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Paintings, Drawing and Sculpture of the 60's and 70's from the Dorothy and Herbert Vogel Collection.
University of Pennsylvania. Philadelphia, Pennsylvania and Contemporary Arts Center. Cincinnati, Ohio. 1975.
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Pincus-Witten, Robert.
Physical and Psychological Moments in Time.
Fine Arts Center Gallery. Oneonta, New York. 1975.
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9e Biennale de Paris.
Musee National de la Ville de Paris. Paris, France. 1975.
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Simkins, Alice.
American Artists '76: A Celebration.
Marion Koogler McNay Art Institute. San Antonio, Texas. 1976.
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Recent International Forms in Art: The 1976 Biennale of Sydney.
Art Gallery of New South Wales. Sydney, Australia. November/December, 1976.
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Five from Louisiana.
New Orleans Museum of Art. New Orleans, Louisiana. 1977.
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A View of a Decade.
Museum of Contemporary Art. Chicago, Illinois. September 10 -November 10, 1977.
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Made by Sculptors.
Stedelijk Museum. Amsterdam, Holland. 1978.
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Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art.
Museum of Modern Art. New York, New York. May 18 - August 7, 1979.
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Painting: Five Views.
William Paterson College, Ben Shahn Gallery. Wayne, New Jersey. September, 1979, pp. 4-5, illus.
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American Portraits of the Sixties and Seventies.
Aspen Center for the Visual Arts. Aspen, Colorado. 1979.
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Extensions: Jennifer Bartlett. Lynda Benglis. Robert Longo. Judy Pfaff.
Contemporary Arts Museum. Houston, Texas. January 20 - March 2, 1980.
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Sculpture on the Wall.
University of Massachusetts. Amherst, Massachusettes. March 29 - May 4, 1980.
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Lynda Benglis: 1968-1979.
University of South Florida. Tampa, Florida. 1980.
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Current/New York.
Syracuse University, Lowe Art Gallery. Syracuse, New York. 1980, p. 38, illus.
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Painting in Relief.
The Whitney Museum of American Art. New York, New York. 1980.
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Urban Encounters: Art. Architecture. Audience.
University of Pennsylvania, Institute of Contemporary Art. Philadelphia, Pennsylvania. 1980.
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Jack Brogan: Projects.
California Institute of Technology, Baxter Art Gallery. Pasadena, California. 1980.
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With Paper. About Paper.
Albright-Knox Art Gallery. Buffalo, New York. 1980.
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1981 Biennial Exhibition.
The Whitney Museum of American Art. New York, New York. January - April, 1981, p. 17.
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Art in the Public Eye.
Security Pacific National Bank. Los Angeles, California. 1981, p. 11, illus.
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The Great American Fan Show.
Lerner Heller Gallery. New York, New York. 1981.
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New Dimensions in Drawing 1950-1980.
The Aldrich Museum of Contemporary Art. Ridgefield, Connecticut. 1981.
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Developments in Recent Sculpture.
The Whitney Museum of American Art. New York, New York. July 22 - September 27, 1981.
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Variants: Drawings by Contemporary Sculptors.
Rice University, Sewall Art Gallery. Houston, Texas. 1981.
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Atlanta International Airport Art Collection.
1981.
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U.S. Art Now.
Nordiska Kompaniet. Stockholm, Sweden. 1981, p. 10, illus.
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Energie New York.
Centre d'Echanges, ELAC. Lyon, France. 1981.
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Currents: A New Mannerism.
Jacksonville Art Museum. Jacksonville, Florida. 1981.
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Early Work.
The New Museum of Contemporary Art. New York, New York. 1982.
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Art Materialized: Selections from the Fabric Workshop.
Independent Curators Incorporated. New York, New York. 1982, p.23, illus.
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74th American Exhibition.
Art Institute of Chicago. Chicago, Illinois. 1982, p. 17, illus.
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Lehman Brothers Kuhn Loeb Incorporated Art Collection.
New York. 1982, p. 12, illus.
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Prints by Contemporary Sculptors.
Yale University Art Gallery. New Haven, Connecticut. 1982.
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PostMINIMALism.
Aldrich Museum of Contemporary Art. Ridgefield, Connecticut. 1982.
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Public Sculpture.
Art in America. Annual, 1982, p. 13, illus.
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Glueck, Grace.
Selected Prints III.
Brooke Alexander, Inc. New York, New York. 1982.
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Out of the South.
Heath Gallery. Atlanta, Georgia. 1982, p. 15, illus.
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Dynamix.
