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Soby, J. T.
"Lee Friedlander show: the men who have crated jazz,"
Art in America,
v. 48 no. 2, Summer, 1960.
pp. 66-9.
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"Photography '63: the younger generation,"
Art in America,
v. 51, December, 1963.
pp. 72-7.
|
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Katz, Steve.
"Lee Friedlander,"
Camera (English Edition),
v. 48, January, 1969.
pp. 28-36.
|
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"Composit,"
Camera (English Edition),
v. 48, January, 1969.
p. 3.
|
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Friedlander, Lee, John Benson, G. Metz.
"E. J. Bellocq--Storyville portraits,"
Camera (English Edition),
v. 50, December, 1971.
pp. 4-13.
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"Photography; Lee Friedlander: self portrait,"
Art in America,
v. 60, May, 1972.
pp. 86-9.
|
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Szarkowski, John.
"Study of photography touching the broader issues of modern art,"
Art News,
v. 72, September, 1973.
pp. 50-5.
|
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|
Patton, P.
"Lee Friedlander at the Museum of modern art,"
Art in America,
v. 63, May, 1975.
p. 77.
|
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Rosler, Martha.
"Lee Friedlander's guarded strategies,"
Artforum,
v. 13, April, 1975.
pp. 46-53.
|
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Jeffrey, Ian.
"Photography,"
Studio International,
v. 192, September, 1976.
pp. 199-201.
|
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|
"Lee Friedlander-photographs,"
Artmagazine,
v. 11, September-October, 1979.
pp. 40-1.
|
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|
"Artwriting in Canada,"
Artmagazine,
v. 11, September-October, 1979.
pp. 31-44.
|
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Callaway, Nicholas.
"Lee Friedlander: les cent facons de voir,"
Connaissance des Arts,
no. 336, February, 1980.
pp. 44-9.
|
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|
"Prints & photographs published,"
The Print Collector's Newsletter,
v. 13, May/June, 1982.
p. 56.
|
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Holborn, M.
"Flowers and Trees,"
Creative Camera,
no. 207, March, 1982.
pp. 443-5.
|
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Jones, Rod.
"Lee Friedlander--Factory valleys: a political view,"
Creative Camera,
no. 225, September, 1983.
pp. 1072-3.
|
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Prevost, J. M.
"Galerie Zabriskie, Paris,"
Flash Art (International Edition),
no. 110, January, 1983.
p. 74.
|
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|
"50 portraits par Friedlander,"
Connaissance des Arts,
no. 383, January, 1984.
p. 26.
|
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|
Holborn, Mark.
"Lee Friedlander Portraits,"
Aperture,
no. 104, Fall, 1986.
p. 84-6.
|
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|
Ehrlich, Richard.
"Lee Friedlander: The Uses of Confusion,"
Creative Camera,
no. 8, 1986.
pp. 16-7.
|
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|
Kozloff, Max.
"Opaque Disclosures,"
Art in America,
v. 75, October, 1987.
pp. 144-53.
|
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|
Di Piero, W. S.
"Notes on Photography,"
The New Criterion,
v. 6, October, 1987.
pp. 16-27.
|
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|
Gainsley, Bonnie.
"Working class hero,"
American Photographer,
v. 20, May, 1988.
p. 14.
|
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|
Woodward, Richard B.
"Lee Friedlander: American monument,"
Art News,
v. 88, November, 1989.
pp. 140-5.
|
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|
Kenner, Hugh, Robert Kenner.
"The First Photo,"
Art & Antiques,
v. 6, May, 1989.
pp. 69-79.
|
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|
"Friedlander well endowed,"
Afterimage,
v. 18, September, 1990.
p. 3.
|
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Sinclair, Nick.
"The Archive 25, Lee Friedlander--American monuments,"
British Journal of Photography,
v. 138, June 6, 1991.
p. 21.
|
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Coleman, A. D.
"The Naked truth,"
British Journal of Photography,
v. 138, October 31, 1991.
p. 11.
|
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|
Goldberg, Vicki.
