Vitaly Komar Catalogue
Vitaly Komar
Selected Articles
Smith, Hedrick.  "Young Soviet Painters Score Socialist Art,"  The New York Times,  March 19, 1974.
Gold, Herbert.  "In Russian, ‘To Be Silent’ Is an Active Verb,"  Playboy Magazine,  October 21, 1974.
Eco, Umberto.  "Bevente Breshnev Cola,"  L'Espresso,  March 7, 1976. pp. 64-71. 
Genauer, Emily.  International Herald Tribune,  February 20, 1976.
Glueck, Grace.  "Art Smuggled Out of Russia Makes Satiric Show Here,"  New York Times,  February 7, 1976.
Leonard, John.  "Smuggled Soviet Art Is a Witty Variation on Ideology,"  New York Times,  February 20, 1976. p. 44. 
Newman, Amy.  "The Celebrated Artists of the End of the Second Millennium A.D.,"  Artnews,  vol. 75, April, 1976. pp. 43-6. 
"Russian Imps,"  Newsweek,  vol. 87, February 16, 1976. p. 89. 
Seiberling, Dorothy.  "A Russian Life: Tiny Pictures at an Exhibition,"  New York,  vol. 9, February 9, 1976. pp. 39-42. 
Shipler, David K.  "Impish Artists Twit the State,"  New York Times,  February 7, 1976. p. 23. 
Glueck, Grace.  "Dissidents As a Way of Art,"  New York Times Magazine,  May 8, 1977.
Marzorati, Gerald.  "Komar and Melamid--Art of Dissidence,"  Soho Weekly News,  October 5, 1978. p.19. 
Goldstein, Richard.  "The Hard Thing Is to Paint without Orders,"  Village Voice,  vol. 23, October 16, 1978. pp. 66-67. 
Zinik, Zinovii.  "Sots-Art,"  Syntaxis,  no. 3, 1979.
Burnham, Jack.  "Komar & Melamid--Post USSR--Get Religion,"  Art in America,  vol. 67, February, 1979. p. 13. 
Komar, Vitaly and Alex Melamid.  "The Barren Flowers of Evil,"  Artforum,  March, 1980.
Komar, Vitaly and Alex Melamid.  "In Search of Religion,"  Artforum,  May, 1980.
Larson, Kay.  "Kidding the Kremlin,"  New York,  vol. 15, October 11, 1982. p. 78. 
Hughes, Robert.  "Through the Ironic Curtain,"  Time,  vol. 120, October 25, 1982. p. 73. 
Gambrell, Jamey.  "Komar & Melamid--From behind the Ironical Curtain,"  Artforum,  vol. 20, April, 1982. pp. 58-63. 
Fields, Marc.  "Komar and Melamid and the Luxury of Style,"  Artforum,  vol. 16, April, 1982. pp. 58-63. 
Gambrell, Jamey.  "Vitaly Komar--Aleksandre Melamid,"  A-Ya,  no. 5, 1983.
Banes, Sally.  "Theory, Practice and Vodka,"  The Village Voice,  April 3, 1984.
Levin, Kim.  "Artful Dodgers,"  Village Voice,  vol. XXIX, February 7, 1984. p. 80. 
Graaf, Vera.  "Maleri: Augerstehung in Manhattan,"  Stern,  March, 1984. pp. 216-17. 
Glueck, Grace.  "Two Soviet Emigres Whose Art Is Overlaid with Irony,"  New York Times,  January 29, 1984. p. 25. 
Carrier, David.  "Meditation on a Portrait of Comrade Stalin,"  Arts,  vol. 59, October, 1984. pp. 100-02. 
Banes, Sally.  "Performance: Theory, Praxis--and Vodka,"  The Village Voice,  April 3, 1984.
Indiana, Gary.  "Komar and Melamid Confidential,"  Art in America,  June, 1985.
Zand, Nicole.  "Komar et Melamid au Pavillon Marsan,"  Le Monde,  December 26, 1985.
"The Talk of the Town--Komar & Melamid,"  New Yorker,  December 9, 1985. pp. 35-36. 
