Marina Abramovic Catalogue
Marina Abramovic
Selected Articles
Schwarzbauer, George F.  "Performance: 14 Interviews,"  Kunstforum,  June, 1977. pp. 55-6. 
"The Lovers,"  Artforum,  December, 1986. p. 91. 
"Lebensmitte Marina Abramovic in einer Performancereihe in Berlin,"  Suddeutsche Zeitung,  No. 72, March 27-28, 1993.
"Menetekel aus dem Computer,"  Hannoversche Allgemeine Zeitung,  February 10, 1993.
Bettina, Katrin.  "Die Reise In Den Stein,"  Muller, Der Zitty - Magazine,  March, 1993.
Grus, Michael.  "Zuviel Kraft 'The Biography' - Eine Performance von Marina Abramovic,"  Frankfurter Rundschau,  March 20, 1993.
Mecklenburg, Karin.  "Ein Sensibler Kraftprotz,"  Architektur & Women,  April-May, 1993. pp. 68-74. 
"Protest over art show shocker,"  Edinburgh Evening News,  August 2, 1995.
Abramovic, Marina.  "The House Is My Body,"  Galeries Magazine,  No 62, Summer, 1995. pp. 72-8, 124. 
Baillie, Robin.  "Spiritual furniture,"  Art Preview,  July 26-August 10, 1995.
Brandauer, Aline.  "Marina Abramovic: Double Blind,"  Sculpture,  July-August, 1995. pp. 23-7. 
Carr, Richard.  "In performance at Fruitmarket,"  ArtWork,  No. 75, August-September, 1995. p. 9. 
Decter, Joshua.  "Mesa Vanguardism SoHo Alterations,"  Flash Art,  November, 1995. pp. 66-9. 
Gayford, Martin.  "A couple of real shockers,"  The Spectator,  September 2, 1995. p. 35. 
Harris, Gillian.  "The exhibitionist who bleeds for her art,"  The Scotsman,  August 1, 1995. p. 14. 
Harris, Paul.  "Slashed to ribbons on the cutting edge of culture,"  Spectrum,  August 27, 1995.
Henery, Clare.  "Who takes it to the limit,"  The Herald,  August 2, 1995.
Hoogervorst, Ingrid.  "Aders, Ruggegraat, Hart,"  Elle Women,  June-July, 1995. pp. 9-12. 
Kerr, Sally.  "Victim Artist,"  The Scotsman,  August 30, 1995. p. 7. 
Milroy, Sarah.  "Exhibition explores spectacles of place,"  The Globe and Mail,  October 4, 1995.
Mitchell, Charles Dee.  "Report from Santa Fe - Introducing SITE Santa Fe,"  Art in America,  October, 1995. pp. 45-7. 
Napack, Jonathan.  "Art to Pick a Bone Over; Gramercy Fair - in Los Angeles,"  The New York Observer,  December 25-January 1, 1996, 1995. p. 34. 
Norman, Geraldine.  "Chronicling the bleakness of a brutal era,"  The Independent,  April 24, 1995.
Riding, Alan.  "Video Artists Meet Today's Software,"  The New York Times,  December 26, 1995. pp. C 31, C 20. 
Smith, Roberta.  "Still a Credo for Artists; Do As You Please,"  The New York Times,  April 2, 1995. p. 42. 
Martin, Tim.  "Marina Abramovic,"  Third Text,  Winter, 1995-1996. pp. 85–92. 
Dawes, Mark.  "Spectacle of the Body,"  Circa,  1996. pp. 26-9. 
Kutner, Janet.  "Earth - Bound Abramovic explores ties between art and nature,"  Dallas Morning News,  March 11, 1996. p. 19 A. 
Vine, Richard.  "Report from Denmark Part I: Louisana Techno - Rave,"  Art in America,  October, 1996. pp. 41-7. 
Volk, Gregory.  "Report From Istanbul Between East and West,"  Art in America,  May, 1996. pp. 39-43. 
Morelli, Francesca Romana.  "Abramovic da Buddah all'hamburger,"  Il Giornale Dell'Arte,  No. 156, June, 1997.
"Angst vor dem schwarzen Glocker,"  Der Spiegel,  No. 25, 1997. pp. 192-3. 
