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Greenberg, Clement, intro.
Three New American Painters: Louis, Noland, Olitski.
Norman Mackenzie Art Gallery. Regina, Canada. 1963.
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Greenberg, Clement, intro.
Post Painterly Abstraction.
Los Angeles County Museum of Art. Los Angeles, California. 1964.
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Fried, Michael, intro.
Three American Painters: Noland, Olitski, and Stella.
Fogg Art Museum. Cambridge, Massachusetts. 1965.
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Geldzahler, Henry.
XXXIII International Biennial Exhibition of Art. Venice.
Smithsonian Institution. Washington, D.C. 1966.
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Lord, Barry J., intro.
Frankenthaler, Noland, Olitski.
New Brunswick Museum. St. John, Canada. 1966.
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Fried, Michael, intro.
Jules Olitski, Paintings 1963-1967.
Corcoran Gallery of Art. Washington, D.C. 1967.
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Lippard, Lucy, intro.
Focus on Light.
New Jersey State Museum. Trenton, New Jersey. 1967.
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Sweeney, James J., intro.
Signals in the '60's.
Honolulu Academy of Arts. Honolulu, Hawaii. 1968.
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Buck, Robert T. Jr., intro.
The Development of Modernist Painting: Jackson Pollock to the Present.
Steinberg Gallery of Art, Washington University. St. Louis, Missouri. 1969.
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Mary, Delahoyd.
Concept.
Vassar College Art Gallery. Poughkeepsie, New York. 1969.
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Greenwood, Michael, intro.
American Art of the Sixties in Toronto: Private Collection.
York University. Toronto, Candada. 1969.
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Sheon, Aaron, intro.
The Gosman Collection.
Department of Fine Arts. Pittsburgh, Pennsylvania. 1969.
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Solomon, Alan.
Painting in New York: 1944-1979.
("Some Observations about New York Painting"). Pasadena Art Museum. Pasadena, California. 1969.
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Bailess, Lynn, and Carol Donnell.
Color.
U.C.L.A. Art Council. Los Angeles, California. 1970, pp. 36-40.
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Colt, Priscilla, intro.
Color And Field: 1890-1970.
Albright-Knox Art Gallery. Buffalo, New York. 1970.
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Geldzahler, Henry, intro.
New York Painting and Sculpture: 1940-1970.
The Metropolitan Museum of Art. New York, New York. 1970.
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Prokopoff, Stephen S., intro.
Two Generations of Color Painting.
Institute of Contemporary Art, University of Pennsylvania. Philadelphia, Pennsylvania. 1970.
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Warrum, Richard L., intro.
Painting and Sculpture Today.
Contemporary Art Society and Indianapolis Museum of Art. Indianapolis, Indiana. 1970.
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Contemporary Painting and Sculpture.
Jewett Art Center, Wellesley College. Wellesley, Massachusetts. 1970.
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Tucker, Marcia, essay.
Structure of Color.
Whitney Museum of American Art. New York, New York. 1971.
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Jules Olitski.
University of Michigan Museum of Art. Ann Arbor, Michigan. 1971.
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Moffett, Kenworth, intro.
Abstract Painting in the Seventies: A Selection.
Massachusetts Museum of Fine Arts. Boston, Massachusetts. 1972.
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Wilkin, Karen, intro.
Masters of the Sixties.
Edmonton Art Gallery. Edmonton, Canada. 1972.
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Jules Olitski.
Museum of Fine Arts. Boston, Massachusetts. Distributed by New York Graphic Society. Greenwich, Connecticut. 1973.
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Perreault, John.
Selected 20th Century American Nudes.
Harold Reed Gallery. New York, New York. 1978.
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Marshall, Neil, essay.
Jules Olitski New Paintings.
Andre Emmerich Gallery. New York, New York. 1978, pp. 4-15.
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Moffett, Kenworth, intro.
Color Abstractions: Selections from the Museum of Fine Arts, Boston.
Federal Reserve Bank of Boston Display Area. Boston, Massachusetts. 1979.
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Sandler, Irving, essay; Sally Yard, intro.
Images of the Self.
Hampshire College Gallery. Amherst, Massachusetts. 1979.
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Clark, Garth, and Margie Hughto.
A Century of Ceramics in the United States, 1878- 1978.
E.P. Dutton (in assoc. with Everson Museum of Art). Syracuse, New York. 1979.
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Five in Florida: Recent Work by Anuskiewicz, Chamberlain, Olitski, Rauschenberg and Rosenquist.
SVC/Arts Gallery, University of Florida. Tampa, Florida. 1980.
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Friedman, Hoffman.
Aspects of the 70's: Painterly Abstraction.
Brockton Art Museum. Brockton, Massachusetts. 1980, pp. 2, 5, 6.
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Societe des Artistes: L'Amerique aux Independants.
Grand-Palais des Champs-Elyseěes. Paris, France. 1980, pp. 37, 57, 92.
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Perreault, John, essay.
Selected 20th Century American Self Portraits.
Harold Reed Gallery. New York, New York. 1980.
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Rosenzweig, Phyllis.
The Fifties: Aspects of Paining in New York.
Hirshhorn Museum and Sculpture Garden. Washington, DC. 1980, p. 106.
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Fourcade, Dominique, essay.
Frankenthaler/Louis/Noland/Olitski: Depuis La Couleur, 1958-1964.
Centre d'Arts Plastiques Contemporains. Bordeaux, France. 1981.
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Greenberg, Clement, intro.
Olitski: communing with the power.
Buschlen-Mowatt Gallery. Vancouver, British Columbia, Canada. 1989.
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Wilkin, Karen, essay.
The prints of Jules Olitski: a catalogue raisonne 1954-1989.
Associated American Artists. New York, New York. 1989, pp. 9-15.
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Geldzahle, Henry, Tim Hilton, and Dominique Fourcade.
Jules Olitski.
Salander-O'Reilly Galleries, Inc. New York, New York. 1990.
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Rose, Barbara, essay.
Jules Olitski Recent Paintings.
Salander-O'Reilly Galleries, Inc. in Association with Canal Arts Corp. New York, New York. 1993, pp. 5-11.
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Bannard, Walter Darby.
Jules Olitski New Paintings.
The New Gallery, University of Miami. Coral Gables, Florida. 1994, pp. 2-5.
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Wilkin, Karen and Bruce Guenther.
Clement Greenberg: A Critic's Collection.
Princeton University Press. Princeton, New Jersey and Portland Art Museum. Portland, Oregon. 2001, pp. 2, 63-69, 162-167.
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Belz, Carl, essay.
Jules Olitski: Matter Embraced, Paintings 1950's and Now.
Knoedler & Company. New York, New York. 2005.
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Jules Olitski: The Seventies, Painting and Sculpture.
Paul Kasmin Gallery. New York, New York. 2006.
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Kleeblatt, Norman, essay.
Jules Olitski: The Late Paintings, A Celebration.
Knoedler & Company. New York, New York. 2007.
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Moos, David.
Jules Olitski: Embracing Circles, 1959-1964.
Hackett/Mill. San Franicsco, California, and FreedmanArt. New York, New York. 2010.
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Carmean, E. A., Jr., Alison de Lima Greene, and Karen Wilkin, essays; Lauren Olitski Poster, foreword; Jules Olitski, writings.
Revelation: The Major Paintings of Jules Olitski.
Kemper Museum of Contemporary Art. Kansas City, Missouri. 2011.
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