Contemporary Arts Center. Cincinnati, Ohio. 1982, p. 22, illus.
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Shift LA/NY.
Newport Harbor Art Museum. Newport Harbor, California. 1982, pp. 26-28, illus.
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20th Anniversary Exhibition of the Vogel Collection.
Brainard Art Gallery, State University Colleae of Arts and Science, Potsdam, New York and Gallery of Art, University of Northern Iowa, Cedar Falls, Iowa. 1982.
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The Americans: The Collage.
Contemporary Arts Museum. Houston, Texas. July 11- October 3, 1982, p. 43, illus.
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The Sixth Day: A Survey of Recent Developments in Figurative Sculpture.
The Renaissance Society. University of Chicago. Chicago, Illinois. May 8-June 15, 1983, p. 7, illus.
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Floored.
Long Island University, C.W. Post Center, Hillwood Art Gallery. Long Island, New York. 1983, p. 10, illus.
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New York Now.
Kestner-Gesellschaft. Hannover, Germany. 1983, pp. 45-47, illus.
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Twentieth Century Sculpture: Process and Presence.
The Whitney Museum of American Art at Philip Morris. New York, New York. 1983.
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Back to the USA.
Rheinsisches Landesmuseum. Bonn, Germany. 1984.
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Citywide Contemporary Sculpture Exhibition.
Toledo Museum of Art. Toledo, Ohio. 1984, p. 29, illus.
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Marshall, Richard.
American Art Since 1970: Painting, Sculpture and Drawings from the Collection of the Whitney.
Whitney Museum of American Art. New York, New York. 1984.
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Ecstasy.
Monique Knowlton Gallery. New York, New York. 1984.
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Paper Transformed: A National Exhibition of Paper Art.
Indiana State University, Turman Gallery. Terre Haute, Indiana. 1984, pp. 14-15, illus.
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Eight Artists from Paula Cooper Gallery.
The Contemporary Art Gallery. Toyko, Japan. 1984, illus.
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Reynolds, Gary.
American Bronze Sculpture.
The Newark Museum. Newark, New Jersey. 1984, p. 67, illus.
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Content: A Contemporary Focus 1974-1984.
Hirshhorn Museum and Sculpture Garden. Washington, D.C.. 1984, p. 54, illus.
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Shapiro, David.
Lynda Benglis: Works in Glass.
Margo Leavin Gallery. Los Angeles, California. 1985.
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Dracos Art Center.
Dracos Art Center. Athens, Greece. 1985, pp. 44-45, illus.
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Selections from the William J. Hokin Collection.
Museum of Contemporary Art. Chicago, Illinois. 1985, pp. 19-20, illus.
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A New Beginning: 1968-1978.
The Hudson River Museum. Yonkers, New York. 1985, pp. 38-39, illus.
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El Bohio Contemporary Art Auction Benefit.
El Bohio, New York. 1985, p. 52, illus.
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Diversity: New York Artists.
University of Rhode Island, Main Gallery. Providence, Rhode Island. 1985.
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A Decade of Visual Arts at Princeton: Faculty 1975-1985.
Princeton University. Princeton, New Jersey. November 17 - January 12, 1985.
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Profile of a Connoisseur: The Collection of Muriel Bultman Francis.
New Orleans Museum of Art. New Orleans, Louisiana. 1985, p. 42, illus.
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Correspondences: New York Art Now.
Laforet Museum Harajuku. Toyko, Japan. December 20- March 23, 1985, p. 30, illus.
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Art in the Environment.
Boca Raton Museum of Art. Boca Raton, Florida. 1986, p. 116, illus.
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Natural Forms and Forces.
Massachusetts Institute of Technology, List Visual Arts Center, Hayden Gallery. Cambridge, Massachusettes, and Bank of Boston. Boston, Massachusettes. May 9-June 29, 1986, illus.
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Bank America Corporation Art Program 1985.
San Francisco, California. 1986, p. 6, illus.
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Between Geometry and Gesture: American Sculpture 1965-1975.
Palacio de Velazquez. Madrid, Spain. May 13-July 20, 1986, pp. 110-111, 129, 150, 151, 166.
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Philadelphia Collects Since 1940.
Philadelphia Museum of Art. Philadelphia, Pennsylvania. September 28-November 30, 1986, p. 93, illus.
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Works from the Paula Cooper Gallery.
John Berggruen Gallery. San Francisco, California. October 14-November 20, 1986, p. 9, illus.
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Kuspit, Donald.
Cast Glass Sculpture.