Steenhuis, Paul.  "De post-totalitaire Kunst van Komar & Melamid,"  Vrij Nederland,  June 15, 1985. pp. 34-37. 
Johnson, Thomas.  "Les Exiles Sovietiques veulent rentrer en URSS?,"  Actuel,  no. 67, 1985. pp. 130-37. 
Ball, Ian.  "Iron Curtain Satire,"  Daily Telegraph/Telegraph Sunday Magazine,  August 18, 1985.
Sozanski, Edward.  "Together with Chutzpah, They Make Art,"  Philadelphia Inquirer,  March 18, 1986. p. 1. 
Nekrasov, Viktor.  "The Show of Komar & Melamid,"  Strelez,  no. 2, February, 1986. p. 46. 
McCormick, Carlo.  Artforum,  October, 1986. pp. 131-32. 
Leonhart, Mark Michael.  New Art Examiner,  November, 1986. p. 50. 
Indiana, Gary.  "Komar & Melamid,"  El Paseante,  no. 1, Winter, 1986. pp. 41-54. 
Hegge, Per Egil.  "Renessensegjon med Stalin,"  A-Magasinet,  no. 8, February 22, 1986.
Graw, Isabelle.  "Tanze mir den Stalin,"  Wolkenkratzer Art Journal,  February-April, 1986. pp. 75-77. 
Frazier, Ian.  "Profiles: Partners,"  New Yorker,  vol. 62, December 29, 1986. pp. 33-54. 
de Graaf, Rob and Edma van Duyn.  "It's Time For Us,"  Archis,  March, 1986. pp. 26-30. 
Woodward, Richard.  "Nobody’s Fools,"  Artnews,  November, 1987.
Woodward, Richard B.  "Nobody's Fools,"  Artnews,  vol. 86, November, 1987. pp. 172-78. 
Tupitsyn, Margarita.  "Distorters of Soviet Reality,"  Last Issue,  vol. 4, Winter, 1987. cover and pp. 16-19. 
Portus, Martin.  "In The Steps of Stalin,"  Sydney Morning Herald,  July 17, 1987.
McGill, Douglas C.  "Art People,"  New York Times,  October 2, 1987. p. 26. 
McDonald, John.  "Wise Jesters of Contemporary Art,"  Sydney Morning Herald,  July 18, 1987. p. 49. 
Wallach, Amei.  "From Bayonne, With Love,"  New York Newsday,  vol. 49, no. 204, March 28, 1988.
Van Veelen, Ijsbrand.  "De kunst inspiratiebron voor hedendaagse kunst,"  Het Parool,  December 6, 1988.
"Le Pop a la Mode Sovietique,"  Les Cahiers du Musee National d'Art Moderne,  no. 26, Winter, 1988. pp. 60-72. 
Tupitsyn, Margarita.  "Dalla Sots Art Alla Sovart,"  Flash Art,  February, 1988. p. 49. 
Straus, Cees.  "Russen Op De Keizersgracht,"  Kunst Beeld,  December/January, 1988.
Sherman, Mary.  "Russian duo's work spans a wide range,"  Chicago Sun-Times,  November 11, 1988. pp. 64-65. 
Schulz, Bernhard.  "Die Kraft der Desillusionierung,"  Der Tagesspiegel,  August 21, 1988.
Sarje, Kimmo.  "Post Moskova,"  Helsingen Sanomat,  March 6, 1988.
O'Brien, Glenn.  Interview,  February, 1988. p. 120. 
Levy, Mark.  "Exploring Freedom's Limit,"  Artweek,  vol. 19, no. 13, 1988.
Levashov, Vladimir.  "From Sots-Art to Sotsartism,"  Iskusstvo/Art,  no. 10, 1988.
Lehmann, Ulrike.  "Kicken-Pauseback, Koln, Neue Gesellschaft Fur Bildende Kunst, Berlin,"  Noema,  no. 18/19, 1988.
Hohmeyer, Jurgen.  "Stalin von innen,"  Der Spiegel,  no. 34, 1988.
