Peter Phillips Catalogue
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Peter Phillips
Selected Articles
Lynton, Norbert.  "Young Contemporaries,"  Art International,  April, 1962. pp. 47-8. 
Shepherd, Michael.  "British Painting and Sculpture Today and Yesterday,"  Arts Review,  v. 21, April, 1962.
"The Serious Side of Pop Art,"  The Times,  v. 27, July, 1962.
Reichardt, Jasia.  "Mail from London: Would You Be My Gorgonzola Baby?,"  Metro 7,  1962.
Smith, Richard.  "New Readers start here...,"  Ark 32,  Summer, 1962.
Wallis, Neville.  "Private-Eye Painters,"  The Observer,  v. 19, August, 1962.
Salling, Charles.  "Image in Progress,"  John O'London's Magazine,  v. 30, August, 1962.
Lucie-Smith, Edward.  "Going 'Pop',"  The Listener,  v. 30, August, 1962.
Alloway, Lawrence.  "'Pop Art' since 1949,"  The Listener,  v. 27, December, 1962.
Whittet, G.S.  "Pick of the Pops,"  Viewpoint No. 2,  1962.
Melville, R.  "Today and yesterday show at Arthur Tooth & sons,"  The Architectural Review,  v. 132, July, 1962. p. 58. 
Nordland, G.  "British art today,"  Arts Magazine,  v. 37, May, 1963. p. 17. 
Ettore, Sottsass Jr.  "Dada, New Dada, New Realists,"  Domus,  February, 1963. pp. 27-32. 
Rusell, John.  "England: the advantage of being thirty,"  Art in America,  December, 1963. pp. 92-7. 
Sylvester, David.  "Art in a Coke Climate,"  The Sunday Times Magazine,  January, 1964.
Rusell, John.  "The Confirmation Push,"  The Sunday Times,  v. 29, March, 1964.
"Painting: Britannia's New Wave,"  Time,  October, 1964. pp. 40, 45. 
Marmer, Nancy.  "New British Painters,"  Artforum,  December, 1964.
Melville, Robert.  "English pop art,"  Quadrum,  no. 17, 1964. p. 23-38, 182-3. 
"Exhibition at Kornblee gallery,"  Art News,  v. 64, December, 1965. p. 17. 
Glaser, Bruce.  "Three British artists in New York,"  Studio International,  v. 170, November, 1965. p. 178-83. 
Miller, Samuel Clifford.  "Thirty years of British art,"  Gallery Notes (Albright-Knox Art Gallery),  v. 28 no. 2, Fall, 1965. p. 8-18. 
Reichardt, Jasia.  "La jeune generation en Grande Bretagne,"  Aujourd'hui,  v. 9, July, 1965. p. 68. 
Rusell, John.  "London/NYC: the two way traffic,"  Art in America,  April, 1965. pp. 126-137. 
McCluggage, Denise.  "Pop Pop go the art Rodders,"  Car and Driver,  August, 1965.
Glaser, Bruce.  "Three British Artists in New York,"  Studio International,  November, 1965.
"Everybody's Object,"  Time,  April, 1966.
"Hybrid,"  The New Yorker,  April, 1966.
"Hybrid,"  Arts News,  May, 1966.
"Market Research produces a consumer-determined sculpture,"  Life,  v. 20, May, 1966. pp. 71-7. 
"Exhibition at Kornblee gallery,"  Art News,  v. 65, May, 1966. p. 18. 
Alloway, Lawrence.  "Hybrid,"  Arts Magazine,  v. 40, May, 1966. p. 38-42. 
"Exhibition at Kornblee gallery,"  Arts Magazine,  v. 40, January, 1966. p. 56. 
"Zurich: Galerie Bischofberger,"  Werk,  v. 54, July, 1967. p. 457. 
Finch, Christopher.  "Psychological Streamlining,"  New Worlds,  September, 1967. pp. 30-4. 
Finch, Christopher.  "Communicators,"  Art and Artists,  February, 1968. pp. 20-3. 
Finch, Christopher.  "Peter Phillips,"  Art International,  v. 20, April, 1968.
"Pneumatics von Peter Phillips,"  Artis,  no. 9, September, 1968.
Kennedy, R.C.  "Peter Phillips Pneumatics,"  Art International,  November, 1968.
Melville, R.  "Young consolidators: the "Interim" show at Whitechapel,"  The Architectural Review,  v. 144, July, 1968. p. 61. 
"Peter Phillips,"  Mizue,  August, 1970. pp. 65-79. 
Brook, M. Glazo.  "Peter Phillips at the Whitechapel,"  Studio International,  v. 182, October, 1971. p. 123. 
"Ein mann und sein Gürtel,"  Musterischer Anzeiger,  v. 4, November, 1972.
Lober, Hermann.  "Kalte Bilderweit der Pop-art,"  Munstersche Zeitung,  v. 6, November, 1972.
"Die Realität am Mischpult: Bilder des englischen Pop-Artisten Peter Phillips im Westfälischen Kunstverein,"  Die Welt,  v. 23, November, 1972.
Reinke, Klaus.  "Die Pop-Art stammt aus England: Restrospektive Peter Phillips im Westfälischen Kunstverein,"  Düsseldorf Nachrichten,  v. 3, January, 1973.
Laing, Gerald.  "Hybrid,"  Control Magazine,  no. 8, August, 1974.
Overy, Paul.  "The Philosophy of the Simultaneous,"  The Times,  v. 16, March, 1976.
McEwen, John.  "Between the Lines,"  The Spectator,  v. 27, March, 1976.
Oranato, R.J.  "The Modern Maze,"  Art International,  April-May, 1976.
Overy, Paul.  "Superstars for a day: the rise of Pop art in England,"  The Time,  v. 2, June, 1976.
Crichton, Fenella.  "Peter Phillips at the Waddington Galleries,"  Art International,  Summer, 1976.
Fuller, P.  "British painting, 1952-1977: Royal academy of arts, London,"  Connoisseur,  v. 196, November, 1977. p. 233. 
Livingstone, Marco.  "New Sounds New Styles,"  May, 1982.
McEwen, John.  "On form,"  The Spectator,  v. 9, July, 1983.
Borrás, Maria Luïsa.  "El romanticismo según Peter Phillips,"  La Vanguardia, Barcelona,  v. 18, April, 1989.
Livingstone, Marco.  "Peter Phillips: metaphors of consciousness,"  Art Press,  no. 195, October, 1994. p. 51-5. 
McEwen, John.  "Freedom of Choices,"  Thomas Gibson Fine Art,  1998.
Amer, Gabriel.  "The opulence of Pop Art colours,"  2000.
Livingstone, Marco.  "Peter Phillips: The Random Illusion,"  2000.
Guadagnini, Walter.  "Four questions and as many attempts to answer (Random, for Peter Phillips),"  2002.
Alloway, Lawrence.  "Pop Since 1949,"  Artforum,  vol. XLIII, no. 2, October, 2004.
Phillips, Peter.  "Arthur McIntyre, 1945-2003,"  Art and Australia,  v. 41 no. 4, Winter, 2004. p. 553. 
Phillips, Peter L.  "Designers Bootcamp,"  Graphis,  v. 60, September-October, 2004. p. 10. 
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