Jules Olitski Catalogue
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Jules Olitski
Selected Articles
Olitsky, Jules.  "Eve In The Garden Of Art,"  Arts And Activities,  October, 1955. pp. 36-38, 47-49. 
Cambel, Lawrence.  "Jules Olitski,"  ARTnews,  vol. 58, May, 1959. p. 50. 
Preston, Stuart.  "Three Generations of Moderns,"  The New York Times,  May 24, 1959. p. 17. 
Tillim, Sidney.  "Jules Olitski,"  Arts Magazine,  vol. 33, June, 1959. p. 56. 
Canaday, John.  "International Exhibition Opens in Pittsburgh,"  The New York Times,  October 27, 1961. p. 66. 
Greenberg, Clement.  Canadian Art,  vol. 20, May, 1963. pp. 172-175. 
Hudson, Andrew.  "Art,"  The Nor'wester, Saskatoon Review,  August 5, 1963.
Hudson, Andrew.  "On Looking at the New Paintings,"  Regina Saskatoon Review,  August 5, 1963.
Rose, Barbara.  "New York Letter,"  Art International,  vol. 7, April, 1964. pp. 57-58. 
Fried, Michael.  "New York Letter,"  Art International,  vol. 8, May, 1964. pp. 40-42. 
Greenberg, Clement.  Art International,  vol. 8, Summer, 1964.
Fried, Michael.  "Jules Olitski's New Paintings,"  Artforum,  vol. 4, November, 1965. pp. 36-40. 
Hudson, Andrew.  "Viewpoint on Art,"  Washington Post,  1965. p. G-7. 
Kozloff, Max.  "Frankenthaler and Olitski,"  The Nation,  vol. 200, April, 1965. pp. 374-376. 
Solomon, Alan.  "American Art Between Two Biennials,"  Metro II,  Spring, 1965.
Lippard, Lucy.  "New York Letter,"  Art International,  vol. 9, May, 1965. p. 55. 
Lynton, Norber.  "London Letter,"  Art International,  vol. 9, September, 1965. p. 50. 
Rose, Barbara.  "The Second Generation: Academy and Breakthrough,"  Artforum,  vol. 4, September, 1965. pp. 53-62. 
Fried, Michael.  "Jules Olitski's New Paintings,"  Artforum,  vol. 4, November, 1965. pp. 35-40. 
Geldzahler, Henry.  "Frankenthaler, Kelly, Liechtenstein, Olitski: A Preview of the American Selections at the 1966 Venice Biennale,"  Artforum,  vol. 5, June, 1966. pp. 32-38. 
Hudson, Andrew.  "New York Show Reveal Artists on the Rise and in Decline,"  Washington Post,  November 6, 1966. p. G-9. 
Hudson, Andrew.  "Biennial Begins Season-At last,"  Washington Post,  December 4, 1966. p. G-1. 
Kramer, Hilton.  "Art: (Jules Olitski),"  The New York Times,  November 5, 1966. p. 26. 
Lippard, Lucy.  "New York Letter,"  Art International,  vol. 10, January, 1966. pp. 90-91. 
Meadmore, Clement.  "New York Scene II: Color as an Idiom,"  Art and Australia,  vol. 3, March, 1966. pp. 288-291. 
Mellow, James R.  "New York Letter,"  Art International,  vol. 10, December, 1966. pp. 61-64. 
Millen, Ronald.  "Fun and Games in Venice,"  Art and Australia,  vol. 4, November, 1966. pp. 63-64. 
Noland, Cornelia.  "The 1966 Venice Biennale,"  The Washingtonian,  vol. 2, November, 1966. p. 41. 
Scott, David.  "America's Role in the Biennale,"  The Art Gallery,  vol. 9, June, 1966. p. 10. 
Solomon, Alan.  "The Green Mountain Boys,"  Vogue,  vol. 148, August, 1966. pp 104-109, 151-152. 