Mammi, Alessandra.  "Ho l'arte in corpo,"  L'Espresso,  May 22, 1997. p. 132. 
"New life for art...and ants,"  Tate The Art Magazine,  Winter, 1997. p. 12. 
Carr, C.  "The Hard Way,"  The Village Voice,  November 25, 1997. p. 69. 
Caruso, Rosella.  "Marina Abramovic: Conferenza,"  Artel,  No. 65, June 1-15, 1997.
De Santis, Linda.  "Un corpo oggetto d'arte,"  La Repubblica,  May 21, 1997.
Di Genova, Adrianna.  "Ballando con gli scheletri,"  Il Manifesto,  May 21, 1997. p. 27. 
Fisher, Jenifer.  "Interperformance: 'The Live Tableaux of Suzanne Lacy, Janine Antoni, and Marina Abramovic',"  Art Journal,  Vol. 56, no. 4, Winter, 1997. pp. 28-33. 
Gallian, Enrico.  "Abramovic, Ai confini della Body Art,"  L'Unita Due,  May 23, 1997.
Henderson, Kevin and Alan Woods.  "Marina Abramovic objects performance video sound,"  Transcript,  Issue 3, 1997. pp. 6-26. 
Iles, Chrissie.  "Marina Abramovic Untitled,"  Grand Street -Crossing the Line,  Vol. 63, 1997. pp. 186-194. 
Jones, Amelia.  "’Presence’ in absentia, Experiencing Performance as Documentation,"  Art Journal,  Vol. 56, no. 4, Winter, 1997. pp. 11-8. 
Legrenzi, Susanna.  "Memoria di una Guerra,"  Io Donna,  June 28, 1997. pp. 187-190. 
Levin, Kim.  "Venetian Bind, Blood Guts and the Cosmos at the Biennale,"  The Village Voice,  July 15, 1997. p. 77. 
Macri, Tereasa.  "La performance come un tableau - vivant che include il pubblico,"  Il Manifesto,  May 21, 1997. p. 27. 
Paparoni, Demetrio.  "Venice in the Age of Aquarius,"  Tema Celeste,  October, 1997. p. 32-3. 
Rubenstien, Raphael.  "Post Restante,"  Lacanian Ink,  Vol. 12, 1997. pp. 70-85. 
Searle, Adrian.  "A bone to pick with the Biennale,"  The Guardian,  June 17, 1997. p. 10. 
Sirmans, Franklin.  "The Unbearable Lightness of Whiteness,"  Flash Art,  October, 1997. p. 91-2. 
Smith, Roberta.  "More Spacious and Gracious, Yet Still Funky at Heart,"  The New York Times,  October 31, 1997. pp. 33-4. 
Tully, Judd.  "Koons Ahoy,"  Art and Auction,  February, 1997.
Vetrocq, Marcia E.  "The 1997 Venice Biennale: A Space Odyssey,"  Art in America,  September, 1997. pp. 66-77, 121. 
Vogel, Carol.  "The High Priestess of P.S. 1,"  The New York Times,  October 26, 1997. pp. 40, 43. 
Von Frank, Nicolaus.  "Marina Abramovic Schon, klug und ohne Kompromisse,"  Art,  September, 1997. pp. 42-51. 
Brennan, Blair.  "Light Into Out of Dark,"  C International Contemporary Art,  Issue No. 57, February-April, 1998. pp. 30-5. 
Daspin, Eileen.  "How Can You Live with That?,"  The Wall Street Journal,  May 29, 1998. pp. 1-6. 
Galas, Diamanda.  "Diamanda is Forever,"  Time Out New York,  1998. pp. 109-111. 
Heartney, Eleanor.  "The Return of the Red - Brick Alternative,"  Art in America,  January, 1998. pp. 56-68. 
Joselit, David.  "Between Objects and Actions,"  Art in America,  November, 1998. pp. 86-91, 144. 
Pinchbeck, Daniel.  "Haye-day for Harlem,"  The Art Newspaper,  No. 86, November, 1998. p. 71. 
"Ana Mendieta and Marina Abramovic,"  The New York Art World,  March, 1999. pp. 7-8. 
