Stevenson Gallery. New York, New York. 2006.
Johnson, Robert Flynn, Karin Breuer, and Louise Siddons.  Rembrandt to Thiebaud: a decade of collecting works on paper.  Fine Arts Museums of San Francisco. San Francisco, California. 2007.
Paired: Imogen Cunningham and Rondal Partridge, featuring works by Horace Bristol.  East West Gallery. Santa Barbara, California. 2007.
Padon, Thomas, ed.  TruthBeauty: pictorialism and the photograph as art, 1845-1945.  Vancouver Art Gallery. Vancouver, Canada. 2008.
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