Parker, Fred R.
Contemporary photography as phantasy: a visualization of a theory of life that provides a familiarity with mystery.
Santa Barbara Museum of Art. Santa Barbara, California. 1982.
Foster, Alasdair and Roberta McGrath.
Behold the Man: The Male Nude in Photography.
Stills Gallery. Edinburgh, United Kingdom. 1988.
Garner, Gretchen.
Six ideas in photography: a celebration of photography's sesquicentennial.
Grand Rapids Art Museum. Grand Rapids, Michigan. 1989.
Body of evidence: the figure in contemporary photography.
Cleveland State University. Cleveland, Ohio. 1995.
Courville, Marianne; Luc Sante, intro.
Collection in context: selected contemporary photographs of hands from the collection of Henry Mendelssohn Buhl.
Buhl Foundation. New York, New York. 1996.
The Drum and the Camera.
Musta Taide. Helsinki, Finland. 1997.
Minkkinen på Galerie Art Gloss.
Grafiskt Papper. Stockholm, Sweden. 1997.
Sōmatos eikones (Body Icons).
Skopelos Center of Photography. Skopelos, Greece. 1998.
Calado, Jorge.
Waterproof: water in photography since 1852.
Stemmle. Zürich, Switzerland. 1998.
Davis, Keith F.; Donald J. Hall, foreword.
An American century of photography: from dry-plate to digital: the Hallmark Photographic Collection.
Hallmark Cards Inc. Kansas City, Missouri, in association with Harry N. Abrams. 1999.
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