California State University, Visual Arts. Fullerton, California. April 12-May 11, 1986, pp. 24-27, illus.
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Painting and Sculpture Acquisitions 1973-1986.
The Whitney Museum of American Art. New York, New York. 1987, p. 110, illus.
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Alternative Supports: Contemporary Sculpture on the Wall.
Brown University, Bell Gallery. Providence, Rhode Island. April 25-May 25, 1987, p. 13, illus.
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Selections from the Frito-Lay Collection.
Dallas, Texas. 1987, p. 8, illus.
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Standing Ground: Sculpture by American Women.
The Contemporary Arts Center. Cincinnati, Ohio. March 27-May 10, 1987, p. 32, illus.
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Art Against Aids.
American Foundation for Aids Research. New York, New York. 1987, p. 76, illus.
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Krane, Susan.
Structure to Resemblance: Work by Eight American Sculptors.
Albright-Knox Art Gallery. Buffalo, New York. June 13-August 23, 1987, pp. 12-17, illus.
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Artistas da Paula Cooper Gallery.
Galeria EMI Valentim de Carvalho. Lisbon, Portugal. March, 1987, illus.
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Contemporary American Collage.
University of Massachusetts, Herter Art Gallery. Amherst, Massachusettes. 1987, p. 16, illus.
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Field, Richard S.
A Graphic Muse: Prints by Contemporary American Women.
Mount Holyoke College Art Museum. South Hadley, Massachusetts. 1987, p. 28, illus.
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A Bountiful Decade: Selected Acquisitions 1977-1987.
The Nelson-Atkins Museum of Art. Kansas City, Missouri. 1987, pp. 202-203, illus.
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Ratcliff, Carter.
Lynda Benglis. John Chamberlain. Joel Fisher. Mel Kendrick. Robert Therrien.
Magasin 3 Stockholm. Stockholm, Sweden. February - March, 1988, illus.
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Onorato, Ronald J.
Faux Arts.
La Jolla Museum of Contemporary Art. La Jolla, California. October 2-November 15, 1988.
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Neumann Press, Nancy.
Knots and Nets.
Cornell University, Herbert F. Johnson Museum of Art. Ithaca, New York. July 12 - September 25, 1988.
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Minos Beach Art Symposium.
Crete, Greece. June 11-September 30, 1988, pp.48-49, illus.
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Sculpture of the Modern Era: Fifty Years of Collecting.
The Solomon R. Guggenheim Museum. New York, New York. November 13-March 13, 1988.
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American Sculptors: New York and Los Angeles.
Kamakura Gallery. Tokyo, Japan. April 3-April 21, 1989.
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First Impressions.
Walker Art Center. Minneapolis, Minnesota. July 10-September 10, 1989, pp. 104-105, illus.
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Contemporary Art from New York: The Collection of the Chase Manhattan Bank.
Yokohama Museum of Art. Yokohama, Japan. June 18-October 1, 1989, p. 25, illus.
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Heiferman, Marvin, Lisa Phillips and John G. Hanhardt.
Image World.
Whitney Museum of American Art. New York, New York. November 8-February 18, 1990, p. 74, illus.
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Ottmann, Klausand Catherine Cafopoulos.
Hellenikon.
City Gallery. New York, New York. 1990, illus.
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Kagle, Joseph L, Jr. and Gerald Silk.
Carsinart: The Automobile Icon.
Pensacola Museum of Art. Pensacola, Florida. 1990, p. 35, illus.
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Approaches to Sculpture: Hand. Body. House.
William Paterson College, Ben Shahn Galleries. Wayne, New Jersey. 1990.
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Krane, Susan.
Lynda Benglis: Dual Natures.
The High Museum of Art. Atlanta, Georgia. 1991.
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Hoffman, George.
Physicality.
Hunter College. New York, New York. 1991.
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Scott, Sue.
Motion as Metaphor: The Automobile in Art.
Virginia Beach Center for the Arts. Virginia Beach, Virginia. 1991, p.48, illus.
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Plagens, Peter.
Aspects of Collage.
Guild Hall Museum. East Hampton, New York. 1991.
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Stroud, Marion Boulton.
An Industrious Art: Innovation in Pattern and Print at the Fabric Workshop.
The Fabric Workshop. Philadelphia, Pennsylvania. 1991, pp.64-65.
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Clearly Art: Pilchuck's Glass Legacy.
Whatcom Museum of History and Art. Dellingham, Washington. Summer, 1992, pp. 37, 56.
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Glass: From Ancient Craft to Contemporary Art: 1962-1992 and Beyond.
