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"Voice Choices,"
The Village Voice,
May 2, 1995.
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Freyberger, H.C.
"The Drawing Center,"
[In Japanese] Rokugatsu No Kaze 128,
January, 1995.
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Locke, Donald.
"A Room With A View, A Through Nexus' Art Garden,"
Creative Loafing, Atlanta’s Free Weekly,
Vol. 24, No. 2, June 3, 1995.
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PCN,
July-August, 1995.
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Camhi, Leslie.
"Cutting Up,"
Village Voice,
April 9, 1996.
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Doran, Anne.
"Kara Walker: A Dissection From The Bowels To The Bosom,"
Grand Street,
Issue 58, 1996.
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Forman, Debbie.
"New Histories At ICA, A Novel Approach,"
Cape Cod Times,
November 23, 1996.
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Golden, Thelma.
"Oral Mores: A Postbellum Shadow Play,"
Art Forum,
September, 1996.
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Haye, Christian.
"Strange Fruit,"
Frieze,
Issue 30, September/October, 1996.
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Hill, Shawn.
"ICA Exhibit Makes Controversial ‘Histories’,"
The Weekly Tab,
November 5-11, 1996.
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Hill, Shawn.
"Messages From The Margins, New Histories At The ICA,"
Bay Windows,
December 19, 1996.
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Levin, Kim.
"Art Short List-Kara Walker,"
Voice Choices - The Village Voice,
March 13-19, 1996.
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Pedersen, Victoria.
"Gallery Go 'Round,"
Paper Guide,
April 4, 1996.
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"Seven Up, Critical Edge,"
Art & Auction,
1996.
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Temin, Christine.
"ICA Creates ‘New Histories’ With Global Perspective,"
The Boston Globe,
November, 1996.
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Turner, Elisa.
"Double-Bill At The Bass Bites With Wit, Insight,"
The Miami Herald,
Saturday, December 21, 1996.
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Byrd, Cathy.
"Taboo,"
Art Papers,
November/December, 1996.
p. 36.
|
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Bonetti, David.
"Strong Work From an African American, and an African,"
San Francisco Examiner,
February 19, 1997.
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Chalam, Anitha.
"Messages Pervade Art Exhibit,"
The Michigan Daily,
January 28, 1997.
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Dalton, Karen C.C.; Harris, Michael D.; Sims, Lowery,
"The Past Is Prologue But Is Parody And Pastiche Progress?,"
The International Review of African American Art,
Vol. 14; No. 3, 1997.
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"Extreme Times Call For Extreme Heroes,"
The International Review Of African American Art,
Vol. 14, No. 3, 1997.
|
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Fox, Catherine.
"Genius At Work,"
The Atlanta Journal -Constitution,
July 6, 1997.
|
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Glueck, Grace.
"An Unconventional Publisher With An Appetite For The Comic And Quirky,"
The New York Times,
March 28, 1997.
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Josslin, Victoria.
"Cutting Through Stereotypes,"
Seattle Post-Intelligencer,
September 15, 1997.
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Rich, B. Ruby.
"Return Of The Repressed,"
San Francisco Bay Guardian,
February 26, 1997.
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Sendler, Emily.
"Three Artists, Countless Ideas In ‘Handmade Tale’,"
The Ann Arbor News,
January 18, 1997.
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"21 For The 21st,"
Ms.,
September-October, 1997.
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Unger, Miles.
"New Histories, The Institute Of Contemporary Art, Boston,"
Flash Art,
January-February, 1997.
|
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Updike, Robin.
"Shades of Meaning,"
Seattle Times,
September 12, 1997.
|
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Updike, Robin.
"Visual Arts,"
Seattle Times Guide to Fall Arts,
September 9, 1997.
|
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Wagner, Venise.
"For This Artist, the Joke’s on All of Us,"
San Francisco Examiner,
February 16, 1997.
|
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Alvarez, Adriana.
"Most Peculiar, Mama,"
Revolver,
June 22, 1998.
|
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Cullum, Jerry.
"Stereotype This!,"
Art Papers,
November/December, 1998.
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Daniel, Jeff.