"Marina Abramovic and Ana Mendieta,"  Artforum,  Summer, 1999. p. 155. 
Balfour, Alexandra and Pitchaya Sudbanthad.  "Marina Abramovic,"  Museo,  vol. 2, Spring, 1999. pp. 18-22. 
Deitz, Paula.  "Comfort Zone: Furniture By Artists,"  The Quarterly newsletter of the Public Art Fund,  Volume 8, No. 1, Summer, 1999.
Deitz, Paula.  "Comfort Zone: Furniture By Artists,"  The New York Times,  May 2, 1999.
Gaffron, Tatjana von Prittwitz und.  "Beyond Conceptions,"  Master’s Thesis Bard College,  1999.
Johnson, Ken.  "Conceptual but Verbal, Very Verbal,"  The New York Times,  May, 1999. p. E36. 
Kerner, Anne.  "Abromovic & Ulay Les Corps Mystiques,"  Beaux Arts,  No. 186, November, 1999. p. 30. 
Smith, Roberta.  "An Ode to Old Age, Life’s Gift,"  The New York Times,  July 16, 1999. p. E33. 
Williamson, Aaron.  "Writing Art,"  Art Monthly,  October, 1999. pp. 13-7. 
Schwendener, Martha.  "Walking,"  Time Out New York,  August 19-26, 1999.
Zivancevic, Nina.  "In the Domain of Absolute Freedom,"  New York Arts,  Vol. 3, No. 4, April, 1999. pp. 34-6. 
Hiller, Susan.  "Good Night, Sleep Tight,"  Dazed & Confused,  October, 2000.
Glueck, Grace.  "Defining Art as a Moment to be Seized and X-Rayed,"  The New York Times,  April 28, 2000. p. E39. 
Rush, Michael.  "His Canvas a TV Screen, His Brush a Camera,"  The New York Times,  March 5, 2000. P. 47. 
Bergroth, Marian.  "Relativ Rättvisa?,"  Tema: Kvinnokamp. Feministisk Kulturtidskrift,  No. 1, 2000. P. 32. 
"Doublelife. Identitat und Transformation in der zeitgenossischen Kunst,"  Kunst Bullerin,  No. 7, 8, July-August, 2001. p. 56. 
"Double Life,"  Profil Bratislava,  No. 1-2, 2001. pp. 41-7. 
"Art: Exit Art/ The First World,"  Time Out New York,  Issue 283, February 22–March 1, 2001. p. 74. 
"Art: Exit Art/ The First World,"  Time Out New York,  Issue 281, February 8-15, 2001. p. 66. 
Clifford, Kate.  "Please Touch,"  Art News,  Vol. 100, No. 5, May, 2001. pp. 180–3. 
Dunne, Aidan.  "The Art of Living Dangerously,"  The Irish Times,  November 28, 2001. p. 14. 
"Exit Art/ The First World - Body and the East,"  Time Out New York,  January 25-February 1, 2001. p. 67. 
Grüntges, Isabel.  "Immer Aufs Ganze Gehen,"  Deutsch Vogue,  April, 2001. pp. 270-6, 314. 
"Irish Museum of Modern Art,"  Tema Celeste,  No. 85, May–June, 2001. p. 112. 
Kosmidou, Zoe.  "Transitory Objects: A Conversation with Marina Abramovic,"  Sculpture,  vol. 20, no. 9, November, 2001. pp. 26-31. 
Levin, Kim.  "Body and the East,"  The Village Voice,  Volume XLVI, No. 3, January 23, 2001. pp. 73- 4. 
"Marina Abramovic at the Fondazione Ratti,"  Tema Celesta,  No. 84, March–April, 2001. p. 123. 
Vendrame, Simona.  "Marina Abramovic,"  Tema Celeste,  September-October, 2001. pp. 40-5. 
Vettese, Angela.  "The Good Witch of the East,"  The Art Newspaper,  vol. 12, no. 117, September, 2001. p. 48. 
Madoff, Steven Henry.  "Reflecting on an Ordeal That Was Also Art,"  New York Times,  November 28, 2002. p. E5. 