"Lee Friedlander: Nudes,"
Aperture,
no. 125, Fall, 1991.
pp. 72-4.
|
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|
Gardner, Paul.
"The French guy in goggles & other favorite photographs,"
Art News,
v. 91, March, 1992.
pp. 102-7.
|
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Bright, Deborah.
"Reactionary modernism: Lee Friedlander's nudes for the nineties,"
Afterimage,
v. 20, January, 1993.
pp. 6-9.
|
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Rosenheim, Jeff L.
"Lee Friedlander: Nashville
,"
The Metropolitan Museum of Art Bulletin,
v. 53, Fall, 1995.
p. 65.
|
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|
Bowman, Edward.
"V & A's American photography celebration,"
The Photographic Journal,
v. 136, November, 1996.
pp. 460-3.
|
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|
Rodriguez, Alicia.
"Picturing Olmsted,"
Landscape Architecture,
v. 86, October, 1996.
p. 60.
|
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|
Cole, Diane.
"Olmsted's visions,"
Preservation,
v. 48, September/October, 1996.
p. 58-61.
|
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Dault, Gary Michael.
"Seeing through America,"
The Canadian Architect,
v. 41, October, 1996.
pp. 22-5.
|
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|
Kozloff, Max.
"Olmsted,"
Canadian Art,
v. 13, Winter, 1996.
pp. 50-8.
|
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|
Burley, Robert.
"Viewing Olmsted,"
Architects' Journal,
v. 205, June 26, 1997.
p. 61.
|
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|
Longmire, Stephen.
"Back West: reviewing American landscape,"
Afterimage,
v. 25 no. 2, September/October, 1997.
pp. 21-4.
|
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|
Berkson, Bill.
"Music pictures: Lee Friedlander's American musicians,"
Art On Paper,
v. 3 no. 6, July/August, 1999.
pp. 41-4.
|
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|
Solnit, Rebecca.
"A small piece of somewhere else: the history of the rearview mirror,"
Art Issues,
no. 67, March/April, 2001.
pp. 26-9.
|
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|
Gett, Trevor.
"Worth the wait . . .,"
British Journal of Photography,
v. 150, July 9, 2003.
pp. 22-4.
|
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|
Bainbridge, Simon.
"Scenes from the Factory Floor,"
British Journal of Photography,
v. 150, January 8, 2003.
p. 10.
|
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|
"Vanished kingdoms; Rosalind Solomon; Transient; Stems,"
Art On Paper,
v. 8 no. 1, September/October, 2003.
pp. 86-7.
|
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|
"In Search of the Perfect Picture,"
Art On Paper,
v. 8 no. 3, January/February, 2004.
pp. 24-5.
|
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Remy, Patrick.
"Lee Friedlander, documentariste social,"
L'Oeil (Lausanne, Switzerland),
no. 559, June, 2004.
p. 35.
|
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|
Dister, Alain.
"L'Amerique de Friedlander,"
Connaissance des Arts,
no. 616, May, 2004.
p. 20.
|
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|
Smith-Littlefield, Cary.
"That '70s Show,"
Art & Auction,
v. 29 part [i.e.28] no. 2, October, 2005.
p. 144.
|
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Rosselli, Paolo.
"L'America in fotografia / America in photographs,"
Domus,
no. 881, May, 2005.
pp. 118-9.
|
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|
Pollack, Barbara.
"Lee Friedlander: Museum of Modern Art,"
Art News,
v. 104 no. 8, September, 2005.
p. 126.
|
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|
"Friedlander wins Hasselblad,"
British Journal of Photography,
v. 152, April 13, 2005.
p. 6.
|
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|
Fraenkel, Jeffrey.
"Before the Lens - Richard Avedon and Lee Friedlander: One Day in May,"
Aperture, no. 188,
2007.
p. 24.
|
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|
Powers, Bill.
"Bedtime Stories: Lee Friedlander,"
The New York Times Magazine,
May 4, 2008.
|
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|
Biondi, Elisabeth.
"Lee Friedlander: American Icon,"
The New Yorker,
September 3, 2010.
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