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McKanic, Arlene.
"Death, Pain, Anger, Redemption: It's Bigger than Hip Hop,"
Greenwich Village Gazette,
May 11, 2001.
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Cotter, Holland.
"Ironic/Iconic,"
The New York Times,
August 2, 2002.
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Kimmelman, Michael.
"A Black World Of Ins and Outs,"
The New York Times,
April 26, 2002.
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Ross, Andrew.
"Andrew Ross on Black Romantic,"
Art Forum,
April, 2002.
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Saltz, Jerry.
"A World Apart,"
artnet Magazine,
May 8, 2002.
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Murray, Derek.
"Ironic/Iconic,"
Art in America,
March, 2003.
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Wood, Eve.
"Acerbic Beauty,"
artnet Magazine,
October 28, 2003.
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Stein, Lisa.
"Re: Figure Plays with Figurative Painting,"
Chicago Tribune,
May 5, 2003.
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Myers, Holly.
"Scenes far, far out of Tie polo,"
Los Angeles Times,
November 7, 2003.
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Hawkins, Margaret.
"Gallery Glance: Kehinde Wiley,"
Chicago Sun-Times,
May 21, 2004.
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Wood, Eve.
"Kehinde Wiley Brooklyn Museum review,"
Flash Art,
January/Febuary, 2005.
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Cotter, Holland.
"Art in Review: Kehinde Wiley,"
New York Times,
December 9, 2005.
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"Best of the Weekend: Urban Art,"
LA Daily News,
June, 2006.
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Sumner, Vonn.
"Kehinde Wiley: Roberts & Tilton Gallery,"
Artillery,
vol. 1, no. 1. September, 2006, pp. 36-37.
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LeBlanc, Marc.
"Kehinde Wiley: Roberts & Tilton,"
Beautiful Decay,
2006, p. 40.
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"Exhibition Highlights,"
Art In America Now,
May, 2007, p. cover.
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Rothman, Sabine.
"Kehinde Wiley: The Interpreter,"
House and Garden,
June, 2007, pp. 154-155.
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Miller, Paul D.
"New World Portraiture: Kehinde Wiley,"
Art Asia Pacific,
no. 55. September/October, 2007, pp. 140-143.
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Malone, Micah.
"Kehinde Wiley, Portland, OR,"
Art Papers,
September/October, 2007, p. 70.
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"Portrait Gallery Opens First Hip-Hop exhibit with LL Cool J, Ice-T,"
International Herald Tribune,
February 8, 2008.
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Bedolla, Myrtis.
"Exhibitions News & Reviews: Art Basel Miami Beach, The African American Presence,"
The International Review of African American Art,
vol. 22, no. 1. 2008, pp. 54-56.
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Smith, Roberta.
"A Hot Conceptualist Finds the Secret of Skin,"
The New York Times,
September 5, 2008, pp. B21, B24.
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Sorkin, Jenni.
"Kehinde Wiley: Portraits, Patterns and Fashion; Post-Colonialism and Mortality,"
Frieze,
October, 2008, pp. 282-283.
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Stillman, Nick.
"Kehinde Wiley, Studio Museum in Harlem,"
Artforum,
November, 2008, p. 353.
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Schnabel, JL.
"Kehinde Wiley Gets 'Down' at Deitch,"
Juxtapoz.com,
November 6, 2008.
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Greenberg, David.
"Kehinde Wiley; Deitch Projects,"
Art in America,
no. 3. March, 2009, p. 134.
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Johnson, Ken.
"The Human Figure, Dressed Up, Down And Often Not at All,"
The New York Times,
July 22, 2009, p. C6.
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Harp, Grady.
"The Portraiture of Kehinde Wiley: Celebrating the African American Male,"
Oranges & Sardines,
August, 2009, pp. 98-100.
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Robinson, Walter.
"Weekend Update,"
artnet magazine,
September 4, 2009.
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Thompson, Krista.
"The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop,"
The Art Bulletin,
vol. XCI, no. 4. December, 2009, pp. 481-505, Cover.
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Jackson, Brian Keith.
"A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China,"
Leap,
no. 03. 2010, pp. 86-93, Cover.
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Leib, R.
"Go See-Los Angeles: Kehinde Wiley 'The World Stage: Israel' at Roberts & Tilton through May 28th, 2011,"
Art Observed,
May 17, 2011.
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Finkel, Jori.
"Kehinde Wiley Paints A Diverse Israel,"
Los Angeles Times,
April 9, 2011, p. D14.
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First, Danny.
"Danny First on Kehinde Wiley,"
Art Ltd,
September/October, 2011, p. 78.
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Schwendener, Martha.
"The Diaspora is Remixed,"
The New York Times,
March 23, 2012, p. C24.
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