"Black-and-White are Tinted with Gray,"
St. Louis Post Dispatch,
April 26, 1998.
|
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Jones, Ronald.
"Crimson Herring,"
Artforum,
Summer, 1998.
|
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Perree, Rob.
"Postcards from Black America,"
Con Rumore. Amsterdam,
1998.
|
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Parr, Debra Riley.
"Stepping Out, Forum for Contemporary Art,"
The Riverfront Times,
April 29-May 5, 1998.
|
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Smee, Sebastian.
"The Whole World is Wild Heart and Weird on Top,"
The Sydney Morning Herald,
May 22-28, 1998.
|
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Wettengl, Kurt.
"Das Gedächtnis der Kunst: History and Memory in Comtemporary Art,"
Historisches Museum Frankfurt a. M,
1999.
pp. 190-193.
|
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Daniel, Mike.
"Dividing Lines,"
The Dallas Morning News,
January 8, 1999.
|
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Drohojowska-Philp, Hunter.
"Reframing a Black Experience,"
Los Angeles Times,
October 31, 1999.
pp. 59-60.
|
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Frankel, David.
"Kara Walker,"
Artforum,
April, 1999.
p. 122.
|
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"Kara Walker,"
New York Magazine,
December 20-27, 1999.
p. 195.
|
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Massey Helber, Annabelle.
"Paper Views,"
The Met. Dallas, Texas,
January 27–February 3, 1999.
|
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Newkirk, Pamela.
"Pride or Prejudice?,"
ARTnews,
March, 1999.
|
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"Out of Africa,"
The New York Times Magazine , Artist's page,
1999.
pp. 90-91.
|
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Potter, Chris.
"Far Away, So Close: The Carnegie International explores boundaries in a complicated world,"
Pittsburgh City Paper,
November 3–November 10, 1999.
pp.18-23.
|
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Slesin, Suzanne.
"High and Mighty-The Provocative art of Peter and Eileen Norton,"
House and Garden,
March, 1999.
|
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Tate, Greg.
"In Praise of Shadow Boxers: The Crisis of Originality and Authority in African-American Visual Art vs. The Wu-Tang Clan,"
Other Narratives. Contemporary Arts Museum: Houston, Texas,
1999.
pp. 39-44.
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"Walker Skirmish,"
Art on Paper,
vol. 4, no. 2, November-December, 1999.
pp. 22-23.
|
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Abouseda, Barbara.
"Rumeurs: Kara Walker,"
La Clef,
April, 2000.
|
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Basting, Barbara.
"Die eigene Geschichte nicht verbergen,"
Die Wochenzeitung,
March 30, 2000.
|
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Buskirk, Martha.
"Planning for Impermanence,"
Art in America,
April, 2000.
pp. 113-119, 167.
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Chauvy, Laurence.
"William Kentridge et Kara Walket, entre scène, satire et vidéo,"
Le Temps,
March 21, 2000.
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Dubois Shaw, Gwendolyn.
"Final Cut,"
Parkett #60,
2000.
pp. 129-133.
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Janus, Elizabeth.
"As American as Apple Pie,"
Parkett #60,
2000.
pp. 130-141.
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Herzog, Samuel.
"Was ich auch tue, es wird immer politisch sein,"
Kunst Bulletin,
May, 2000.
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Jaunin, Francoise.
"Esclavagisme en noir et blanc,"
Journal 24 Heures,
April 3, 2000.
|
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Leffingwell, Edward.
"Carnegie Ramble,"
Art in America,
March, 2000.
pp. 86-93, 142.
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Phillips, Christopher.
"Report from Istanbul: Band of Outsiders,"
Art in America,
April, 2000.
pp. 70-75.
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Potter, Chris.
"The Carnegie Internationnal explores boundaries in a complicated world,"
Pittsburgs City Paper,
2000.
pp. 1-11.
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Siegel, Katy.
"1999 Carnegie International,"
Art Forum,
2000.
pp. 105-106.
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Talty, Stephan.
"Spooked. The white slave narratives,"
Transition, V10N1,
Issue 8, 2000.
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Vettese, Angela.
