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Gumpert, Lynne.
La Belle et la Bete: Un Choix De Jeunes Artistes Americains.
Musee d'Art Moderne de la Ville de Paris. Paris, France. 1995.
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Hannaham, James.
The Shadow Knows: A Hysterical Tragedy Of One Young Negress And Her Art.
Institute of Contemporary Art. Boston, Massachusetts. 1996.
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Alberro, Alexander and Gary Garrels.
Kara Walker, Upon My Many Masters - An Outline.
San Francisco Museum of Modern Art. San Francisco, California. 1997.
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Flood, Richard; Douglas Fogle and Deepali Dewan.
No Place (Like Home).
Walker Art Center. Minneapolis, Minnesota. 1997.
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Avgikos, Jan and Janet Biggs.
The Gaze.
Momenta Art. Brooklyn, New York. 1997.
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Kucera, Greg and Halima Taha.
Civil Progress: Life In Black America.
Greg Kucera Gallery. Seattle, Washington. 1997.
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Neri, Louise and Lisa Phillips.
1997 Biennial.
Whitney Museum of American Art. New York, New York. 1997.
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Walker, Kara, design and text.
Kara Walker.
The Renaissance Society at the University of Chicago. Chicago, Illinois. 1997.
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Feldman, Melissa E. and Ingrid Schaffner.
Secret Victorians, Contemporary Artists and a 19th-Century Vision.
Hayward Gallery. London, United Kingdom. 1998.
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Tunnicliffe, Wayne.
Strange Days.
The Art Gallery of New South Wales. Sydney, Australia. 1998.
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Bloemink, Barbara J. and Lisa Gail Collins,
Re/Righting History; Counternarratives by Contemporary African-American Artists.
Katonah Museum of Art. Katonah, New York. 1999.
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Isaak, Jo Anna, ed; Christina Elizabeth Sharpe.
Looking Forward, Looking Black.
('Kara Walker and Michael Ray Charles'). Hobart and William Smith Colleges Press. Geneva, New York. 1999.
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Grynsztejn, Madeleine.
Carnegie International 1999/2000.
Carnegie Museum of Art. Pittsburgh, Pennsylvania. 1999-2000.
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Boris, Staci.
Drawing on the Figure: Works on Paper of the 1990s from the Manilow Collection.
Museum of Contemporary Art. Chicago, Illinois. 2000.
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Fleming, Jeff.
Kara Walker: Fantasies of Disbelief.
Des Moines Art Center. Des Moines, Idaho. 2000.
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Jenkins, Sydney O.
This is Not the Place.
Ramapo College of New Jersey. Mahwah, New Jersey. 2000.
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Sladen, Mark; Bruce Hainley, Katy Siegel, Bennett Simpson, and John Slyce, texts.
The Americans. New Art.
Barbicon Gallery. London, United Kingdom. 2001, pp. 152-160.
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Levin, Kim.
Waterworks: U.S. Akarell 2001.
Nordic Watercolor Museum. Skärhamn, Sweden. 2001, pp. 122-136.
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Tallman, Susan and Deborah Wye,
Parkett Collaborations & Editions Since 1984.
Museum of Modern Art. New York, New York. 2001, pp. 258-259.
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Herkenhoff, Paulo, Roxana Marcoci and Miriam Basilio.
Tempo.
Museum of Modern Art. New York, New York. 2002.
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Drawing Now: Eight Propositions.
The Museum of Modern Art. New York, New York. 2002.
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Hobbs, Robert.
Kara Walker, Slavery! Slavery!.
25th International Bienal of Sao Păolo. International Arts and Artists, Washington DC. 2002.
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Grigoteit, Arianne.
Kara Walker.
Deutsche Bank AG. Frankfurt am Main, Germany. 2002.
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Goldbaum, Karen, ed.
Kara Walker: Pictures from Another Time.
University of Michigan Museum of Art. Ann Arbor, Michigan. 2002.
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Edited by Dahlgren, Kari and Trisha Beck,
Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the MCA Collection.
Museum of Contemporary Art. Chicago, Illinois. 2002-2003, p. 272.
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Visuell.
Deutsche Bank Art. Frankfurt, Germany. 2002-2003.
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Stallings, Tyler with Ken Gonzales S-Day, Amelia Jones and David R. Roediger,
Whiteness: A Wayward Construction.
Laguna Art Museum. Laguna Beach, California. 2003.
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Berry, Ian; English, Darby; Patterson, Vivian; Reinhardt, Mark,
Kara Walker: Narratives of a Negress.
The Tang Teaching Museum and Art Gallery at Skidmore College. Saratoga Springs, New York. 2003.
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Schoonmaker, Trevor.
Black President: The Art and Legacy of Fela Anikulapo-Kuti.
The New Museum. New York, New York. 2003.
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Walker, Hamza.
Artes Mundi Exhibition: Wales International Visual Art Prize.
National Museum. Cardiff, Wales. 2004.
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Grub for Sharks: A Concession to the Negro Populace.
Tate Liverpool. Liverpool, United Kingdom. 2004.
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Landry, Pierre.
Nous Venons en Paix.