"L'Oeuvre d'Art Staline,"  Les Cahiers du Musee National d'Art Moderne,  no. 23, Spring, 1988. pp. 94-99. 
Groys, Boris.  "A La Recherche du Pouvoir Artistique Perdu,"  Les Cahiers du Musee National d'Art Moderne,  no. 26, Winter, 1988. pp. 73-91. 
Brenson, Michael.  "The Social Club,"  The New York Times,  January 22, 1988.
Bohnen, Uli.  "Hommage-Demontage,"  Tema Celeste,  No. 17/18, October/November, 1988.
"Two Wild and Crazy Emigres Discover Bayonne,"  The New York Times,  March 26, 1989.
Woodward, Richard B.  "ART,"  Vogue,  July, 1989.
Wilson, William.  "Russian Treasure,"  Los Angeles Times,  October 28, 1989.
Westreich, Joan.  "The Muscovites of Bayonne,"  Newsweek International,  no. 19, May 8, 1989. p. 51. 
Wasserman, Isabelle.  "Exhibit focuses on Soviet pair's mixture of architecture and art,"  The San Diego Union,  October 22, 1989. p. E6. 
Ugresic, Dubravka.  "Socialist Realism,"  Los Angeles Times Book Review,  October, 1989.
Tupitsyn, Margarita.  Flash Art,  No. 1, 1989. pp. 107-11. 
Stasi, Lina.  "Inside New York,"  Newsday,  October 5, 1989.
Smith, Roberta.  "2 Soviet Emigres Celebrate Their New Home, Bayonne,"  The New York Times,  April 21, 1989.
Ollman, Leah.  "Thaw Erasing the Party Line in Soviet Art,"  Los Angeles Times,  October 21, 1989.
Hughes, Robert.  "Canvases of Their Own,"  Time,  April 10, 1989. pp. 116-18. 
Heartney, Eleanor.  "Komar & Melamid,"  Art News,  vol. 88, no. 8, October, 1989. p. 196. 
Decter, Joshua.  "Komar & Melamid: Perennial Tourists in an Adopted Land,"  Flash Art,  no. 148, October, 1989. pp. 126-27. 
"Bayonne,"  The New Yorker,  April 24, 1989. p. 32-33. 
Temin, Christine.  "Black and Blue in Red Square,"  The Boston Globe,  November 3, 1990. pp. 16, 21. 
Tarzan Ament, Deloris.  "Underground Art,"  The Seattle Times,  June 14, 1990. pp. F3, 6. 
Tallmer, Jerry.  "Irreverence, Russian style,"  New York Post,  March, 23, 1990. p. 29. 
Stapen, Nancy.  "Soviet artists' 'underground' works surface at the ICA,"  The Boston Globe,  1990. pp. 61-65. 
Spritzer, Pam.  "Board 6/On East Side, a New Yalta Conference,"  New York Observer,  February 26, 1990. vol. 4, no. 8. 
Spiegelman, Art.  "High Art Lowdown,"  Artforum,  vol. XXIX, no. 4, December, 1990. p. 115. 
Raynor, Vivien.  "A Provocative Look at Collaborations,"  The New York Times,  Sunday, November 25, 1990.
Mudrak, Myroslava M.  "Soviet Art Today: Vitality and Experimentation,"  ARTnews,  vol. 89, no. 10, December, 1990. p. 172. 
Morrison, Keith.  "Questioning the Quality Canon,"  New Art Examiner,  vol. 18, no. 2, October, 1990. pp. 24-27. 
McKenna, Kristine.  "Two Soviet Artists Conquer the West,"  Los Angeles Times,  Sunday, January 28, 1990. pp. 3, 81-82. 
Mathieson, Karen.  "Komar, Melamid: Mastering the Art of the Spoof,"  The Seattle Times,  July 26, 1990.
Marger, Mary Ann.  "Some Are Here, Some Are Missing,"  St. Petersburg Times,  November 16, 1990. p. 35. 
Larson, Kay.  "The Brooklyn Museum Iconoclasts,"  New York,  vol. 23, no. 17, April 30, 1990. pp. 50-51. 