"Scenari ambigui di rara xenofobia,"
24 Ore, Milano. Milano, Italy,
March 13, 2000.
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Walker, Hamza.
"Nigger Lover or Will There Be Any Black People in Utopia?,"
Parkett #60,
2000.
pp. 152-160.
|
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Walker, Hamza.
"Kara Walker: Cut it Out,"
Nka: Journal of Contemporary African Art,
No. 11/12, Fall/Winter, 2000.
|
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Whaler, Marc-Olivier.
"Le ‘BAC’ crée une synergie sans précédent,"
Le Journal des Arts,
March 17-30, 2000.
|
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Vogel, Carol.
"Artist is Chosen,"
The New York Times,
December 28, 2001.
|
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"Performance for the Planet,"
(About) Arts International,
Fall, 2001.
pp. 8-10.
|
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Mendelsohn, Meredith.
"Kara Walker,"
Tema Celeste,
November–December, 2001.
p. 79.
|
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Moore, Alan.
"Broken Love,"
artnet.com,
October 4, 2001.
|
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Ackermann, Marion and Helmut, Friedel editors,
"Schatten Risse Silhouetten Und Cutouts,"
February, 2001.
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Brüderlin, Markus.
"Kara Walker’s art dances up, seductive in the sweet guise of Victoria silhouettes,"
Foundation Beyeler,
Ornament and Abstraction, June, 2001.
pp. 174-175.
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Herzog, Samuel.
"Die schwarze Seele wird von der Moderne verbraucht,"
Basler Zeitung,
June 9-10, 2001.
|
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Steinberg, Claudia.
"Scharfe Schnitte,"
Deutsch Vogue,
April, 2001.
pp. 230- 234, 314, 316.
|
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Stevens, Mark.
"Critic’s Eye: Kara Walker,"
New York, Fall Preview Special,
September 10, 2001.
p. 92.
|
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Moura, Rodrigo and Carla Zaccagnini.
"São Paulo Biennial,"
ArtNexus,
Vol. 4, No. 46, 2002.
pp. 30-33.
|
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Vahland, Kia.
"Kara Walker,"
Art das Kunstmagazin,
no. 5, May, 2002.
pp. 2-39.
|
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Perrée, Rob.
"Kara Walker: Gehaat en Bemind,"
Kunstbeeld,
no. 9, 2002.
p. 6-9.
|
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Ewing, John.
"Reflecting on Movement in Contemporary Art,"
ArtL!es,
Summer, 2002.
pp. 13-15.
|
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Smith, Roberta.
"At the Guggenheim, Selected Short Subjects,"
The New York Times,
Friday, July 19, 2002.
p. 35.
|
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Juxtapoz,
July-August, 2002.
p. 44.
|
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Louiss, Ange.
"Étendard Walker,"
Artactuel,
May-June, 2002.
pp. 72-73.
|
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Green, Roger.
"Walker’s Art Elicits Passionate, Mixed Response,"
Ann Arbor News. Ann Arbor, Michigan,
March 23, 2002.
|
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"O Sucesso da arte politicamente incorreta,"
O Estado de Sao Paulo,
April 1, 2002.
|
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New Art Examiner,
April, 2002.
|
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"In The Arts,"
Portland Press Herald,
March 17, 2002.
|
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"Kara Walker To Represent The U.S. At The 2002 São Paulo Bienal,"
Antiques & The Arts Weekly,
March 8, 2002.
|
|
|
"Kara Walker,"
Tema Celeste, News & Around,
Issue 91, 2002.
p. 120.
|
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Celant, Germano.
"Kara Walker: ombre altre,"
Interni,
February, 2002.
pp. 162-167.
|
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Eagly, Ursula.
"Artist’s Portfolio, Kara Walker,"
Performance for the Planet,
Spring, 2002.
pp. 68-77 & cover.
|
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Fioravante, Celso.
"International Exhibitions,"
Artforum.com,
March, 2002.
|
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Nabakowski, Gislind.
"Kara Walker: Deutsche Guggenheim Berlin,"
Art Press 283,
October, 2002.
pp. 78-9.
|
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Subotnick, Ali.