Volpi, Marisa.  "Qui U.S.A. Biennale in Anteprima,"  La Fiera Letteraria,  June, 1966.
Baro, Gene.  "Washington and Detroit,"  Studio International,  vol. 174, July-August, 1966. pp. 49-51. 
Fried, Michael.  "Olitski and Shape,"  Artforum,  vol. 5, January, 1967. pp. 20-21. 
Olitski, Jules.  "Painting in Color,"  Artforum,  vol. 5, January, 1967. p. 20. 
Kramer, Hilton.  "Art Corcoran Prizes No surprises,"  The New York Times,  February 24, 1967. p. 32. 
Hudson, Andrew.  "Biennial is a Four Star Show,"  Washington Post,  March 5, 1967. p. F-8. 
Hudson, Andrew.  "A Painter Breaks New Ground,"  Washington Post,  April 9, 1967. p. H-8. 
Hudson, Andrew.  "Washington: An American Salon of 1967,"  Art International,  vol. 9, April, 1967. pp. 73-79. 
Hudson, Andrew.  "Shows are Rich in Comparison,"  Washington Post,  May, 1967. p. H-8. 
Champa, Kermit.  "Olitski: Nothing but Color,"  ARTnews,  vol. 66, May, 1967. pp. 36-38, 74-76. 
Rosenberg, Harold.  "The Art World,"  The New Yorker,  vol. 43, August 26, 1967. pp. 90, 93-97. 
Fried, Michael.  "Art and Objecthood,"  Artforum,  vol. 5, Summer, 1967. pp. 12-23. 
Feldman, Anita.  "In the Museums: Large Scale American Paintings,"  Arts Magazine,  vol. 42, September-October, 1967. p. 52. 
Tillim, Sidney.  "Scale and the Future of Modernism,"  Artforum,  vol. 6, October, 1967. pp. 14-18. 
Von Meir, Kurt.  "Los Angeles,"  Art International,  vol. 11, October, 1967. pp. 57-59. 
Rose, Barbara.  "Abstract Illusionism,"  Artforum,  vol. 6, November, 1967. pp. 33-37. 
Rose, Barbara.  "Washington Scene,"  Artforum,  vol. 7, November, 1967. pp. 56-57. 
Kozloff, Max.  "New York,"  Artforum,  vol. 6, December, 1967. p. 52. 
Pincus-Witten, Robert.  "New York,"  Artforum,  vol. 6, December, 1967. pp. 52-53. 
Hudson, Andrew.  "The 1967 Pittsburgh International,"  Art International,  vol. 11, Winter, 1967. pp. 57-64. 
Mellow, James.  "New York Letter,"  Art International,  vol. 11, Winter, 1967. pp. 49-50. 
Feldman, Anita.  "In the Galleries,"  Arts Magazine,  December-January, 1967-1968. p. 58. 
Hudson, Andrew.  "On Jules Olitski's Paintings and Some Changes of View,"  Art International,  vol. 12, January, 1968. pp. 31-36. 
"Olitski Show Opens U. of P. Arts Building,"  Sunday Bulletin, Philadelphia,  February 18, 1968.
Donohoe, Victoria.  "King-size Paintings Surging with Color,"  The Philadelphia Inquirer,  February 25, 1968.
Grafly, Dorothy.  "Diverse Styles Reflect the Vast and the Intimate,"  Philadelphia Bulletin,  February 25, 1968.
Krauss, Rosalind E.  "On Frontality,"  Artforum,  vol. 6, May, 1968. pp. 40-46. 
Tillim, Sidney.  "Evaluations and RE-evaluations: A Season's End Miscellany,"  Artforum,  vol. 6, Summer, 1968. pp. 20-23. 
Gouk, Alan.  "Apropos of Some Recent Exhibitions in London,"  Studio International,  vol. 176, October, 1968. pp. 125-126. 
