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Jones, Kellie.
Life's Little Necessities, Installations by Women in the 1990's, catalogue for the 2nd Johannesburg Biennale,.
Johannesburg Biennale. Cape Town, South Africa. 1997, p. 287.
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Farrell, Laurie Ann.
Looking Both Ways: Art of the Contemporary African Diaspora.
Museum for African Art. Long Island City, New York. 2003.
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Firstenberg, Laurie.
Perverse Anthropology: The photomontage of Wangechi Mutu in Looking Both Ways.
Art of the contemporary African diaspora. Museum for African Art and Snoeck, New York and Gent. 2003, p. 136-143.
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Schoonmaker, Trevor.
Black President: The Art and Legacy of Fela Anikulapo-Kuti.
The New Museum. New York, New York. 2003.
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Gwanju Biennial Exhibition Catalog.
Gwanju, South Korea. 2004.
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Muhammad, Erika Dalya.
Figuratively.
The Studio Museum of Harlem. New York, New York. 2004.
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Njami, Simon.
Africa Remix.
Hatje Cantz Verlag, Ostfildern-Ruit, Germany. 2004.
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Kuramitsu, Kris and Lizetta LeFelle-Collins.
Linkages & Themes in the African Diaspora: Selections from the Eileen Harris Norton and Peter Norton Art Collections.
Museum of the African Diaspora. San Francisco, California. 2005.
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Egon Schiele: The Ronald S. Lauder and Serge Sabarsky Collections.
Neue Galerie Museum for German and Austrian Art. New York, New York. 2005, p. 388.
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Boswell, Peter.
Wangechi Mutu-Amazing Grace.
Miami Art Museum. Miami, Florida. 2005.
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McDowell, Tara.
New Work: Wangechi Mutu.
San Francisco Museum of Modern Art. San Francisco, California. 2005.
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Kantor, Jordan.
Drawing from The Modern: 1975-2005.
Museum of Modern Art. New York, New York. 2005, p. 185.
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Rewind/Re-Cast/Review, Works by Lalla Essaydi, Mansoora Hassan and Wangechi Mutu with an accompanying sound installation by DJ Rekha.
Berrie Arts Center. Ramapo College Galleries, New Jersey. 2005.
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Clark, Vicky A. and Sandhini Poddar.
Figures of Thinking: Convergences in Contemporary Cultures.
Pamela Auchincloss Arts management and University of Richmond. Richmond, Virginia. 2005.
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Color Wheel Oblivion.
Marella Arte Contemporanea. 2005, p. 38-40.
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Zoubok, Pavel.
The New Collage.
Pavel Zoubok Gallery. New York, New York. 2006.
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Ottmann, Klaus.
Still Points.
SITE Santa Fe's 6th International Biennial. Santa Fe, New Mexico. 2006.
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Cameron, Dan.
New York, Interrupted.
PKM Gallery. Beijing, China. 2007.
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Reilly, Maura.
Global Feminisms: New Directions in Contemporary Art.
Brooklyn Museum. Brooklyn, New York. 2007.
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Collectors Choice III: Audacity in Art, Selected Works from Central Florida Collections.
Orlando Museum of Art. Orlando, Florida. 2007.
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Mutu, Wangechi, Laurie Ann Farrell and Celina Jeffrey.
The Cinderella Curse.
ACA Gallery of SCAD, Savannah College of Art and Design. Atlanta, Georgia. 2007.
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Flood, Richard, Laura Hoptman and Massimiliano Gioni, essays.
Collage: The Unmonumental Picture.
New Museum and Merrill Publishers/Mondadori Electa. New York, New York. 2008.
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Thompson, Barbara.
Black Womanhood: Icons, Images, and Ideologies of the African Body.
Hood Museum of Art. Hanover, New Hampshire in association with the University of Washington Press. Seattle, Washington. 2008.
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Eshun, Ekow.
Yo-n-i.
Victoria Miro. London, United Kingdom. 2008.
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Cachia, Amanda.
Pandora's Box.
Dunlop Art Gallery. Regina, Canada. 2008.
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Hobbs, Robert, Franklin Sirmans, and Michele Wallace.
30 Americans: Rubell Family Collection.
D.A.P./Distributed Art Publishers. New York, New York. p. 128-131, 210. 2008.
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Fischer, Urs, Cassandra MacLeod, and Jeffrey Deitch.
Fractured Figure: works from the Dakis Joannou collection.
The Deste Foundation Centre For Contemporary Art. Athens, Greece. D.A.P./Distributed Art Publishers. New York, New York. May, 2008, p. 197.
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Lombino, Mary-Kay.
Excerpt: Selections from the Jeanne Greenberg Rohatyn Collection.
The Frances Lehman Loeb Art Center, Vassar College. Poughkeepsie, New York. 2008.
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Muted.
Video Studio, Studio Museum of Harlem. New York, New York. Fall/Winter, 2008-2009, p. 5.
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Stief, Angela,.
Wangechi Mutu: In Whose Image?.
Verlag für moderne Künst. Nürnberg, Germany. 2009.
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Malherbe, Anna.
Sortilége.
Fondation pour l'art contemporain Claudine et Jean-Marc Salomon. Chateau d'Arenthon, France. 2009, p. 58-67, 85.
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Ensler, Eve, preface; Francis M. Naumann and David Nolan, intro.; Anna C. Chave.
The Visible Vagina.
Francis M. Naumann Fine Art/David Nolan Gallery. New York, New York. 2010, p. 23.
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Visceral Bodies.
Vancouver Art Gallery. Vancouver, Canada. 2010, p. 56-57.
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Moos, David, ed.
Wangechi Mutu: This You Call Civilization.
Art Gallery of Ontario. Ontario, Canada. 2010.
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Wangechi Mutu, artist of the year 2010: My Dirty Little Heaven.
Hatje Cantz. Ostfildern, Germany. 2010.
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Higgs, Matthew.
At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg.
Center for Curatorial Studies, Bard College. Annandale-on-Hudson, New York. 2010, p. 69.
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Barson, Tanya and Peter Gorschlüter, eds.
Afro Modern: Journeys Through the Black Atlantic.
Tate Liverpool, Liverpool, United Kingdom in association with Tate Publishing. London, United Kingdom. 2010, cover, p. 159.
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Westen, Mirjam, ed.
Rebelle: Art & Feminism 1969-2009.
Museum voor Moderne Kunts. Arnhem, Netherlands. 2010, p. 204-05.
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Hou, Hanru and Nikos Papastergiadis, eds.
The Power of Doubt.
La Fabrica. 2011, p. 100-107.
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Spector, Nancy, Katherine Brinson, and Susan Thompson.
The Luminous Interval: The D. Daskalopoulos collection.
Guggenheim Bilbao. Bilbao, Spain. 2011, p. 154-159.
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