Musee d'Art Contemporain de Montreal. Montreal, Canada. 2004, pp. 120-126.
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Fairy Tales Forever: International Homage to H.C. Andersen.
AROS Aarhus Kunstmuseum. Copenhagen, Denmark. 2005.
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Kantor, Jordan.
Drawing from The Modern: 1975-2005.
Museum of Modern Art. New York, New York. 2005.
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Bell, Kirsty.
Works on Paper.
Galerie Max Hetzler. Berlin, Germany. 2005.
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Baume, Nicholas.
Getting Emotional.
Institute of Contemporary Art. Boston, Massachusetts. 2005.
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Identita & Nomadismo.
Palazzo Delle Papesse. Centro Arte Contemporanea. Siena, Italy. 2005.
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Kiss the Frog! The Art of Transformation.
National Museum of Art, Architecture and Design. Oslo, Norway. 2005.
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Brewinska, Maria.
Black Alphabet – contexts of Contemporary African American Art.
Zacheta Narodowa Galeria Sztuki. Warsaw, Poland. 2006.
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All the Best: The Deutsche Bank Collection and Zaha Hadid.
The Singapore Art Museum. 2006.
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Germano, Celant and Lisa Dennison,
New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography, and Video.
Grimaldi Forum Monaco. 2006.
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Hoffman, Jens.
Surprise, Surprise.
Institute of Contemporary Art, London. 2006.
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Sims, Lowery Stokes, Hulser, Kathleen, Copeland, Cynthia R.,
Legacies: Contemporary Artists Reflect on Slavery.
The New York Historical Society. New York, New York. 2006.
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Reilly, Maura and Linda Nochlin, ed.
Global Feminisms: New Directions in Contemporary Art.
Merrell. New York, New York and London, United Kingdom. 2007.
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Kertess, Klaus.
Meditations in an Emergency.
Museum of Contemporary Art Detroit. Detroit, Michigan. 2007.
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Gilman, Sander L.
Kara Walker: My Complement, My Enemy, My Oppressor, My Love.
The Walker Art Center. Minneapolis, Minnesota. 2007.
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Hanzal, Carla M. and Robert Carleton Hobbs.
Contemporary, Cool and Collected.
The Mint Museum of Art. Charlotte, North Carolina. 2007.
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Wyckoff, Elizabeth.
Don't Look: Contemporary Drawings from an Alumna's Collection (Martina Yamin, class of 1958).
Davis Museum and Cultural Center. Wellesley, Massachusettes. 2007.
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Geopolitics of the Animation.
Centro Andaluz de Arte Contemporáneo in co-production with the MARCO, Museo de Arte Contemporáneo de Vigo. Seville and Vigo, Spain. 2007.
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Earle, Susan.
Aaron Douglas: African American Modernist.
Yale University Press. New Haven, Connecticut, in association with Spencer Museum of Art, University of Kansas. Lawrence, Kansas. 2007.
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Kamps, Toby, Michael Duncan, and Colleen J. Sheehy.
The Old Weird America: Folk Themes in Contemporary Art.
Contemporary Arts Museum Houston. Houston, Texas. 2008.
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Förlust/Loss.
WANĹS Foundation. Knislinge, Sweden. 2008.
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Thompson, Barbara, ed; Ifi Amadiume, essay.
Black Womanhood: Images, Icons, and Ideologies of the African Body.
Hood Museum of Art, Dartmouth College. Hanover, New Hampshire, in association with University of Washington Press. Seattle, Washington. 2008.
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Franklin, John Hope and Alvia J. Wardlaw.
Collecting African American Art.
Museum of Fine Arts, Houston. Houston, Texas. Yale University Press: New Haven, Connecticut. 2009.
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Slash: paper under the knife.
Museum of Arts & Design. Harry N. Abrams. New York, New York. 2009.
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McDonnell, Patricia, and Emily Stamey.
Art of Our Time: Selections from the Ulrich Museum of Art, Wichita State University.
University of Washington Press. Seattle, Washington. 2010.
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Hoffmann, Jens.
Huckleberry Finn.
California College of the Arts. San Francisco, California. 2010.
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Wallace, Miranda, ed.
21st Century: Art in the First Decade.
Queensland Art Gallery. South Brisbane, Australia. 2010.
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In Context.
Goodman Gallery. Johannesburg, South Africa. 2010.
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Nesbitt, Judith, ed.
Chris Ofili.
Tate. London, United Kingdom. 2010.
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Barson, Tanya and Peter Gorschlüter, eds.
Afro Modern: Journeys Through the Black Atlantic.
Tate Liverpool. Liverpool, United Kingdom. 2010.
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The Dissolve.
Site Santa Fe. Santa Fe, New Mexico. 2010.
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Afro Modern: Journeys Through the Black Atlantic [exhibition guide].
'De Lo Posmoderno A Lo Posnegro: Apropiacion, Humor Negro Y Dobles Negaciones'. Tate Liverpool. Liverpool, United Kingdom. 2010, p. 169.
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Miller, Dana, ed.
Legacy: The Emily Fisher Landau Collection.
Whitney Museum of American Art. New York, New York. 2011.
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