Armada, Alfonso.  "Vistas Sobre El Océano Interior,"  ABC Spanish Daily Newspaper,  November 30, 2002.
Farr, Sheila.  "Galleries: Serene Energy, Vast Scale,"  Seattle Times,  December 8, 2002.
Saint Louis, Catherine.  "What they were thinking,"  The New York Times Magazine,  section 6, December 15, 2002.
Häntzschel, Jörg.  "Gewichtsklasse; Seit zwolf Tagen Hungert Marina Abramovic in New York,"  Dienstag,  November 26, 2002.
"Loop,"  Tema Celeste,  December, 2002.
Henry, Clare.  "The Art: A Solitary Confinement,"  Financial Times,  December 11, 2002.
Carr, Cindy.  "Hunger Artist: The 12 Days of Marina Abramovic,"  The Village Voice,  Vol. XLVII, No. 49, December 4-10, 2002. p. 56. 
Kraynak, Jenet.  "Marina Abramovic, ‘The House With the Ocean View’,"  Time Out New York,  Issue No. 374, November 28-December 5, 2002.
Smith, Roberta.  "Where Seeing Is Not Only Believing, But Also Creating,"  The New York Times,  November 22, 2002. p. E31. 
Häntzschel, Jörg.  "Gewichtsklasse: Seit zwolf Tagen hungert Marina Abramovic in New York,"  Süddeutsche Zeitung,  November 26, 2002.
Mejias, Jordan.  "Asketish: Marina Abramovic hungert in New York,"  Franffurter Allgemeine,  November 17, 2002.
Agostina, Valentina.  "Il cielo in una stanza,"  Carnet,  November, 2002. pp. 55-7. 
"Survey: Marina Abramovic,"  Tema Celeste,  March-April, 2002. p. 72. 
Gayford, Martin.  "Suffering for the Sake of their Art," The Daily Telegraph,"  March 14, 2002. p. A7. 
"Marina Abramovic,"  The Village Voice,  Vol. XLVII, No. 46, November 13-19, 2002. p. 46. 
"Marina Abramovic: The House with the Ocean View,"  The Art Newspaper,  December, 2002.
Charles, Green.  "When Artists Collaborate; The Third Hand: Collaboration in Art from Conceptualism to Postmodernism,"  Art In America,  2002. p. 53. 
"Video Acts,"  P.S.1, MOMA; ArtForum,  November, 2002.
"Marina Abramovic, A Selection of Single Channel Video from the Kramlich Collection,"  The New York Times,  September 8, 2002. p. 83. 
Finch, Charlie.  "My Favorite Artist,"  Artnet Magazine,  2002.
Grant, Catherine.  "Private Performances: editing Performance Photography,"  Performance Research,  2002. pp. 34-44. 
Madoff, Steven Henry.  "A Viewable Feast, Enforced by Knives,"  The New York Times,  section 2, November 10, 2002. p. 37. 
Morgan, Anne.  "Beyond Post Modernism; The Spiritual in Contemporary Art,"  Art Paper,  JanuaryFebruary, 2002. pp. 31-6. 
Anderson, Laurie.  "Marina Abramovic,"  Bomb, issue 84,  Summer, 2003. pp. 24-31. 
Anderson, Laurie.  "Aventuras pelo invisível,"  Folha de S. Paulo,  August 17, 2003. pp. 4-9. 
Carneci, Magda.  "In Search of Balkania,"  World of Art,  Issue 6, Vol. 3, 2003. pp. 84-9. 
Chillida, Alicia and Steve Cannon.  "Marina Abramovic: ‘The House with the Ocean View’,"  Tribes Online,  April, 2003.
Dunning, Jennifer.  "Bessies Honor, and Inspire, Performance,"  The New York Times,  September 22, 2003. p. E3. 
Findlay, Michael.  "Ever More Public,"  The Art Newspaper,  Issue 2, September, 2003. pp. 85-6. 
Landi, Ann.  "How to Hug a Tree,"  ARTnews,  April, 2003. pp. 110-1. 
Landi, Ann.  "Who Are the Great Women Artists?,"  ARTnews,  March, 2003. pp. 94-7. 
Lind, Ingela.  "Utställd, utskälld, fokuserad och mycket naken,"  Konst Kulturtema,  December 27, 2003. pp. 8-9. 
