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Jenkins, Paul.
"Museum of Modern Art Looks at You,"
The League,
Winter, 1950.
pp. 10-1.
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Jenkins, Paul.
"Unknown Factors,"
The League,
Fall, 1950.
pp. 5-7.
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"Avant-Garde in Paris,"
Arts,
vol. 29, June, 1955.
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"What is Avant-Garde?,"
Arts Digest,
vol. 29, September 15, 1955.
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Hagen, Yvonne.
"Exhibition Artistes Étrangers en France, Petit Palais,"
New York Herald Tribune,
June 15, 1955.
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Hagen, Yvonne.
"Signes Autres,"
New York Herald Tribune,
January 26, 1955.
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Lacoste, Michel Conil.
"The American Artist in Paris,"
New York Times,
January 8, 1956.
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Restany, Pierre.
"Jenkins,"
Cimaise,
no. 5, May-June, 1957.
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Restany, Pierre.
Prisme des Arts,
no. 10, March, 1957.
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Rubin, William.
"The New York School - Then and Now,"
Art International,
no. 4-5, April-May, 1958.
p. 22.
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Jenkins, Paul.
"A Cahier Leaf,"
It Is,
no. 2, Autumn, 1958.
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Jenkins, Paul.
"Panel: Non-American Painting,"
It Is,
no. 3, Winter-Spring, 1959.
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Jenkins, Paul.
"An Abstract Phenomenist,"
The Painter and Sculptor,
vol. 1, no. 4, Winter, 1959.
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Jenkins, Paul.
"American Abstract Painting,"
It Is,
no. 3, Winter-Spring, 1959.
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Jenkins, Paul.
"A Reply to Purity,"
It Is,
no. 5, Spring, 1960.
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Rubin, William.
"Younger American Painters,"
Art International,
January, 1960.
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Jenkins, Paul.
"Gustave Moreau: Moot Grandfather of Abstraction,"
Art News,
vol. 60, no. 8, December, 1961.
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Jenkins, Paul.
"Beauford Delaney: A Quiet Legend,"
Art International,
vol. 6, no. 10, December 20, 1962.
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"The World of Paul Jenkins,"
Studio,
vol. 165, no. 839, March, 1963.
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Canaday, John.
"Painters' Eyes,"
New York Times,
March 8, 1964.
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Elsen, Albert E.
"Paul Jenkins: The Marvels of Occurrence,"
Art International,
vol. 8, no. 2, March, 1964.
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"Paul Jenkins' Phenomena Danger-Pass Left (1964),"
Art Association of Indianapolis Bulletin, Herron Museum of Art,
vol. 52, no. 2, June, 1965.
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Jenkins, Paul.
"Jenkins Paints an Opinion,"
Art News,
vol. 65, no. 7, November, 1966.
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Rosenberg, Harold.
"The Art World - the Nineteen Sixties: Time in the Museum,"
The New Yorker,
July 29, 1967.
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Frankenstein, Alfred.
"Recent Acquisitions, San Francisco Museum,"
San Francisco Chronicle,
July 25, 1968.
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Bosquet, Alain.
"Les Coulées de Jenkins,"
Combat,
November 25, 1968.
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Rosenberg, Harold.
"Art and Words,"
The New Yorker,
March 29, 1969.
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Frankenstein, Alfred.
"A Unity of Man and Materials,"
San Francisco Examiner & Chronicle,
January 16, 1972.
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Lacoste, Michel Conil.
"Les Chromatismes de Jenkins: l'Appel sous les Drapeaux,"
Le Monde,
June 22, 1973.
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"Phénomène: notes sur les peintures de Paul Jenkins,"
Opus,
no. 89, Summer, 1973.
pp. 28-32.
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Flam, J.
"Paul Jenkins and the Aesthetics of Risk,"
Arts,
vol. 50, no. 2, October, 1975.
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"Phenomena,"
Cimaise,
no. 127-128, May, 1976.
|
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Jenkins, Paul.
"Jenkins on Matisse,"
Art World,
vol. 3, no. 3, November 15-December 13, 1978.
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Jenkins, Paul.
"Exhibition of Gustav Klimt Drawings,"
Art World,
vol. 4, no. 4, December 20-January 15, 1980.
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Firestone, E. R.
"Herman Melville's 'Moby Dick' and the Abstract Expressionists,"
Arts,
vol. 54, March, 1980.
|
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"Prints & photographs published,"
The Print Collector's Newsletter,
v. 12, March-April, 1981.
p. 19.
|
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Hahne, H.
