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Dodge, Norton and Alison Hilton.
New Art from the Soviet Union: The Known and Unknown.
Acropolis Books Ltd. Washington, D.C. 1977.
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Burnham, Jack, Nathanson, Melvyn B., ed.
Komar/Melamid: Two Soviet Dissident Artists.
Southern Illinois University Press. Carbondale, Illinois. 1979.
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Dodge, Norton and Edith Tonelli.
Nonconformists: Contemporary Works on Paper from the Soviet Union.
University of Maryland. Rockville, Maryland. 1980.
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Flomenhaft, Eleanor.
Written Imagery Unleashed in the Twentieth Century.
Fine Arts Museum of Long Island. Hempstead, New York. 1983.
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Blinderman, Barry, Thomas Lawson, and Susan Morgan.
Contemporary Perspectives: Essays by Barry Blinderman, Thomas Lawson, Susan Morgan.
Bucknell University. Lewisburg, Pennsylvania. 1984.
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Morgan, Robert.
The Delta of Modernism.
Featured in Re Dact: An Anthology of Art CriticismEdited by Peter Frank. Willis Lockes & Owens Publishing. New York, New York. 1984.
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Martin, Jean-Hubert.
Alles und noch viel Mehr.
Kunsthalle. Bern, Switzerland. 1985.
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Fox, Howard.
Avant-Garde in the Eighties.
Los Angeles County Museum of Art. Los Angeles, California. 1986.
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Doria, Charles.
Russian Samizdat Art.
Willis Locker & Owens Publishing. New York, New York. 1986.
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Drier, Deborah.
Neo Neo Classicism.
Edith C. Blum Art Institute at Bard College. Annandale-on-Hudson, New York. 1986.
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Davis, Jack.
Symbolic Narrative.
Beaver College. Glenside, Pennsylvania. 1987.
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Jencks, Charles.
Post-Modernism: The New Classicism in Art and Architecture.
Rizzoli. New York, NY. 1987.
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Ratcliff, Carter.
Komar & Melamid.
Abbeville Press. New York, New York. 1988.
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Martin, Richard and Harold Koda.
The Historical Mode, Fashion and Art in the 1980s.
Rizzoli. New York, NY. 1989.
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Berger, John, Dimitri Prigov, and Jamey Gambrell.
Novostroika, ICA Documents 8.
Edited by Lisa Appignanesi. ICA. London, England. 1989.
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Postmodernism ICA Documents.
Edited by Lisa Appignanesi. Free Association Books. London, England. 1989.
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Atkins, Robert.
Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords.
Abbeville Publishers. New York, New York. 1990.
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Brossard, Jean-Pierre.
Editiond d'En Haut. Workshops Furmanny Lane. Zurich, Switzerland. 1990.
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Devil on the Stairs: Looking Back on the Eighties.
Institute of Contemporary Art. Philadelphia, Pennsylvania. 1991.
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Eidia, Paul and Melissa.
The Starving Artists' Cookbook.
EIDIA (Idea) Books. New York, New York. 1991.
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Goheen, Craig.
Literature and Language.
McDougal, Littel and Co. Evanston, Illinois. 1991.
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Gyorgy, Peter and Hedvig Turai.
Art and Society in the Age of Stalin.
Corvina Books. Budapest, Hungary. 1992.
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Le Thorel, Pascale.
Petit Dictionnaire des artistes contemporains.
MM Edition. Paris, France. 1992.
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Tupitsyn, Margarita, and Martha Rosler.
After Perestroika: Kitchenmaids or Stateswomen: Essays by Margarita Tupitsyn and Martha Rosler.
Independent Curators Incorporated. New York, New York. 1993.
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Gardner, James.
Culture or Trash?.
Carol Publishing Group. New York, New York. 1993.
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Envisioning Eastern Europe: Postcommunist Cultural Studies.
Edited by Michael D. Kennedy. The University of Michigan Press. Ann Arbor, Michigan. 1994.
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Fineberg, Jonathan.
Art Since 1940: Strategies of Being.
Prentice Hall. Englewood Cliifs, New Jersey. 1995.
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Taylor, Brandon.
Avant Garde and After: Rethinking Art Now.
Harry Abrams, Inc. New York, New York. 1995.
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Lucie-Smith, Edward.
Visual Arts in the 20th Century.
Laurence King Publishing. London, England. 1996.
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The 20th-Century Art Book.
Phaidon Press Limited. London, United Kingdom. 1996.
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Komar, Vitaly, Aleksandr Melamid and JoAnn Wypijewski.
Painting by numbers: Komar and Melamid's scientific guide to art.
Farrar Straus Giroux. New York, New York. 1997.
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Chilvers, Ian.
A Dictionary of Twentieth-Century Art.
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Allara, Pamela.
Pictures of People: Alice Neel's American Portrait Gallery.
University Press of New England. Hanover, New Hampshire. 1998.
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Diepeveen, Leonard and Timothy Van Laar.
Active Sights: Art as Social Interaction.
Mayfield Publishing Company. Mountain View, California; London, England; Toronto, Ontario, Canada. 1998.
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George Washington: American Symbol.
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Fineberg, Jonathan.
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Harry Abrams. Second Edition. New York, New York. 2000.
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Frazier, Nancy.
The Penguin Concise Dictionary of Art History.
Penguin Books LTD. London, England. 2000.
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Condee, Nancy and Evgeny Dobrenko.
Endquote.
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The Oxford History of Western Art.
Edited by Martin Kemp. Oxford University Press, Inc. New York, New York. 2000.
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Komar and Melamid,
When Elephants Paint: The Quest of Two Russian Artists to Save the Elephants of Thailand.
Harper Collins. New York, New York. 2000.
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Julius, Anthony.
Idolizing Pictures: Idolatry, Iconoclasm, and Jewish Art.
Thames and Hudson. London and New York. 2000.
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Princenthal, Nancy and Jennifer Dowley.
A Creative Legacy: A History of The National Endowment for the Arts Visual Artists' Fellowship Program 1966 – 1995.
Edited by Adele Westbrook. Harry N. Abrams, Inc. New York, New York. 2001.
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Julius, Anthony.
Idolizing Pictures: Idolatry, Iconoclasm and Jewish Art.
Thames & Hudson. New York, New York. 2001.
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Matthews, Roy and F. Dewitt Platt.
The Western Humanities.
Mayfield Publishing Company [Fourth Edition]. Mountain View, California. 2001.
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Tupitsyn, Margarita.
Malevich and Film.
Yale University Press. New Haven, Connecticut. 2002.
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Osborn, Peter, ed.
Conceptual Art.
Phaidon Press LTD. London, United Kingdom. 2002.
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Dempsey, Amy.
Art in the Modern Era: A Guide to Styles, Schools & Movements.
Harry N. Abrams, Inc. New York, New York. 2002.
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