McEvilley, Thomas.  "Performing the Present Tense,"  Art in America,  April, 2003. pp. 114-7, 153. 
Muhn, B.G.  "Marina Abramovic,"  wolganmisool,  March, 2003. pp. 108-113. 
Rush, Michael.  "Starting With Fabric, Branching Into Everything,"  The New York Times,  February 2, 2003. p. 35. 
Sonkin, Rebecca.  "Living Theater,"  Art & Auction,  January, 2003. p. 125. 
Drobnick, Jim.  "Trafficking in Air,"  Displaycult,  February, 2004. pp. 29-43. 
Heartney, Eleanor.  "The Well-Tempered Biennial,"  Art in America,  June-July, 2004. pp. 71-7. 
Kimmelman, Michael.  "Touching All the Bases at the Biennial,"  New York Times,  March 12, 2004. pp. E27-E38. 
Goldberg, Roselee.  "Performance Anxiety,"  Artforum,  April, 2004. p. 54. 
Halter, Ed.  "Mind the Gap,"  The Village Voice,  March 17-23, 2004. p. 62. 
MacAdam, Barbara A.  "What’s So Funny About Performance Art?,"  ArtNews,  March, 2004. p. 38. 
"Marina Abramovic,"  MOCA Cleveland Newsletter,  2004. p. 4. 
Perlez, Jane.  "Where Pagodas Draw Tourists, Concrete is Unwelcome,"  New York Times,  July 8, 2004. p. A3. 
"Prima Pagina,"  Case da Abitare,  June, 2004. p. 41. 
"Russia Meets Germany on Red Square,"  News: Hotel Baltschug,  2004. p. 18. 
Sorbello, Marina.  "A Window to the Balkans,"  Tema Celeste,  March-April, 2004. p. 58. 
Saltz, Jerry.  "The OK Corral,"  The Village Voice,  March 17-23, 2004. p. 80. 
Smith, Roberta.  "Art That Speaks to You. Literally,"  The New York Times,  March 7, 2004. p. 30. 
Stevens, Mark.  "Antithesis,"  New York,  March, 2004.
Streitfeld, Lisa Paul.  "For Artist Abramovic, Performance is Her Life,"  The Harford Courant,  February 26, 2004. p. A1. 
"Abramovic’s Triumphant Premiere,"  The Advocate and Greenwich Time,  March 7, 2004. p. D3. 
Wallach, Amei.  "Cold War Icons Revisited,"  Art in America,  June-July, 2004. p. 81-9. 
Wei, Lilly.  "Whitney Biennial 2004,"  ARTNews,  May, 2004. p. 145. 
Novakov, Anna.  "Point of Access: Marina Abramovic’s 1975 Performance Role Exchange,"  Woman’s Art Journal,  Vol. 24, No. 2, Fall 2003/Winter, 2004. pp. 31-5. 
Abramovic, Marina et.  "MoMA: How to Look at Modern Art,"  The Brooklyn Rail,  February, 2005. pp. 20-1. 
Amy, Michaël.  "You talkin’ to me?,"  DITS: Violence,  Vol. III, No. 5, Winter-Spring, 2005. pp. 18-31. 
Bellet, Harry.  "Le marché de l’art en spectacle à la Foire de Bâle,"  Le Monde,  June 18, 2005. p. 29. 
Bergeron, Chris.  "Waking Dreams,"  The Daily News,  March 6, 2005. pp. C1, C10. 
Bishop, Claire.  "Fairer Fare,"  ArtForum,  June 15, 2005.
Breerette, Geneviève.  "L’insoutenable Marina Abramovic,"  Le Monde 59e Edition du Festival d’Avignon,  July 5, 2005. p. 10. 
Cesare, Nikki T.  "(Re)Performing the Score,"  NY Arts,  Vol. 10, No. 7.8, July-August, 2005. pp. 22-3. 
Dailey, Meghan.  "Feel Like Italian,"  Art + Auction,  Volume XXVII, No. 9, May, 2005. p. 179. 
"Death and the maiden,"  The Art Newspaper: Art Basel Edition,  June 14, 2005. p. 1. 