"Kunstbrief aus Paris,"
Das Kunstwerk,
v. 34 no. 1, 1981.
p. 57.
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Jenkins, Paul.
"Tàpies' Paradox,"
Art World,
vol. 6, no. 1, September 26-October 17, 1981.
|
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Veyne, Paul.
"La Joie du Mystique,"
Le Nouvel Observateur,
no. 944, December 11-17, 1982.
p. 103.
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Fehsenfeld, Martha.
"On First Sight,"
Cahiers Renaud-Barrault,
No. 103, February, 1982.
|
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Friedman, B. H.
"Autobiography as Collage, Collage as Autobiography,"
Arts,
vol. 58, no. 4, December, 1983.
pp. 118-9.
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Zimmer, W.
"Consideration of Paul Jenkins' broken prisms,"
Arts Magazine,
v. 58, November, 1983.
pp. 94-5.
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Nelson, M. C.
"Landscape of the mind,"
American Artist,
v. 48, February, 1984.
pp. 74-5.
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"Anatomy of a Cloud,"
Drawing,
vol. V, no. 5, January-February, 1984.
|
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Tully, Judd.
"Paul Jenkins: prism findings,"
Arts Magazine,
v. 59, March, 1985.
pp. 118-9.
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Restany, Pierre.
"Paul Jenkins: color, light, and the shaman,"
Cimaise,
v. 34, September-October, 1987.
pp. 5-24.
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Neret, Gilles.
"Le diable et le bon dieu,"
Connaissance des Arts,
no. 423, May, 1987.
pp. 96-103.
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Restany, Pierre.
"La Couleur, la Lumière et le Chamane,"
Cimaise,
no. 190, September-October, 1987.
pp. 5-24.
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"Pour le Prisme du chaman,"
l'Opéra de Paris,
no. 47, April, 1987.
pp. 8-15.
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Persin, Patrick-Gilles.
"Jenkins,"
Cimaise,
no. 193, April-May, 1988.
pp. 65-8.
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Faucher, Michel.
"Jenkins: Accrochage à propos d'un ballet,"
Cimaise,
no. 200-201, June-August, 1990.
pp. 65-72.
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"Pascal Bonafoux Paul Jenkins,"
Cimaise,
No. 212-3, June-August, 1991.
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"Guide to galleries museums artists,"
Art in America,
August 1, 1994.
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"Art in the Heartland,"
Art in America,
June 1, 1995.
|
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"Whose formalism?,"
The Art Bulletin,
March 1, 1996.
|
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Levine, Angela.
"Art on the Screen,"
Jerusalem Post,
June 25, 1999.
|
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Frimbois, Jean-Pierre.
"Voyage au Centre de la Couleur,"
Art Actuel,
May-June, 1999.
|
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Frimbois, Jean-Pierre.
"Voyage en Italie,"
Art Actuel,
September-October, 2000.
|
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"Galleries Museums & Artists Part I & II,"
Art in America,
August 1, 2000.
|
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Enriquez, Mary Schneider.
"Paul Jenkins: Joseph Rickards,"
Art News,
v. 99 no. 2, February, 2000.
p. 165.
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"Part II Galleries Museums & Artists,"
Art in America,
August 1, 2001.
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"Part I Galleries Museums & Artists,"
Art in America,
August 1, 2001.
|
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"Museum preview: 2002/2003,"
Art in America,
August 1, 2002.
|
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"Gallery Glimpses,"
The Tampa Tribune,
July 14, 2002.
|
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Print Quarterly,
XIX, no. 2, June, 2002.
|
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"Al Hirschfeld: A State of Grace,"
Linea, Journal of the Art Students League of New York,
vol. 7, no. 1, 2003.
|
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"2004 guide: galleries museums & artists,"
Art in America,
August 1, 2004.
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"Museum preview 2005/2006,"
Art in America,
August 1, 2005.
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"Paul Jenkins, maître de l'abstraction expressionniste, exposé à Lille,"
Agence France Presse,
September 19, 2005.
|
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"Jenkins Elevation,"
Art Actuel,
No. 40, September-October, 2005.
pp. 62-3.
|
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Berger, John.
"The Colour code,"
The Guardian,
October 19, 2005.
|
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Schneider, Pierre.
"Exposition chez Georges Fall,"
L'Express,
no. 1636, November 12-18, n.d.
p. 216.
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