"Kara Walker,"
Make,
Special Edition 92, 2002.
pp. 25-27.
|
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Viahland, Kia.
"Die im Dunklen sieht man doch: zu Besuch im Schattenreich,"
Art,
May, 2002.
p. 32-39.
|
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Cheng, Scarlet.
"California Grrrls,"
Los Angeles Times. calanderlive.com,
September 29, 2002.
|
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Berger, Maurice.
"Occasional Paper of The Vera List Center for Art and Politics,"
New School University Art Collection,
Fall, 2003.
|
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"WCMAmail,"
Williams College Museum of Art newsletter,
Summer/Fall, 2003.
|
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Auricchio, Laura.
"New York, New York,"
Art Papers,
Nov/Dec, 2003.
p. 48.
|
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MacAdam, Barbara.
"Kara Walker’s Contradictions,"
Columbia Magazine,
Fall, 2003.
pp. 56-7.
|
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|
Crowd (ISBN 0-971333-48-1-1),
Volume 3, Issue 1, Spring/Summer, 2003.
|
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Kinsella, Eileen.
"The Rise of African American Art,"
ARTnews,
September, 2003.
pp. 118-123.
|
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Malone, Hermione.
"Many young artists are facing the issue of race…head on,"
Monday, July 14, 2003.
|
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Flavorpill,
Issue 160, July 1-7, 2003.
|
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Golden, Thelma.
"Cast No Shadow,"
ArtReview,
May, 2003.
pp. 44-49.
|
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Ceceri, Kathryn.
"Courting Controversy,"
The Post-Star,
Glenn Falls, New York, Thursday, January 16, 2003.
p. 2.
|
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Cahill, Timothy.
"Dark Shadows,"
Times Union,
Albany, New York, Friday, January 17, 2003.
pp. D1, D3.
|
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Kimmelman, Michael.
"The Convention of Beastly Beauty,"
The New York Times,
August 6, 2004.
p.31.
|
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Berwick, Carly.
"Grotesqueries,"
NYU Alumni Magazine,
Issue 2, Spring, 2004.
pp. 46-49.
|
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Arango, Jorge.
"Our Past in Black and White: Artist Kara Walker’s take on Our History,"
Essence,
February, 2004.
p. 108.
|
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Gopnik, Blake.
"Kara Walker Wins Smithsonian Artist Award,"
The Washington Post,
Thursday, April 15, 2004.
p. C5.
|
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Stewart, Rhonda.
"Still Here: Artist Kara Walker in Black and White,"
The Crisis Magazine,
January-Feburary, 2004.
pp. 49-51.
|
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Knight, Christopher.
"A South Disney Didn’t Dream Of,"
Los Angeles Times,
September 12, 2005.
|
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|
Athey, Ron.
"Kara E. Walker’s Song of the South,"
LA Weekly Calendar,
September 2 - 8, 2005.
|
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"La Vendetta Della Silhouette,"
Arte,
November, 2005.
|
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|
"Political Persuasion,"
Art on Paper,
November-December, 2005.
p.69.
|
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Leffingwell, Edward.
"Kara Walker at the Metropolitan Museum and Sikkema Jenkins,"
Art in America,
November, 2006.
p. 202.
|
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Da Costa, Valerie.
"Kara Walker,"
Artpress,
no. 325, August, 2006.
|
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Brew-Hammond, Nana Ekua.
"Secrets and Ties: New York City’s Dirty Little “Legacies” Exposed,"
Metro,
June 26, 2006.
|
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Perree, Rob.
"Forward Drive,"
Kunstbeeld.nl,
June, 2006.
|
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Kinnon, Joy Bennett.
"Travel Guide: What’s Happening Where!,"
Ebony,
June, 2006.
|
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Kinon, Cristina.
"The Living is Easy: Summer,"
Gotham Magazine,
Summer, 2006.
|
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Bischoff, Dan.
"Arts Notes,"
The Star Ledger,
June 14, 2006.
|
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Winship, Frederick M..