De Baecque, Antoine.  "Une vie de performances,"  Libération Online,  July 13, 2005.
"Dreaming Now,"  Sculpture,  April, 2005.
Edgers, Geoff.  "Trying out sleep sculpture gives him pause,"  The Boston Globe,  February 4, 2005. pp. C1, C16. 
"Everybody at Art 36 Basel,"  Artnet Magazine,  June 20, 2005.
Hopkins, Randi.  "I know what girls like,"  The Boston Phoenix,  January 12, 2005.
"Le Guide Culturelle: Vidéo du Corps à l’Ouvrage,"  Elle,  June 27, 2005. p. 24. 
Maddocks, Phil.  "Make it a date in the Dream Bed,"  Natick Bulletin & TAB,  February 25, 2005.
"Marina Abramovic: Autoportrait au Squelette,"  Beaux Arts Magazine,  June, 2005. p. 112. 
Millis, Christopher.  "Dream weaving,"  The Boston Phoenix,  March 4, 2005. p. 22. 
Pinto, Robert.  "Dimension: Performance,"  Work,  Winter, 2005. pp. 17-20. 
Smalec, Theresa.  "Marina Abramovic Plays With Herself: Re-Performing Others, Engaging the Audience,"  NY Arts,  Vol. 10, No. 7/8, July-August, 2005.
Spiegel, Brad.  "Wrapped in a dream,"  The Daily News Tribune,  February 25, 2005. pp. A1, A14. 
"Summer Guide,"  V Magazine,  Vol. 35, Summer, 2005. p. 34. 
Temin, Christine.  "Beds, bodies, and beyond: A world of dreams,"  The Boston Globe,  April 13, 2005. p. C1. 
Tisi, Rodrigo.  "Doing it all again at the Guggenheim,"  NY Arts,  Vol. 10, No. 7.8, July-August, 2005. p. 24. 
Trembley, Nicolas.  "Supersize Spree,"  ArtForum Online,  June 18, 2005.
"Un-Ho-Hum,"  New York Press,  January 5–11, 2005. p. 46. 
Westcott, James.  "Bodies Moving: The Independent Performance Group and Dansgroep Krisztina de Châtel with Egon Schiele,"  NY Arts Online,  Vol. 10, No. 7/8, July-August, 2005.
Wright, Karen.  "Under the Influence: Introducing Norbert Bisky,"  Modern Painters,  March, 2005. pp. 76-81. 
Kennedy, Randy.  "Self-Mutilation Is the Sincerest Form of Flattery,"  The New York Times,  November 6, 2005.
Kristoffer, Arvidsson.  "Att Återuppföra en Performance,"  Paletten,  no. 264, 2006. pp. 33-34. 
"Back for One Night Only!,"  Art in America,  February, 2006. pp. 90-93. 
"Balkan Epic,"  L’Espresso [Italy],  Janurary 5, 2006. p. 108. 
Berwick, Carly.  "Sex, Moss, and Videotape,"  ARTnews,  September, 2006. p. 46. 
Bonazzoli, Francesca.  "Milano 2006, L’Arte e Erotica,"  Corriere Della Jera,  January 10, 2006. p. 15, cover. 
Bonel, Michel.  "Milan a enfin son centre d’art contemporain,"  Tribune des Arts,  February, 2006. p. 16. 
Burton, Johanna.  "Repeat Performance,"  ArtForum,  vol. XLIV, no. 5, January, 2006. pp. 55-56. 
Celant, Germano.  "Eros propiziatore,"  L’Espresso,  February 16, 2006. p. 126. 
"Corpo ed eros,"  Riflessi,  Anno XI No. 1, January, 2006. p. 8. 
"Digital Diary – Armory/Pulse,"  Kunstbeeld.NL,  May, 2006. p. 16. 
Bonazzoli, Francesca.  "La mia arte esplora la paura,"  Corriere Della Jera [Milano],  January 17, 2006. p. 15. 
"Bicocca a luci rosse,"  L’Espresso [Italy],  February 2, 2006. p. 15. 
Gandini, Manuela.  "Balla sotto la pioggia l’erotismo balcanico,"  La Stampa [Italy],  No. 18, January 19, 2006. p. 27. 
