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Blazevic, Dunija.
October 72.
SCC Gallery. Belgrade, Yugoslavia. 1972.
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Contemporanea Festival.
Villa Borghese. Rome, Italy. 1973.
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Marina Abramovic.
Gallery of Contemporary Art. Zagreb, Croatia. 1974.
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Denegri, Jesa.
Rhythms 10, 5, 2, 4, 0.
Museum of Contemporary Art. Belgrade, Yugoslavia. 1975.
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Body as a visual language.
Maki Gallery. Tokyo, Japan. 1977.
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Three Performances, Marina Abramovic/Ulay - Ulay/Marina Abramovic: Relation/Works.
Galerie Krinzinger; GalerieH-Humanic. Innsbruck, Graz, Austria. 1978.
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The New Art Practice in Yugoslavia 1966 - 78.
Gallery of Contemporary Art. Zagreb, Croatia. 1978.
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30 November/30 November, Marina Abramovic/Ulay.
Harlekin Art. Wiesbaden, Germany. 1979.
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Two Performances and Detour, Marina Abramovic/Ulay.
The Experimental Art Foundation. Adelaide, Australia. 1979.
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Barents, Els, Karel Schampers.
Instant fotografie.
Stedlijk Museum. Amsterdam, Netherlands. 1981.
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Martins, Kristen.
Performance - eine andere Dimension.
Kunstlerhaus Bethanien. Berlin, Germany. 1983.
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The Second Link. Viewpoints on Video in the Eighties.
Walter Phillips Gallery. Banff, Canada. 1983.
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Mignot, Dorine.
The luminous image/Het lumineuze beeld.
Stedlijk Museum. Amsterdam, Netherlands. 1984.
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Perrée, Rob.
Image on the Run: Dutch Video Art in the 80s.
The Hague, Netherlands. 1984.
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Modus Vivendi, Ulay & Marina Abramovic: Works 1980 - 1985.
The Stedelijk Van Abbemuseum. Eindhoven, Netherlands. 1985.
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Abramovic, Marina, M. Laub, and Mr. Mondo.
Was Amsterdam bereft.../As far as Amsterdam goes.
Stedelijk Museum. Amsterdam, Netherlands. 1985.
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Debaut, Jan.
Octobre des Arts.
Musee St. Pierre Art Contemporain. Lyon, France. 1986.
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Tucker, Marcia.
Choices: making an art of everyday life.
New Museum of Contemporary Art. New York, New York. 1986.
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Art from Europe.
Texts by Alan Bowness, Catherine Lacey. Tate Gallery. London, United Kingdom. 1987.
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Abramovic, Marina.
Art must be beautiful, Artist must be beautiful.
De Luca Edizione d'Arte. Rome, Italy. 1987.
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After 15 Years.
Text by Dragica Vukadinovic. Happy New Gallery. Belgrade, Serbia. 1988.
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The Lovers.
The Stedelijk Museum. Amsterdam, Netherlands. 1989.
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Malsch, Friedemann and Bernard Marcade.
Le Giude Chinois.
Galerie Charles Cartwright. Paris, France. 1989.
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Sur La Voie.
Musee National d'Art Moderne, Centre Georges Pompidou. Paris, France. 1990.
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Marina Abramovic: Departure, Brazil project 1990 - 91.
Galerie Enrico Navarra. Paris, France. 1991.
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von Draathen, Doris.
Monographie, M.A.
Kritisches Lexikon der Gegenwartskunst. Munich, Germany. 1991.
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Transitory Objects.
Galerie Krinzinger. Vienna, Austria. 1992.
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Fuente, Juan de la Cruz 1591-1991.
Text by Louwrien Wijess. De Nieuwe Kerk. Amsterdam, Netherlands. 1992.
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Abramovic.
Neue Nationalgalerie Berlin. Edition Cantz. Stuttgart, Germany. 1993.
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Martinez, Rosa, Jose Lebrero Stals, Josep Maria Montaner.
Historia Del Arte 16.
Instituto Gallach. Barcelona, Spain. 1993.
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Der streitbare Liebhabler: Kunst gesehen durch ein Temperament: Hommage fur Karl Ruhrberg.
Text by Karin Thomas. DuMont. Cologne, Germany. 1994.
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Mit Haut und Haar: Korporkunst der 70er Jahre. Zu den Arbeiten von Valie Export, Natalia LL. Friederike Pezold und Marina Abramovic.
Text by Duasn Brozman. Schlossplatz. Aarau, Switzerland. 1995.
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Ulrike Rosenbach,Valie Export, Shigeko Kubota, Marie Jo Lafountaine, Kunstlerinnen des 20. Jahrhunderts: Skulpturen, Objekte, Installationen.
Text by Angela Zieche. DuMont. Cologne, Germany. 1995, pp. 109 - 119.
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Marina Abramovicì: Cleaning the House.
St. Martin's Press. New York, New York and Academy Eds. London, United Kingdom. 1995.
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Double Edge, Marina Abramovic.
Kunstmuseum des Kantons Thurgau, Karthaus Ittingen. Warth, United Kingdom. 1996.
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Marina Abramovic: objects performance video sound.
Museum Villa Stuck. (German edition of the catalogue published by the Museum of Modern Art, Oxford, 1995). Munchen, Germany. 1996.
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Avgikos, Jan, Marina Abramovic, Diana R Block, and Sue Graze.
Marina Abramovic: Boat Emptying Stream Entering (Part I and Part II).
University of North Texas Art Gallery. Denton, Texas. 1996.
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Zij Sporen - Kunst op het spoor.
Gynaika. Antwerp, Belgium. 1996.
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L’Arts du Corps.
Musée de Marseilles. Marseilles, France. 1996.
