|
Jones, Kellie.
Life’s Little Necessities, Installations by Women in the 1990’s, catalogue for the 2nd Johannesburg Biennale, “Trade Routes” History and Geography”.
Johannesburg Biennale. Cape Town. South Africa. 1997, p. 287.
|
 |
|
Farrell, Laurie Ann.
Looking Both Ways: Art of the Contemporary African Diaspora (Exhibition Catalog).
Museum for African Art. Long Island City, New York. 2003.
|
|
|
Firstenberg, Laurie.
Perverse Anthropology: The photomontage of Wangechi Mutu in Looking Both Ways.
Art of the contemporary African diaspora. Museum for African Art and Snoeck, New York and Gent. 2003, p. 136-143.
|
|
|
Schoonmaker, Trevor.
Black President: The Art and Legacy of Fela Anikulapo-Kuti.
The New Museum. New York, New York. 2003.
|
|
|
Gwanju Biennial Exhibtion Catalog.
Gwanju, South Korea. 2004.
|
|
|
Muhammad, Erika Dalya.
Exhibition Catalogue Essay.
The Studio Museum Harlem. July, 2004.
|
|
|
Africa Remix.
Hayward Gallery, London, Hatje Cantz Verlag, Ostfildern-Ruit, and authors. Kunstpalast Duesseldorf, Germany, traveling to Centre Pompidou, Paris, France and the Hayward Gallery, London, United Kingdom Exhibition. 2004.
|
|
|
Kuramitsu, Kris and Lizetta LeFelle-Collins,
Linkages & Themes in the African Diaspora: Selections from the Eileen Harris Norton and Peter Norton Art Collections.
Museum of the African Diaspora. San Francisco, California. ISBN: 1-59975-240-9. 2005.
|
|
|
Egon Schiele: The Ronald S.Lauder and Serge Sabarsky Collections.
Neue Galerie Museum for German and Austrian Art. New York, New York. 2005, p. 388.
|
|
|
Boswell, Peter.
Wangechi Mutu-Amazing Grace (exhibition catalog essay).
Miami Art Museum. Miami, Florida. 2005.
|
|
|
McDowell, Tara.
New Work: Wangechi Mutu.
San Francisco Museum of Modern Art (exhibition catalog essay). San Francisco, California. 2005.
|
|
|
Kantor, Jordan.
Drawing from The Modern: 1975-2005.
Museum of Modern Art, New York, New York. ISBN 0-87070-665-9. New York, New York. 2005, p. 185.
|
|
|
Rewind/Re-Cast/Review, Works by Lalla Essaydi, Mansoora Hassan and Wangechi Mutu with an accompanying sound installation by DJ Rekha.
Berrie Arts Center. Ramapo College Galleries, New Jersey. 2005.
|
|
|
Figures of Thinking: Convergences in Contemporary Cultures.
Pamela Auchincloss Arts management and University of Richmond. Richmond, Virginia. ISBN 0-295-98572-0. 2005.
|
|
|
eleven eleven {1111}, Journal of Literature and Art.
California College of the Arts San Francisco Catalog. 2005.
|
|
|
Color Wheel Oblivion.
Marella Arte Contemporanea. 2005, p. 38-40.
|
|
|
Ottmann, Klaus.
Still Points.
SITE Santa Fe's 6th International Biennial. 2006.
|
|
|
Zoubok, Pavel.
The New Collage.
Pavel Zoubok Gallery. New York, New York. June 1-August 12, 2006.
|
|
|
Collectors Choice III: Audacity in Art, Selected Works from Central Florida Collections.
Orlando Museum of Art. Orlando, Florida. 2007.
|
|
|
Reilly, Maura.
Global Feminisms: New Directions in Contemporary Art.
Brooklyn Museum. Brooklyn, New York. March 23-July 1, 2007.
|
|
|
Cameron, Dan.
New York, Interrupted.
PKM Gallery. Beijing, China. November 18, 2006-February 20, 2007.
|
|
|
Thompson, Barbara.
Black Womanhood: Icons, Images, and Ideologies of the African Body.
Hood Museum of Art.. Hanover, New Hampshire. in association with the University of Washington Press. 2008.
|
|
|
Eshun, Ekow.
Yo-n-i.
Victoria Miro. London, United Kingdom. 2008.
|
|
|
Cachia, Amanda.
Pandora's Box.
Dunlop Art Gallery. Regina, Canada. 2008.
|
|
|
Flood, Richard, Laura Hoptman and Massimiliano Gioni, essays.
Collage: The Unmonumental Picture.
New Museum and Merrill Publishers/Mondadori Electa. New York, New York. 2008.
|
|
 [return to top]
|
| |