Perreault, John.  "Art: Jules Olitski,"  The Village Voice,  November 21, 1968. p. 19. 
Glueck, Grace.  "Alone at last with a Trend,"  The New York Times,  December 1, 1968. p. 41. 
Nemser, Cindy.  "In the Galleries: Jules Olitski,"  Arts Magazine,  vol. 43, December-January, 1968-1969. p. 63. 
Ashton, Dore.  "Esempi Recenti di pittura non oggittiva negrli Sati Uniti,"  L'Arte Moderna,  vol. 13, 1969. pp. 94, 114. 
Moffett, Kenworth.  "The Sculpture of Jules Olitski,"  The Metropolitan Museum of Art Bulletin,  vol. 27, no. 8, April, 1969. pp. 366-371. 
Moffett, Kenworth.  Artforum,  vol. 7, April, 1969. pp. 55-59. 
Kramer, Hilton.  "Sculpture: The Debut of Jules Olitski,"  The New York Times,  April 12, 1969. p. 31. 
Olitski, Jules.  "On Sculpture,"  The Metropolitan Museum of Art Bulletin,  vol. 1, May, 1969.
Mellow, James R.  "New York Letter,"  Art International,  vol. 13, Summer, 1969. p. 51. 
Platt, Susan.  "Notes on the Albert Pilavin Collection: Twentieth Century American Art,"  Bulletin of the Rhode Island School of Design,  pp. 37-39, Summer, 1969.
Schjeldahl, Peter.  "New York Letter,"  Art International,  vol. 13, Summer, 1969. p. 64. 
Ashton, Dore.  "New York Commentary,"  Studio International,  vol. 178, July-August, 1969. p. 28. 
Shirey, David L.  "New York Painting and Sculpture 1940-1970,"  Arts Magazine,  vol. 44, September-October, 1969. p. 35. 
Chisolm, Shirley.  "Jules Olitski,"  Current Biography,  vol. 30, no. 9, October, 1969. pp. 31-34. 
Canaday, John.  "Pleased here, Puzzled There,"  The New York Times,  December 25, 1969. p. 25. 
Feldman, Anita.  "In the Galleries, Arts Magazine,"  vol. 44, December-January, 1969-1970. p. 68. 
Rose, Barbara.  "The Spiritual in Art,"  Vogue Magazine,  vol. 155, January 1, 1970. p. 76. 
Colt, Priscilla.  "Some Recent Acquisitions of Contemporary Painting,"  The Dayton Art Institute Bulletin,  vol. 28, March, 1970. p. 11. 
Hilton, Timothy.  "Commentary,"  Studio International,  vol. 180, September, 1970. p. 100. 
Gouk, Alan.  "An Essay on Painting,"  Studio International,  vol. 181, October, 1970. pp. 145-148. 
Fenton, Terry.  "In The Galleries-Toronto: The David Mirvish Opening Show,"  Arts Canada,  vol. 27, December, 1970. pp. 57-58. 
Greenwood, Michael.  "Jules Olitski's Sculpture,"  Arts Canada,  vol. 28, February-March, 1971. p. 62. 
"Ces Douze peintres ont un point Commun,"  Connaissance des Arts,  vol. 229, March, 1971. p. 132. 
Gruen, John.  "While There's Life...,"  New York Magazine,  March 29, 1971. p. 59. 
Prokopoff, Stephen S.  "Color Painting in America,"  Art and Artist,  vol. 6, July, 1971. p. 22. 
Bannard, Walter Darby.  "Quality, Style and Olitski,"  Artforum,  vol. 11, October, 1972. pp. 64-67. 
Carpenter, Kenneth.  "On Order in the Paintings of Jules Olitski,"  Art International,  vol. 16, December, 1972. pp. 26-30. 
Moffett, Kenworth.  "Jules Olitski and The State of the Easel Picture,"  Arts Magazine,  vol. 47, March, 1973. p. 38. 
