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Amaya, Mario.
Pop as Art: A Survey of the New Super-Realism.
Studio Vista. London, United Kingdom, 1965.
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Robertson, Bryan, John Russell, Lord Snowdon.
Private View.
Thomas Nelson & Sons Ltd. London, United Kingdom, 1965.
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Dienst, Rolf Gunter.
Pop Art: Eine Kritische Information.
Limes Verlag. Wiesbaden, Germany. 1965.
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Crispolti, Enrico.
La pop art.
Fabbri. Milano, Italy. 1966.
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Lippard, Lucy.
Pop Art.
Thames & Hudson. London, United Kingdom, 1966.
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Janis, Harriet, Rudi Blesh.
Collage: personalities, comcepts, techniques.
Chilton Book Co. Philadelphia, Pennsylvania, 1967.
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Finch, Christopher.
Pop Art: Object and Image.
Studio Vista. London, United Kingdom, 1968.
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Compton, Michael.
Pop Art.
Hamlyn. London, United Kingdom, 1968.
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Bowness, Alan.
Recent British Painting.
Lund Humphires. London, United Kingdom. 1968.
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Russell, John, Suzi Gablik.
Pop Art Redefined.
Thames and Hudson Ltd. London, United Kingdom, 1969.
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Arnason, H. H.
A History of Modern Art.
Thames & Hudson. London, United Kingdom, 1969.
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Finch, Christopher.
Image as a Language- Aspects of British Art, 1950-1968.
Penguin. London, United Kingdom, 1969.
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Various authors,
Historia del Arte vol. 10.
Editorial Salvat. Barcelona, Spain, 1970.
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The Tate Gallery 1968-1976.
Tate Gallery. London, United Kingdom. 1970.
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Pierre, Jose.
Pop Art. Painters-Sculptures.
Fernand Hazan. Paris, France, 1971.
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Phaidon Dictionary of Twentieth Century Art.
Phaidon. London, United Kingdom, 1973.
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Wilson, Simon.
Pop.
London, United Kingdom. 1974.
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Wilson, Simon.
El Arte Pop.
Editorial Labor. Barcelona, Spain, 1975.
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Pierre, Jose.
Pop Art: An Illustrated Dictionary.
London, United Kingdom, 1977.
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Naylor, Colin, Genesis P-Orridge (ed).
Contemporary Artists.
St. James Press. London, United Kingdom, 1977.
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Crispolti, Enrico.
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Idea. 1977.
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Parry-Crooke, Charlotte (ed).
Contemporary British Artists.
Bergstrom & Boyle Books. London, United Kingdom, 1979.
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Curtis, Seng-gye Tombs, Christopher Hunt.
The Airbrush book: Art, History and Technique.
Orbis Publishing. London, United Kingdom, 1980.
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Osborne, Harold.
The Oxford Companion to Twentieth-Century Art.
Oxford University Press. Oxford, USA, 1981.
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Stangos, Nikos.
Conceptos de arte moderno.
Alianza Editorial. Madrid, Spain, 1986.
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Marchán Fiz, Simón.
Del arte objetual al arte de concepto.
Editorial Akal. Madrid, Spain, 1988.
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Read, Herbert.
Historia de la pintura moderna.
Ediciones del Serbal. Barcelona, Spain, 1988.
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Thomas, Karin.
Hasta hoy: estilos de las artes plásticas en el siglo XX.
Ediciones del Serbal. Barcelona, Spain, 1988.
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Vergo, Peter.
Twentieth-Century American Painting: The Thyssen-Bornemisza Collection.
Wilson, Philip Publishers, Limited. 1988.
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Lucie-Smith, Edward.
Artistic Movements since 1945.
Ediciones Destino. Barcelona, Spain, 1991.
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Seago, Alex.
Burning the Box of Beautiful Things: Ark Magazine and the Development of a Postmodern Sensibility at the Royal College of Art, 1950-1962.
Oxford University Press. United States. 1995.
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Stiles, Kristine and Peter Selz.
Theories and Documents of Contemporary Art : A Sourcebook of Artists' Writings.
University of California Press, Berkley California and London, United Kingdom. 1996.
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Madoff, Steven Henry.
Pop Art : A Critical History (Documents of Twentieth-Century Art).
University of California Press Berkley California and London, United Kingdom. 1997.
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Mellor, David Alan.
The Sixties: Britain and France, 1962-1973; The Utopian Years.
Wilson, Philip Publishers, Limited. 1997.
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Schneckenburger, Fricke, Ruhrberg and Honnef.
ART of the 20th Century.
Taschen. Koln, Germany. 2000.
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Osterwold, Tilman.
Pop Art.
Taschen. Koln, Germany. 2003.
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Britt, David.
Modern Art.
Thames & Hudson. London, United Kingdom. 2003.
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Honnef, Klaus.
Pop Art.
Taschen. Koln, Germany. 2004.
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Stephens, Chris and Katherine Stout.
Art and the Sixties: This Was Tomorrow.
Tate Publishing. 2004.
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Saville, Peter.
Designed by Peter Saville.
Princeton Architectural Press. New York, New York. 2005.
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