Gatti, Chiara.  "Scandalosa Marina,"  La Repubblica,  January 17, 2006. p. XI. 
Gilmore, Jonathan.  "Brain Trust,"  Artforum,  Summer, 2006. pp. 121-122. 
Gruenberger, Uta.  "Marina Marina,"  Quest,  January/February, 2006. pp. 178-191. 
Harvey, Doug.  "The Dalai Museum,"  LA Weekly Online,  June 21, 2006.
Jones, Amelia.  "Rupture,"  Parachute,  July-September, 2006. pp. 15-37. 
Kennedy, Randy.  "The Week Ahead: Art/Architecture,"  The New York Times,  Section 2, January 1, 2006. p. 31. 
Larson, Kay.  "Such a Casual Man, but So Many Auras,"  The New York Times,  June 11, 2006. pp. 34,36. 
"Legenda,"  Kunstbeeld.NL,  May, 2006. p. 27. 
"Marina Abramovic. All’hangar Bicocca la Nuova epopea Balcanica,"  Arte [Italy],  January, 2006. p. 15. 
"Marina Abramovic, Balkan Epic,"  Ventiquattro,  January, 2006. p. 14. 
"Marina Abramovic’ Balkan Epic,"  www.virgilio.it,  January 13, 2006.
"Marina Abramovic: Épique,"  Art Actuel,  No. 42, January-February, 2006. pp. 78-79. 
Masoero, Ada.  "Balcanica, Epica, Erotica,"  Il Giornale Dell’Arte,  No. 250, January, 2006. p. 23. 
"Marina Abramnovic…O Ucenju I Poucavanju,"  Ambijenti,  June 11, 2006. pp. 104-107. 
Marjanovic, Milena.  "Stvaram da bih pobedila bol u sebi,"  BLIC,  January 3, 2006. p. 13. 
Marziani, Gianluca.  "Eros Estremo Milano,"  Panorama [Italy],  January 13, 2006. pp. 166-167. 
"Modern and Contemporary Art, Marina Abramovic,"  Skira,  Fall, 2006. p. 14. 
Montalto, Domenico.  "I Balcani alla Bicocca,"  Avvenire [Italy],  No. 15, January 19, 2006. p. 2. 
"Mostre/Marina Abramovic,"  Capital,  January, 2006. pp. 24-25. 
Trainor, James.  "Performa 05,"  frieze,  March, 2006. p. 41. 
"Performance: estudos,"  Culturgest – Grupo Caixa Geral de Depósitos,  September – December, 2006.
Phelan, Peggy.  "L’engagement du Corps,"  Mouvement,  No. 41, October-December, 2006. pp. 44-51. 
Pini, Francesca.  "Marina Abramovic In po sciamana, un po videoartista,"  Corriere Della Jera,  January 12, 2006. pp. 90-92. 
Pistolini, Stefano.  "Arte De Guardare O Da Guardoni?,"  Vanity Fair [Italy],  January 12, 2006. p. 118. 
"Pride and Prejudices: Best & Worst 2005,"  Time Out New York,  Issue 535, December 29 – January 4, 2006. p. 13. 
Schwendener, Martha.  "New York’s Art Fairs,"  Art in America,  May, 2006. p. 49-51. 
"Sesso e Riti Dentro L’Hangar,"  La Repubblica XL,  February, 2006. p. 107. 
Stokic, Jovana.  "Diva u svetu umetnosti,"  Elle [Serbia],  Winter, 2006. pp. 48-51. 
Testo, Andrea Lissoni and Milan Dakov Foto.  "L’Energia Sotto La Gonna,"  Rolling Stone [Italy],  January, 2006. pp. 134-135. 
Turner, Jonathan.  "City Focus: Rome; Ferment and Creativity,"  ARTnews,  vol. 105, no. 1, January, 2006. pp. 90-97. 
Wallach, Amei.  "Missed Signals: Nuance and the Reading of Immigrant Art,"  American Art,  vol. 20, no. 2, Summer, 2006. pp. 126-133. 
"What’s On: Rest of Europe,"  The Art Newspaper January Listings,  no. 165, January, 2006. p. 12. 