Siegel, Jeanne.  "Olitski's Retrospective: Infinite Variety,"  ARTnews,  Summer, 1973. p. 61. 
Masheck, Joseph.  "The Jules Olitski Retrospective,"  Artforum,  September, 1973. pp. 58-60. 
Carpenter, Kenneth.  "Footsteps of a Master: The Jules Olitski Retrospective,"  Studio International,  September, 1973. pp. 77-79. 
Kramer, Hilton.  "Jules Olitski: A Sectarian Scenario,"  The New York Sunday Times,  September 16, 1973.
Hess, Thomas.  "Olitski Without Flattery,"  New York Magazine,  October 11, 1973.
Geelhaar, Christian.  "Jules Olitski,"  Kunstforum International,  October-November, 1974. pp. 113-121. 
Ellenzweig, Allen.  "Jules Olitski,"  Arts Magazine,  June, 1975. p. 10. 
Hudson, Andrew.  "Jules Olitski: Life Drawings,"  Art International,  vol. XIX/7, September 15, 1975. pp. 39-49. 
Carmean, E.A.  "Olitski, Cubism and Transparency,"  Arts Magazine,  November, 1975. p. 53. 
Micha, Rene.  "Dzubas, Olitski, Poons,"  Art International,  vol. XXL/2, March-April, 1977. pp. 45-47. 
Glueck, Grace.  "The 20th Century Artists Most Admired by Other Artist,"  ARTnews,  November, 1977. p. 78. 
Olitski, Jules.  "First Chapter (A Short Story),"  Partisan Review/2,  vol. XLV, no. 2, 1978. pp. 232-247. 
Raynor, Vivien.  "Art: Jules Olitski as Post-Raphaelite,"  The New York Times,  March 31, 1978.
Ashbery, John.  "Cheering Up Our Knowing,"  New York Magazine,  April 10, 1978. pp. 69-71. 
McEwen, John.  Spectator, (United Kingdom),  April 22, 1978.
Maloon, Terence.  Time Out, (United Kingdom),  April 28, 1978.
Moffett, Kenworth.  "Olitski: New Sculpture,"  Art International,  vol. XXII/3, 1978. pp. 8-21. 
Welish, Marjorie.  Art in America,  vol. 66, no. 5, September-October, 1978. pp. 119-120. 
Carpenter, Kenneth.  "New Works in Clay at the Edmonton Art Gallery,"  Artmagazine,  November-December, 1978. pp. 40-43. 
Tallmer, Jerry.  "A Blindfold Lifted to Light,"  New York Post,  April 28, 1979. p. 16. 
Edmonton Art Gallery Bulletin, (Alberta, Canada),  May-June, 1979. p. 1, Cover. 
Rodriquez, Joanne Milani.  "'Five in Florida' Displays Distinct Art Personalities,"  Tampa Tribune-Times,  January 6, 1980.
Twogood, William Storey.  "Jules Olitski: A View From the Ground,"  Arts West,  May-June, 1980. p. 14. 
Pleynet, Marcelin.  "Jules Olitski: The Challenge of Abstraction,"  Connaissance des Arts,  U.S. Edition, October, 1980. pp. 66-71. 
Smith, Roberta.  "Report From Washington: The '50s Revisited, Not Revised,"  Art in America,  November, 1980. pp. 47-51. 
Halasz, Piri.  "Jules Olitski: The Golden Mean,"  Arts Magazine,  May, 1984.
Gruen, John.  "Artist's Dialogue: Jules Olitski, The Power of Play,"  Architectural Digest,  October, 1986. pp. 58, 62, 66. 
Gibson, Eric.  "Gold,"  The New Criterion,  April 6, 1986.
Rand, Harry.  "Jules Olitski's Dream Maker,"  Arts Magazine,  vol. 61 no. 7, March, 1987. pp. 30-31. 
