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California Hard Edge Painting.
Pavilion Gallery. Balboa, California. 1964.
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The Responsive Eye.
Museum of Modern Art. New York, New York. 1965.
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Five at Pace.
Pace Gallery. New York, New York. March, 1965.
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National Collection of Fine Arts, Smithsonian Institution. Washington, D.C. 1965.
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Hopps, Walter.
B--The U.S. Catalog for the 8th São Paolo Bienal.
Pasadena Museum of Art. Pasadena, California. 1965.
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Five Los Angeles Sculptors and Sculptors' Drawings.
Art Gallery, University of California. Irvine, California. 1966.
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Los Angeles Now.
Robert Fraser Gallery. London, England. 1966.
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Primary Structures.
Jewish Museum. New York, New York. 1966.
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New Modes in California Painting and Sculpture.
La Jolla Museum of Art. La Jolla, California. 1966.
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Highlights of the '65-'66 Art Season.
Larry Aldrich Museum. Ridgefield, Connecticut. 1966.
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Ten From Los Angeles.
Seattle Art Museum Pavilion. Seattle, Washington. 1966.
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Coplans, John.
Ten from Los Angeles.
Seattle Art Museum. Seattle, Washington. 1966.
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Annual Exhibition: Contemporary American Sculpture and Prints.
Whitney Museum of American Art. New York, New York. 1967.
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American Sculpture of the Sixties.
Los Angeles County Museum of Art. Los Angeles, California. 1967.
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A New Esthetic.
Washington Gallery of Modern Art. Washington, D.C. 1967.
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Guggenheim International Exposition.
Solomon R. Guggenheim Museum. New York, New York. 1967.
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Rose, Barbara.
Larry Bell.
Washington Gallery of Modern Art. Washington, D.C. 1967, pp. 21-25.
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Los Angeles 6.
Vancouver Art Gallery. Vancouver, British Columbia. 1968.
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6 Artists: 6 Exhibitions.
Walker Art Center. Minneapolis, Minnesota. 1968.
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Documenta IV.
Museum Fridericianum. Kassel, Germany. 1968.
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Serial Imagery.
Pasadena Art Museum. Pasadena, California. 1968.
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Coplans, John.
Serial Imagery.
Pasadena Art Museum. Pasadena, California. 1968, p. 60.
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Coplans, John.
Los Angeles 6.
Vancouver Art Gallery. Vancouver, British Columbia. 1968.
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14 Sculptors: The Industrial Edge.
Walker Art Center. Minneapolis, Minnesota. 1969.
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Kompas IV--West Coast USA.
Stedelijk Van Abbe Museum. Eindhoven, Holland. 1969.
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West Coast '49 – '69.
Pasadena Art Museum. Pasadena, California. 1969.
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Rose, Barbara, Christopher Finch and Martin Friedman.
14 Sculptors: The Industrial Edge.
Walker Art Center. Minneapolis, Minnesota. 1969.
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Licht, Jenifer.
Spaces.
The Museum of Modern Art. New York, New York. 1969.
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Coplans, John.
West Coast ‘49 – ‘69.
Pasadena Art Museum. Pasadena, California. 1969.
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69Th American Exhibit.
Art Institute of Chicago. Chicago, Illinois. 1970.
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Larry Bell, Robert Irwin, Doug Wheeler.
Tate Gallery. London, England. 1970.
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Looking West.
Joslyn Art Museum. Omaha, Nebraska. 1970.
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Transparency, Reflection, Light, Space: 4 Artists.
UCLA Art Galleries. Los Angeles, California. 1970.
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Compton, M and N. Reid.
Larry Bell, Robert Irwin, Doug Wheeler.
Tate Gallery. London, United Kingdom. 1970.
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Wight, Frederick S.
Transparency, Reflection, Light, Space.
UCLA Art Galleries. Los Angeles, California. 1971.
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Friedman, Martin.
Works for New Spaces.
Walker Art Center. Minneapolis, Minnesota. 1971.
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Haskell, Barbara.