Kontova, Helena.  "Marina Abramovic, Vanessa Beecroft, Shirin Neshat: Modern Nomads,"  Flash Art, no. 255,  July-September, 2007. pp. 102-107, cover. 
Abramovic, Marina.  "Virginias,"  Printed Project,  June, 2007. pp. 20-25. 
Baker, RC.  "Best in Show: Your Face or Mine?,"  Village Voice,  July 25-31, 2007, 2007. p. 48. 
Camhi, Leslie.  "Designed for Living,"  New York Times Style Magazine,  April 15, 2007.
Cotter, Holland.  "The Art of Feminism as It First Took Shape,"  The New York Times,  March 9, 2007.
Dennison, Lisa.  "Europe: A Survival Guide,"  Art + Auction,  June, 2007. p. 158. 
Garwood, Deborah.  "Striking a Pose for the Sake of Art,"  The New York Sun,  July 19, 2007. p. 21. 
Gilligan, Melanier.  "The Beggar’s Pantomime,"  Artforum,  summer, 2007. pp. 423-433. 
Levin, Jordan.  "Going to Extremes: Artist Marina Abramovic,"  Miami Herald,  March 29, 2007.
Malbert, Roger.  "How the Feminist Revolution Changed Contemporary Art,"  The Art Newspaper, no. 184,  October, 2007. pp. 56. 
"Marina Abramovic & Paolo Canevari,"  C International Photo Magazine, no. 4,  2007. pp. 252-264. 
Midgette, Anne.  "Peak Performances,"  Art + Auction,  October, 2007. pp. 187-193. 
Ridout, Nicholas.  "You Look Charming. You Look Enchanting. You Look Dazzling. You Look Breathtaking. You Look Unique. But You Don’t 2 Make an Evening,"  Tate Etc., issue 11,  autumn, 2007. pp. 104-107. 
Saltz, Jerry.  "The Artists Who Still Matter,"  New York Magazine,  October 15, 2007. pp. 40-41. 
Suares de Jesus, Carlos.  "Art Without the Fear Factor,"  Miami New Times,  March 29–April 4, 2007, 2007.
Triff, Alfredo.  "Marina Abramovic: Work of Progress,"  Miami Sun Post,  March 29, 2007.
Smith, Roberta.  "Greeting Card,"  The New York Times,  September 21, 2007. pp. E37. 
Colin, Juan Pablo.  "Marina Abramovic: Carne de Canon (Cannon Fodder),"  Arte Al Limite,  January-February, 2007. pp. 12-20, 146-147, cover. 
Leuken, Verena.  "Im Irrgaten Zwischen Kino und Museum (The Maze between Film and Museum),"  Frankfurter Allgemeine Zeitung,  October 25, 2007. p. 40. 
Picard, Charmaine and Gareth Harris.  "Artists and Curators on the Circuit,"  The Art Newspaper,  2007. p. 8. 
Ebony, David.  "Abramovic Foundation for Hudson,"  Art in America,  no. 2, February, 2008. p. 29. 
Verwoert, Jan.  "Private Lives, Public Gestures 2,"  Frieze Magazine,  issue 113, March, 2008.
Genocchio, Benjamin.  "Seeking to Create a Timeless Space,"  The New York Times,  April 6, 2008.
Falconer, Morgan.  "The Life and Death of Marina Abramovic,"  Art World Magazine,  issue 7, October/November, 2008. pp. 36-41. 
Kaufman, Jason Edward.  "Marina Abramovic takes over MoMA,"  The Art Newpaper,  issue 203, June, 2009.
Westcott, James.  "By Order of Marina Abramović...,"  Art Review Magazine,  Summer, 2009.
Thurman, Judith.  "Walking Through Walls: Marina Abramovic and the art of pain,"  The New Yorker,  March 8, 2010. pp. 24-25. 
Neyfakh, Leon.  "Queen of Pain,"  The New York Observer,  March 1, 2010. p. 40. 
Belcove, Julie.  "High Performance,"  W Magazine,  January, 2010. pp. 76-85. 
Stoilas, Helen.  "Marina Abramovic: the Artist Is Present,"  The Art Newspaper,  March 11, 2010.
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