Tillim, Sidney.  "Jules Olitski's Dream Maker,"  Art in America,  vol. 75 no. 4, April, 1987. pp. 214-216. 
Enders, Alexandra.  "Jules Olitski,"  Art & Antiques,  vol. VI no. III, March, 1989. p. 35. 
Perl, Jed.  "The Legend Business,"  The New Criterion,  vol. 8 no. 5, January, 1990. pp. 57-62. 
Denson, G. Roger.  "Jules Olitski, The Relevance of The Last Modernist,"  Flash Art,  Jan, 1990. p. 120. 
Kazanjian, Dodie.  "On Target,"  Vogue Magazine,  February, 1990. pp. 320, 323-328, 352-353. 
Jimemez, Javier Lopez.  "Jules Olitski en Espana, El Fluir Abstracto De Los Clasicos,"  Galeria Antiquaria,  vol. viii no. 78, 1990. pp. 66-69. 
Pepich, Bruce W.  "Jules Olitski,"  Art Gallery International,  April, 1990. pp. 14-18. 
Vincent, Isabel.  "Huge Star of David Dedicated to 'Life',"  Toronto Globe and Mail,  April 23, 1990.
Hilton, Tim.  "Laying it on Thick,"  The Guardian,  October 31, 1990.
Gruen, John.  "Artist's Dialogue: Jules Olitski, Abstract Pursuits in New Hampshire,"  Architectural Digest,  vol. 48 no. 6, June, 1991. pp. 56, 60, 64. 
Kohen, Helen L.  "Stars in Florida Shine on Transplanted Artists,"  The Miami Herald,  February 23, 1992.
Danto, Arthur C.  "Art After the End of Art,"  Art Forum International,  April, 1993.
Kimmelman, Michael.  "Three 60's Art Stars Rise and Shine Again,"  The New York Times,  May 5, 1994. pp. C15, C17. 
Wilkin, Karen.  "Color Painting of the 1960's,"  Architectural Digest,  August, 1994. pp. 76-80, 140. 
McClintock, Jack.  "Finger Painter-Is Jules Olitski America's Greatest Living Artist,"  The Magazine of South Florida, Sunday Magazine,  August 14, 1994. p. 1. 
Kotz, Mary Lynn.  "Hillary, Jules & 'Julius',"  ARTnews,  October, 1994. p. 27. 
Karmel, Pepe.  "Also of Note: Jules Olitski,"  The New York Times,  December 29, 1995. p. C28. 
Diehl, Carol.  "Jules Olitski, Andre Emmerich, Long Fine Art,"  ARTnews,  March, 1996. p. 112. 
Fuld, Alice.  "Sunrises, Sunsets- Olitski Returns to the Thorne,"  The Keene Sentinel,  June 6, 1996. pp. 17, 22. 
Olitski, Jules.  "Drawing: Notes From A Student,"  Drawing, The International Review, The Drawing Society,  vol. XVIII, no. 1, Summer, 1996. pp. 16-18. 
Kazanjian, Dodie.  "Olitski's Surprise,"  The New Yorker,  July 29, 1996. p. 72. 
Harrison, Eric.  "Art by Leaps and Bounds,"  Arkansas Democrat Gazette,  November 3, 1996. pp. E1-2. 
Harbour, Alison B.  "Russian-born Featured Artist Found Life's Work in Free Class,"  The Sentinel-Record, Hot Springs National Park,  November 7, 1996. pp. 1-2. 
Dellolio, Peter.  "Jules Olitski: New Monotypes,"  NY Arts Magazine,  Issue 10, May, 1997. p. 18. 
Dagostino, Mark.  "An Adjustment in Focus,"  Boston Sunday Globe,  August 17, 1997. pp. NH 1, NH 6. 
Craven, Robert.  "Jules Olitski, The Artist Reinvents Himself,"  Art New England,  August/September, 1997. pp. 28, 29. 