Larry Bell.
Pasadena Art Museum. Pasadena, California. 1972.
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Friedman, Martin.
The Fort Worth Art Museum, Larry Bell: Recent Work.
Fort Worth Star Telegram (newspaper catalog). 1975.
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Wortz, Melinda.
University of California, Irvine, 1965-75.
La Jolla Museum of Contemporary Art. La Jolla, California. 1975, p. 8.
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Turnbull, Berry.
The Last Time I Saw Ferus.
Newport Harbor Art Museum. Newport Harbor, California. 1976.
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Haskell, Barbara.
Two Hundred Years of American Sculpture.
Whitney Museum of American Art. New York, New York. March 16–September 26, 1976, pp. 198, 201-2, 259.
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Photographs of Southern California Painters and Sculptors.
University of California, Santa Barbara. Santa Barbara, California. Statement by Larry Bell. June 3–30, 1977.
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Savage, Sue.
Larry Bell.
The Frederick Weisman Company collection of California Art. California State University, Long Beach. Long Beach, California. 1978, p. 33.
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Carnevali, Gloria.
12 Artistas Internacionales en la Collection.
Museo del Arte Contemporaneo. Caracas, Venezuela. 1978.
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Landis, Ellen.
Reflections of Realism.
The Albuquerque Museum. Albuquerque, New Mexico. 1979.
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Wortz, Melinda.
California Perceptions: Light and Space.
California State University, Fullerton. Fullerton, California. 1979.
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Adlmann, January.
New Mexico.
Fruit Market Gallery. Edinburgh, Scotland. 1980.
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Here and Now.
The Albuquerque Museum. Albuquerque, New Mexico. 1980.
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Calas, Nicolas.
Further Furniture.
Marian Goodman Gallery. New York, New York. 1980.
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Wortz, Melinda.
Larry Bell.
The Hudson River Museum. Yonkers, New York. 1981.
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Abstraction in Los Angeles, 1950-1980.
California State University, Northridge. Northridge, California. 1981.
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Lin, Henry.
Larry Bell.
Trisolini Gallery of Ohio University. Athens, Ohio. 1981.
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The Tate Gallery: Illustrated Catalogue of Acquisitions, 1978-’80.
Tate Gallery Publications Department. Milbank, London. 1981, pp. 62-63.
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Doe, Donald Bartlett.
Santa Fe/Taos.
Nebraska Art Association, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln. Lincoln, Nebraska. 1982, p. 19.
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Levine, Melinda.
A Contemporary Survey.
University Art Gallery,Sonoma State University. Rohnert park, California. 1982, pp. 3, 5, 12, 13, 16, 17.
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Rorimer, Anne.
74Th American Exhibition catalog for the Art Institute of Chicago.
Art Institute of Chicago. Chicago, Illinois. June 12–August 1, 1982, pp. 5-10, 16.
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Doe, Donald Bartlett.
Sheldon Memorial Art Gallery Catalog.
University of Nebraska, Lincoln. Lincoln, Nebraska. February, 1983.
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Leffingwell, Edward.
The Chinese Chance: An American Collection.
(Introductory essay) The Butler Institute of American Art. Youngstown, Ohio. 1983.
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Waldman, Diane.
Transformations in Sculpture: Four Decades of American and European Art.
Solomon R. Guggenheim Museum. New York, New York. 1985, pp. 220-221.
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Imagenes en Cajas.
Museo Rufino Tamayo. Mexico City, Mexico. July 18–September 8, 1985, p. 10.
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The New West.
Colorado Springs Fine Arts Center. Colorado Springs, Colorado. 1986, pp. 12, 13.
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ArtAid.
Sotheby's. New York City. no. 26. March 19-25, 1986, p. 15.
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Kalil, Susie.
The Texas Landscape: 1900-1986.
The Museum of Fine Arts. Houston, Texas. 1986.
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Deitch, Jeffrey.
Modern Objects: A New Dawn exhibition.
Bakerville/Watson. New York City. 1986.
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New Mexico Selections ‘86.