The Morris Museum. Morristown, New Jersey. 1992.
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Joachimides, C.M. and N. Rosenthal.
American Art in the 20th Century: Painting and Sculpture, 1913-1993.
Presetel-Verlag. Martin Gropius Bau. Berlin, Germany. Royal Academy of Fine Arts. London, England. 1992, p.130,165-7, 169.
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Ben-Levi, Jack, Leslie C Jones, Simon Taylor and Craig Houser.
Abject Art: Repulsion and Desire in American Art.
Whitney Museum of Art. New York, New York. 1993, pp. 13, 43, 45, 52-53, 57, 102.
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Morgon, Robert and Craig Krull.
Action/Performance and the Photograph.
Turner/Krull Galleries. Los Angeles, California. 1993.
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Oro d'autore.
Basilico Inferiore di San Francesco. Arrezo, Italy. 1993, pp.12-13,44-45,94-95.
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From the Furnace.
Auckland City Art Gallery. New Zealand. October 15-November 25, 1993.
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Schaffner, Ingrid.
The Return of The Cadavre Exquis.
The Drawing Center. New York, New York. 1993, p. 6.
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The Harwood Foundation of the University of New Mexico 1923-1993: History and Collection.
The Hardwood Foundation of the University of New Mexico. Taos, New Mexico. 1993, p.25, illus.
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Schwartz, Joyce Pomeroy.
Celebrating Art & Architecture: Creating a Place for People.
Federal Reserve Board. Washington, D.C. 1993.
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MFA Faculty Artists.
Hunter College. Hunter College Art Galleries. New York, New York. 1993.
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The Essential Gesture.
The Newport Harbor Art Museum. Newport Beach, CA. October 15-December 31, 1994.
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Kertess, Klaus.
Chimera: Recent Ceramic Sculpture.
The Harwood Foundation of the University of New Mexico. Taos, New Mexico. 1994.
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Bad Girls.
New Museum of Contemporary Art. New York, New York. 1994, pp.73-74, 83.
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From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection.
National Gallery of Art. Washington, D.C. May 29-November 27, 1994, p.86.
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Prints from Solo Impressions. Inc. New York.
The College of Wooster Art Museum. Wooster, Ohio. August 24-October 9, 1994, p.23, p. 61.
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Images.
Laumeier Sculpture Park Publication. St. Louis, Missouri. Summer, 1995.
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Feminimasculin: Le Sexe de L'Art.
Editions du Centre Pompidou. Paris, France. Centre national d'art et de culture Georges Pompidou. Paris, France. 1995.
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Ross, David A, Eugenie Tsai and Joanna Drucker.
Art at the End of the 20th Century: Selections from the Whitney Museum of American Art.
Whitney Museum of American Art. New York, New York. 1996, Sec. 3-L.
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Stoops, Susan, et al.
More than Minimal: Feminism and Abstraction in the 70's.
Rose Art Museum. Waltham, Massachusettes. 1996.
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After the Fall: Aspects of Abstract Painting Since 1970.
Snug Harbour Cultural Center, New House Center for Contemporary Art. Staten Island, New York. March 27-September 7, 1997, Vol.I. and Vol. II.
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Gravity - Axis of Contemporary Art.
The National Museum of Art. Osaka, Japan. October 30 - December 9, 1997.
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Hanging By A Thread.
The Hudson River Museum. Yonkers, New York. October 3 - February 17, 1998.
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Carter, Ratcliff.
Lynda Benglis: Soft Off.
Locks Gallery. Philadelphia, Pennsylvania. 2002.
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Marshall, Richard, essay.
Lynda Benglis: A Sculpture Survey 1969 – 2004.
Cheim & Read. New York, New York. 2004.
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Marshall, Richard, essay.
Lynda Benglis.
Cheim & Read. New York, New York. 2004.
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Pincus-Witten, Robert, essay.
Lynda Benglis, Louise Bourgeois: Circa 70.
Cheim & Read. New York, New York. 2007.
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Butler, Cornelia H. and Lisa Gabrielle Mark, eds.
WACK!: Art and the Feminist Revolution.
The MIT Press. Cambridge, Massachusetts. 2007.
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Tricot, Xavier, essay.
I Am As You Will Be: The Skeleton in Art.
Cheim & Read. New York, New York. 2007.
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Lynda Benglis: Shape-Shifters.
Locks Gallery. Philadelphia, Pennsylvania. 2008.
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Lynda Benglis.
(Retrospective monograph). Les Presses du Réel. 2009.
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