Mauck, Erik P.  "Mill Exhibit Focuses on Landscape Artist's 'New Period',"  The Citizen (Laconia, New Hampshire),  September 8, 1997. p. 4. 
Caldwell-Hopper, Kathi.  "World Renowned Artist Paints at his Winnipesaukee Home,"  The Laker (Wolfeboro Falls, New Hampshire),  Vol 14 #19, September 22, 1997. pp. 4-5. 
Markham, Pamela.  "Jules Olitski Landscapes,"  Art New England,  October/November, 1997. p. 63. 
Litt, Steven.  "New Olitskis Pastel and Pretty,"  The Plain Dealer (Youngstown, Ohio),  October 5, 1997. p. 3. 
Hamm, Christine.  "Closed Eyes Reveal Exquisite Vision, Acclaimed artist calls Lake Region home,"  Concord Monitor, Arts & Entertainment,  September 18, 1998.
Krienke, Mary and Amy Fusselman.  "Edelman's Back on Corporate and Collecting Track?,"  ARTnewsletter,  vol XXIII, no. 11, January 27, 1998. pp. 4-5. 
Greenleaf, Ken.  "There's A Different Jules Olitski On the Art Landscape,"  Maine Sunday Telegram,  February 1, 1998. p. E3. 
Schjeldahl, Peter.  "Greenberg Again - 'The Green Mountain Boys',"  The Village Voice,  February 3, 1998.
Nikolopoulos, Daphne.  "An Eclectic Collection,"  Florida Design,  vol. 7, no. 4, March 5, 1998. p. 192. 
Marshall, Barbara.  "High Drama On The Bay,"  Florida Design,  vol. 7, no. 4, March 5, 1998. p. 206. 
Harrington, Dianne Benson.  "Modern Meets Modern In Miami,"  Florida Design,  vol. 7, no. 4, March 5, 1998. p. 223. 
Gopnik, Adam.  "The Power Critic, Clement Greenberg... ruled with his pen-and his fists,"  The New Yorker,  March 16, 1998. pp. 70-78. 
Rimanelli, David.  "'The Green Mountain Boys' Andre Emmerich,"  Art Forum International,  April, 1998. p. 111. 
Halasz, Piri.  "Green Mountain Boys, Anthony Caro, Paul Feeley, Kenneth Noland, Jules Olitski,"  NY Arts Magazine,  no. 20, April, 1998. p. 15. 
Dorsey, John.  "Reading Between The Lines,"  The Baltimore Sun, Today Section,  April 6, 1998. p. D5. 
Dennis, Gary.  "Day of Flourishes At KSC,"  The Keene Sentine,  May 18, 1998. p. 1. 
"Artists' Portraits-A Gallery Of The Century's Brightest Talents,"  Architectural Digest,  April, 1999. p. 124. 
Serraller, Francisco Calvo.  "La Abstraccion Pospictorica De Olitski,"  EL PAIS,  May 1, 1999. p. 18. 
Cereceda, Miguel.  "Jules Olitski: Pintura Para El Tacto,"  ABC Culture,  May 8, 1999. p. 41. 
Barnatan, Marcos-Ricardo.  "Olinsky y el Lenguaje del Color,"  El Mundo,  May 8, 1999.
Noja, Ris.  "Jules Olitski Pintura Sin Voluntad,"  Antiquaria,  May 12, 1999. p. 59. 
"Jules Olitski Texturas,"  El Punto De Las Antes,  May 27, 1999.
Hamm, Christine.  "Lake Views - Olitski Opens at McGowan,"  Concord Monitor,  Cover Arts & Entertainment, sect, August 12, 1999.
Carbone, Ray.  "Painting to Abstraction,"  Foster's Sunday Citizen,  Cover Arts & Leisure, August 29, 1999. p. D5. 
Fuld, Alice.  "Olitski Shows Off His Energy, Passion,"  The Keene Sentinel,  Cover Arts and Entertainment, September 16, 1999. p. 27. 