"Contemporary Artists Depict Residues of Slavery,"
United Press International,
June 16, 2006.
|
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ABN,
"Exhibit Shows Slavery’s Cultural Impact,"
Art Business News,
May 1, 2006.
|
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"Artists Reflect on Slavery at N-YHS,"
artnet.com,
March 17, 2006.
|
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Patrick, David.
"New York to Chicago…,"
Columbia’s New York Social Diary,
July 6, 2006.
|
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Bernard, Audrey J.
"Kickin’ It: Exquisite Show Deals with How Racially Based Slavery Has Shaped Our Society,"
The New York Beacon,
July 6–12, 2006.
|
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"Remembering Slavery,"
The Miami Herald,
June 25, 2006.
|
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Parks, John A.
"The Dark Black Outline,"
Drawing,
Summer, 2006.
pp. 120-127.
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D’Arcy, David.
"The Eyes of the Storm,"
Modern Painters,
April, 2006.
|
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Kerr, Merrily.
"Force Majeure,"
Time Out New York,
April 20-26, 2006.
p. 77.
|
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Saltz, Jerry.
"Queen of Night,"
The Village Voice,
March 23, 2006.
|
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|
Berwick, Carly.
"Kara Walker’s Troubling Silhouettes Bear Black-White Allusions,"
Bloomberg.com,
March 22, 2006.
|
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"Goings On About Town,"
The New Yorker,
April 3, 2006.
|
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Sicha, Choire.
"Sillman, Hesse, Walker; How ‘Bout Utah for Some Art?,"
The New York Observer,
March 6, 2006.
|
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|
Rubin, Anahi.
"Reflexiones para despues del diluvio,"
Tiempos Del Mundo,
April 13, 2006.
p. 26.
|
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Murray, Soroya, and Murray, Derek Conrad,
"Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity,"
ArtJournal,
Spring, 2006.
|
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Gavin, Francesca.
"Moving Drawings at London's Parasol Unit,"
BBC Collective,
March 8, 2007.
|
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|
"The Long Shadows of Slavery,"
Art in America,
October, 2007.
cover.
|
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|
Als, Hilton.
"The Shadow Act,"
The New Yorker,
October 8, 2007.
p. 70.
|
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|
Kappert, Ines.
"Emanzipation mit der Muttermilch,"
taz.de,
May 11, 2007.
|
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|
Rosenberg, Karen.
"Darkness and Light,"
New York Magazine,
September 3-10, 2007.
pp. 112-13.
|
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|
Kruger, Barbara.
"The Time 100: The Most Influential People in the World: Kara Walker,"
Time Magazine,
May 2, 2007.
|
|
|
Harvey, Matthea.
"Kara Walker,"
Bomb Magazine no. 100,
Summer, 2007.
pp. 74-82.
|
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|
Fineman, Mia.
"The Anti-Oprah: The Violent, Abject, Sometimes Disconcertingly Tender Art of Kara Walker,"
Slate.com,
November 7, 2007.
|
|
|
Robinson, Betsy.
"Kara Walker: Staring down the Shadow,"
Spirituality & Health,
January-February, 2008.
|
|
|
Le Mieux-Ruibal, Bruno.
"Puppet Master of Race,"
Lapiz (Revista Internacional de Arte),
239, March, 2008.
|
|
|
George, Lynell.
"Kara Walker: Art that cuts deeply,"
LA Times,
March 9, 2008.
|
|
|
Powerhouse Magazine (‘Gotta Have It'),
Issue 4, 2008.
|
|
|
Hardy, Ernest.
"My Negress, My Conundrum, My Enigma,"
Flaunt,
issue 92, 2008.
p. 96.
|
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|
Dawson, Jessica.
"Standing in the Shadow of the Silhouette Figure,"
The Washington Post,
June 20, 2008.
|
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|
Storr, Robert.
"Art and Text,"
Frieze,
June-August, 2008.
p. 19.
|
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|
Walker, Kara.
"The Seasons: Summer,"
The New York Times,
June 20, 2008.
p. A21.
|
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|
Arte y Parte (Revista de Arte),
no. 75, June-July, 2008.
pp. 48-59.
|
|
|
Cotter, Holland.
"The Topic Is Race; the Art Is Fearless,"
New York Times,
March 30, 2008.
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