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Art on the edge and over: Searching for Art's meaning in contemporary society 1970 - 1990's.
Text by Linda Weintraub. Art Insights, Inc. Reston, Virginia. 1996.
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19 Projects Artists-in-residence at the MIT List Visual Arts Center.
Text by Dana Friis-Hansen. MIT List Visual Arts Center. Cambridge, Massachusetts. 1996.
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Une esquisse de l'Europe de l'Est 1960 - 1970.
Text by Laszlo Beke. Centre George Pompidou. Paris, France. 1996.
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Spirit and Place: Art in Australia 1861 - 1996.
Text by Nick Waterlow. Museum of Contemporary Art. Sydney, Australia. 1996.
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Ulay/Abramovic: Performances 1976 - 1988.
Stedelijk Van Abbemuseum. Eindhoven, Netherlands. 1997.
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Spirit House, Marina Abramovic, 7.
a Bienal Internacional de Esculturs e Desenho das Caldas Rainha. Caldas Da Rainha, Portugal. 1997.
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Celant, Germano.
Venezia, XLVII Esposizione Internazionale d'Arte.
Setagaya Art Museum, De-Genderism Detruire dit elle/il. Hasagawa, Tokyo. 1997, pp. 75-80.
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Body.
Text by Anthony Bond. Art Gallery of New South Wales. Bookman, Schwartz, United Kingdom. 1997.
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Inbetween, Marina Abramovic.
CCA Center for Contemporary Art. Kitakyushu, Japan. 1998.
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Performing Body, Marina Abramovic.
Studio Miscetti and Zerynthia. Milan, Italy. 1998.
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Abramovicì, Marina, Velimir Abramovicì, and Kunstmuseum Bern.
Marina Abramovic, Artist Body.
Charta. Milano, Italy. 1998.
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Marina Abramovic, The Bridge/El Puente.
Generalitat Valencia/ed. Charta. Milan, Italy. 1998, pp. 198-9.
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Out of Actions: Between Performance and the Object, 1949- 1979.
Text by Paul Schimmel.The Museum of Contemporary Art. Los Angeles, California. 1998.
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Landscape. The Trace of the Sublime.
Text by Dr. Ute. RieseKunsthall zu Kiel. 1998.
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Performing Body.
Text by Dobrila Denegri. Studio Miscetti/Zerynthia. Edizioni Charta. Milan, Italy. 1998.
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Wounds: Between Democracy and Redemption in Contemporary Art.
Texts by David Elliot, Pier Luigi Tazzi. Moderna Museet. Stockholm, Sweden. 1998.
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Fresh Air.
Salon-Verl. Cologne, Germany. 1999.
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Ulay/Abramovic: Performances 1976-1988.
Musée d’Art Contemporain de Lyon. Lyon, France. 1999.
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Unfinished Business.
Salon-Verl. Cologne, Germany. 1999.
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Know Your Art.
Avon Corporate Collection. 1999.
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Cleaning the House: Travelling Cabinet.
Kiasma Museum of Contemporary Art. Helsinki, Finland. 2000.
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2000 Biennial.
Fort Wayne Museum of Art. Fort Wayne, Indiana. 2000.
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Hiller, Susan.
Dream Machines.
Arts Council of England. London, United Kingdom. 2000.
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Lie of the Land earth body material.
John Hansard Gallery, University of Southhampton. United Kingdom. 2000.
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Marina Abramovic: Cleaning the Mirror: Art in Context.
The National Museum of Contemporary Art. Oslo, Norway. 2001.
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Spector, Nancy, ed.
Guggenheim Museum Collection A to Z.
Guggenheim Museum Publications. New York, New York. 2001.
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Celant, Germano, and Marina Abramovic.
Marina Abramovic: Public Body.
Charta. Milano, Italy. 2001.
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Moving Pictures.
Guggenhiem Museum. New York, New York. 2002.
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Marina Abramovic, A Selection of Single Channel Video from the Kramlich Collection.
The Museum of Modern Art. Queens, New York. 2002.
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Marina Abramovic: The House with the Ocean View.
Charta. Milano, Italy. 2003.
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Presence.
The Speed Art Museum. Louisville, Kentucky. 2006.
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Missing Peace: Artists & the Dalai Lama.
Earth Aware. San Rafael, California. 2006.
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7 Easy Pieces.
Solomon R. Guggenheim Museum. New York, New York. 2007.
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Butler, Cornelia H. and Lisa Gabrielle Mark, eds.
Wack! Art and the Feminist Revolution.
MIT Press. Cambridge, Massachusetts. 2007.
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Estrecho Dudoso.
Teor/eTica. San Jose, Costa Rica. 2007.
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Goldberg, Roselee.
Performa: New Visual Art Performance.
Performa. New York, New York. 2007.
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C’era una Volta un Re: La Fiaba Contemporanea.
Museo d’Arte Contemporanea Sannio and Electa. Milan, Italy. 2007.
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Cleaning the House.
Fundacion NMAC. Cadiz, Spain. 2007.
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Bronfen, Elisabeth; Monika Lahrkamp, Tas Skorupa, and Julia Stoschek Foundation, eds.
Fragile.
Hatje Cantz. Ostfildern, Germany. 2009.
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Biesenbach, Klaus, ed.; Arthur C. Danto, Chrissie Iles, Nancy Spector, Jovana Stokic, text.
Marina Abramovic The Artist is Present.
The Museum of Modern Art. New York, New York. 2010.
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Vervoordt, Axel, ed.; Francesco Poli, Rosa Martínez, Axel Vervoordt, Eddi de Wolf and Tatsuro Miki, essays.
TRA: Edge Of Becoming.
MER Paper Kunsthalle. Ghent, Belgium; Skira. Milan, Italy. 2011.
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