Birtolo, Janina.  "An Artful Season,"  Gulfshore Life,  November, 1999. pp. 48-55. 
Dorr, Suzy.  "Enchanting Images, Phil Updates,"  'N' The Magazine Of Naples,  December, 1999. pp. 32-33. 
Hall, Jacqueline.  "Abstractions To a Point,"  The Columbus Dispatch,  December 19, 1999.
Lilliefors, James.  "Five Decades of Jules Olitski,"  The Phil (Naples, Florida),  December, 1999. pp. 15-20. 
Rosenblum, Robert.  "Best of 2000,"  Artforum,  vol. XXXIX no. 4, December, 2000. p. 124. 
Wetherell, W.D. and Jules Olitski.  "Excerpts from Small Mountains,"  Yankee Magazine,  December, 2000. pp. 68-73, 115. 
Halasz, Piri.  "Retro and Pioneer,"  (An Appropriate Distance) From The Mayor's Doorstep,  no. 28, October 15, 2000. pp. 10-12. 
Marshall, Neil.  "Responding to Olitski,"  gallery@Neil Marshall.com,  Journal Entries, October 13, 2000.
Halasz, Piri.  "A Senior and a Junior,"  New York Art Institute,  vol. 5 no. 10, October, 2000. p. 13. 
Marshall, Neil.  "Jules Olitski, The Recent Paintings,"  Neilmarshall.com Journal,  September 19, 2000.
Olitski, Jules.  "My First New York Show,"  Modern Painters (London),  Autumn, 2000. pp. 58-62. 
Smee, Sebastian.  "Seduced by smears,"  Sydney Morning Herald,  May 13, 2000.
Genocchio, Benjamin.  "Future hero... Reminder of Past,"  The Australian,  May 22, 2000. p. 16. 
Wetherell, W.D. and Jules Olitski.  "Excerpts from 'Small Mountains',"  Connecticut Magazine,  vol. 63, no. 7, July, 2000. p. 128. 
Olitski, Jules.  "How My Art Gets Made,"  Partisan Review,  vol. 4, Fall, 2001. pp. 617-623. 
Wilkin, Karen.  "Life After Formalism,"  Art In America,  November, 2001. pp. 110-115, 159. 
Coble, Sarah FK.  "Intense Curiosity,"  Naples Illustrated,  April/May, 2001. pp. 56-59. 
Marshall, Neil.  "Abstraction and Plyphony,"  gallery@Neil Marshall.com,  Journal Entries, March 21, 2001.
Vincent, Stephen.  "The Flat Pack,"  Art & Auction,  vol. XXIII no. 1, January, 2001. pp. 90-97. 
Olitski, Jules.  "Barley Soup and Art: High and Low,"  for panel organized by The Partisan Review convened in Boston to discuss the topic,  May 10-12, 2002.
Marshall, Neil.  "Olitski After Greenberg,"  gallery@Neil Marshall.com,  Journal Entries, October 27, 2002.
Van Siclen, Bill.  "At 80 Olitski Lets Color Have Its Way,"  The Providence Journal,  August 15-18, 2002. p. 12. 
Long, Robert.  "Olitski And Avery: Still Life Photos,"  The East Hampton Star,  April 25, 2002. p. 1. 
Weiner, Julia.  "Abstract Fab,"  Jewish Chronicle (United Kingdom),  April 12, 2002. p. 54. 
Dannatt, Adrian.  "Galerie Huit: American Artists in Paris 1950-52 at Studio 18,"  Art in America,  May, 2003. p. 145. 
Fried, Michael.  "Jules Olitski,"  Artforum International,  vol. 45, no. 8, 2007. p. 55. 
Wilkin, Karen.  "Jules Olitski's late paintings,"  Hudson Review,  vol. 61, no. 1, 2008. pp. 172-177. 
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