Fogelson Library Center, College of Santa Fe. Santa Fe, New Mexico. 1986.
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Chetham, Charles, David F. Grose and Ann Sievers.
A Guide to the Collections.
Smith College Museum of Art. Northampton, Massachusettes. 1986.
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3+3x7.
University Art Museum, Matthew’s Center, Arizona State University. Phoenix, Arizona. January, 1987, pp. 27-31.
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Czor, Doug.
Art and Science Exhibition.
Fine Arts Gallery, New Mexico State Fairgrounds. 1987, pp. 7-8.
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Card, Margaret.
Invitation Only Arizona Arts Visual, Phoenix Biennial.
Phoenix Art Museum. Phoenix, Arizona. 1987, p. 67.
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Fringe Patterns.
Cleveland Center for Contemporary Art. Cleveland, Ohio. 1987.
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McCready, Eric S.
The Huntington at 25: Selected Acquisitions 1982-1987.
1988, p. 41.
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Very Special Arts New Mexico.
Roswell Museum. Roswell, New Mexico. 1989.
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Larry Bell, Works from New Mexico.
Musee d’Art Contemporain. Lyon, France. 1989.
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Finish Fetish.
Fisher Gallery, University of Southern California. Los Angeles, California. 1991.
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Perceptual Investigations: Light and Space Works in the Permanent Collection.
Museum of Contemporary Art. Los Angeles, California. 1991.
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From the Collection of John and Mary Lou Paxton.
1994.
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Tony DeLap, The House of the Magician: An Installation of Reconstructed Works from 1967-1979.
California State University, Fullerton. Fullerton, California. 1994.
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An Artists Taste of Taos.
Longview Art Museum. Longview, Texas. May 6-July 8, 1995.
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Shape, Forming the LA Look.
California State University, Fullerton. Fullerton, California. 1995.
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Sunshine & Noir: Art in L.A. 1960-1997.
Louisiana Museum of Modern Art. New Orleans, Louisiana. 1997, p. X, XI.
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Sunshine & Noir: Art & Art in L.A. 1960-1997.
UCLA at the Armand Hammer Museum of Art and Cultural Center. Fall, 1998.
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Radical Past: Contemporary Art & Music in Pasadena, 1960-1974.
Armory Center for the Arts and Art Center College of Design. Pasadena, California. 1999.
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Scene Unseen.
Eastern New Mexico University. Portales, New Mexico. 1999.
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The American Century: Art and Culture 1900-2000.
Whitney Museum of American Art. New York, New York. 1999.
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Made in California, Art, Image and Identity 1900-2000.
University of California Press. Berkeley, California. 2000, pp. 210-211.
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Friese, Peter (curator).
Minimal Maximal.
Neues Museum Weserburg. Bremen, Germany. 2001, pp. 80-85.
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Williams, Gregory.
Larry Bell, California Art from The Panza Collection at the Guggenheim Museum.
2001, pp. 42-47.
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Chouinard, A Living Legacy.
The Chouinard Foundtion. Pasadena, California. 2001, p. 52.
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Hodermarsky, Elisabeth.
The Synthetic Century, Collage From Cubism to Postmodernism.
Yale University Art Gallery. New Haven, Connecticut. 2002, p. 50.
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Rusnell, Wesley.
Larry Bell Sumer Project.
2002.
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The Chouinard Foundation Educational Fund Benefit Auction.
The Chouinard Foundation. Beverly Hills, California. 2003.
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Goldstein, Anne.
A Minimal Future? Art as Object 1958-1968.
Museum of Contemporary Art. Los Angeles, California. 2004, pp. 166-171.
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The Big Nothing.
University of Pennsylvania, Institute of Contemporary Art. Philadelphia, Pennsylvania. 2004, p. 5.
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Centric 66.
University Art Museum, College of the Arts, California State University, Long Beach. 2004.
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Hickey, David.
Primary Atmospheres: Works from California 1960-1970.
Steidl. Göttingen, Germany. David Zwirner. New York, New York. 2010.
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