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Narrative art: David Askevold, Michael Badura, John Baldessari.
Studio d'Arte. Roma. 1974.
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Narrative art 1974: an exhibition of works by David Askevold, Didier Bay, Bill Beckley, Robert Cumming, Peter Hutchinson, Jean Le Gac, and Roger Welch.
Palais des beaux-arts. Brussels, Belgium. 1974.
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Narrative art 2: Ottobre 1975.
Cannaviello studio d'arte, Roma. 1975.
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Documenta VII. Kassel, Germany. 1977.
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Asher, Michael.
Michael Asher, David Askevold, Richard Long.
Los Angeles Institute of Contemporary Art. Los Angeles, California. 1977.
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Narrative Art.
Booner Kunsteverein. Bonn, Germany. 1979.
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Askevold, David, text and images; essays by Frederick Dolan, Peggy Gale & Alan Sondheim.
David Askevold.
Stedelijk Van AbbeMuseum. Eindhoven, Holland. 1980.
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The Poltergeist.
In collaboration with Mike Kelley. LAICA. Los Angeles, California. Fall, 1984.
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Gale, Peggy.
Video.
(David Askevold’s 'Rhea'). Artext. Montreal, Quebec, Canada. 1986, pp. 185-9.
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Stacey, Robert and Liz Wylie.
Eighty/Twenty - 100 years of the Nova Scotia College of Art and Design.
Art Gallery of Nova Scotia. Halifax, Nova Scotia. 1988.
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Red Rider.
Centre for Art Tapes. Halifax, Canada. 1992.
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Terra firma: five immigrant artists in Nova Scotia.
Art Gallery, Mount Saint Vincent University. Halifax, Nova Scotia, Canada. 1993.
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Barber, Bruce.
Conceptual Art: The NSCAD Connection 1967-1973.
Anna Leonowens Art Gallery. Halifax, Nova Scotia. 1994, pp.17-9, 38-9.
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Corpus loquendi: body for speaking: body-centred video in Halifax, 1972-1982.
Dalhousie Art Gallery. Halifax, Nova Scotia, Canada. 1994.
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Goldstein, Ann and Anne Rommimer.
Reconsidering the Object of Art: 1965-75.
The Museum of Contemporary Art. Cambridge, Massachusetts and London, United Kingdom. 1996.
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Loers, Veit.
Mediumististische oder Psychedelische Fotografie? Der Psi-Effekt im Konzeptualismus.
In the Realm of Phantoms: Photography and Apparitions. Kunsthalle Krems. Krems, Austria. 1998, p. 149, pl. 225, 226, 228, 230.
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Askevold, David,Terry Graff, and Petra Rigby Watson.
Cultural Geographies and Other Works.
The Confederation Art Gallery and Museum. Charlottetown, Prince Edward Island, Canada. 1998.
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Zingone, Robert, curator.
Fixations.
Mount Saint Vincent Art Gallery. Halifax, Nova Scotia, Canada. 1999.
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Miller, Marcus.
'What is Church' & Two Hanks.
Articule. Montréal, Canada. 2003.
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Avant.
7th Biennale d' Art Contemporain de Lyon. France. 2003-2004.
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Apre's.
7th Biennale d' Art Contemporain de Lyon. France. 2003-2004.
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Littoral documents.
Confederation Centre Art Gallery. Charlottetown, P.E.I., Canada. 2004.
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Baldessari, John, Meg Cranstonan, curators; essay by Thomas McElvilley.
100 Artists See God.
Independent Curators International. New York, New York. 2004.
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Szymcyk, Adam, curator.
Lee Lozano, Win First Don't Last, Win Last Don't Care.
(essay by David Askevold) Kunsthalle Basel and Van Abbemuseum, Eindhoven. Schwabe Verlag. Basel, Switzerland. 2006, pp. 162-181.
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Pesch, Katrin.
New Ghost Entertainment – Entitled.
Verbrecher Verlag. Berlin, Germany. 2006.
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