Kostelanetz, Richard.  "Soviet Art Then and Today,"  The Journal of Art,  vol. 3, no. 3, December, 1990. p. 14. 
Kimmelman, Michael.  "Political Art Comes of Age In the U.S.S.R.,"  New York Times,  August 19, 1990. Arts & Leisure Section, pp. 37. 
"Nowhere to Fly,"  Art in America,  vol. 78, no. 3, March, 1990. pp. 176-77. 
Heartney, Eleanor.  "Grisha Bruskin at Marlborough,"  Art in America,  vol. 78, no. 9, September, 1990. pp. 197-98. 
Haden-Guest, Anthony.  "Art-Nost,"  Vanity Fair,  January, 1990. pp. 82-86, 136-40. 
Glowen, Ron.  "Letting Loose the Outsiders,"  Artweek,  August 2, 1990. front page and p. 24. 
"The Perils of Perestroika,"  Art in America,  vol. 78, no. 3, March, 1990. pp. 46-51, 53, 55, 57, 59. 
Faust, Wolfgang Max.  "An Uprising against Good Taste,"  ART,  no. 9, September, 1990. pp. 1-3, 41. 
Wallach, Amei.  "Censorship in the Soviet Bloc,"  art journal,  vol. 50, no. 3, Fall, 1991. pp. 75-83. 
"Unofficial Soviet Art Finds a Home at Rutgers,"  The Journal of Art,  vol. 4, no. 10, December, 1991. p. 10. 
"Timely Death of Komar & Melamid,"  Flash Art,  vol. XXIV, no. 160, October, 1991. p. 159. 
"Team Spirit: Art in Pairs,"  Flash Art,  XXIV, no. 159, Summer, 1991.
Sokolov, Mikhail.  "America's Number One,"  Business World,  March 6, 1991.
Plagens, Peter.  "Clinkers to Clevers to Chance,"  Newsweek,  vol. CXVII, no. 2, January 14, 1991. p. 50. 
"New Jersey Tour with Komar and Melamid,"  Flash Art,  vol. XXIV, no. 157, March-April, 1991. p. 162. 
Lovenheim, Barbara.  "The New Brain Trust,"  New York Magazine,  vol. 24, no. 28, July 22, 1991. pp. 26-33. 
Levin, Kim.  "Choices,"  The Village Voice,  vol. XXXVI, no. 7, February 12, 1991. p. 96. 
Kozloff, Max.  "The Discreet Voyeur,"  Art in America,  vol. 79, no. 7, July, 1991. pp. 100-107, 137. 
Kohen, Helen.  "Team Work showcases the art of collaboration,"  The Miami Herald,  Sunday, September 15, 1991.
"If It's Novel, It Must Be Soviet,"  The New York Times,  January 13, 1991. Arts & Leisure, pp. 1,8-9. 
Hampton, Howard.  "Public Enemies: Ronald Reagan Conquers the Martians,"  Artforum,  vol. XXIX, no. 8, April, 1991. pp. 98-103. 
Gollerbach, Sergey.  "The Sky of New Jersey,"  Novoe Russkoe Slovo,  February 19, 1991. p. 12. 
"Goings On About Town,"  The New Yorker,  February 18, 1991. p. 10. 
Evans, Bob.  "Check the Fine Prints,"  The Sidney Morning Herald,  July 2, 1991.
"Art,"  Interview,  vol. XXI, no. 3, March, 1991. p. 58. 
Adams, Brooks.  "Komar and Melamid,"  Art in America,  vol. 79, no. 6, June, 1991. pp. 144-145. 
Zimmer, William.  "Election Dreams and Fears Dramatized,"  The New York Times,  Sunday, September 13, 1992. p. 14. 
"The Talk of the Town--Revolutionary,"  New Yorker,  vol. LXVIII, no. 14, May 25, 1992. pp. 30-31. 
Tallman, Susan.  "Feet of Clay,"  Arts Magazine,  vol. 66, no. 8, April, 1992. pp. 15, 17. 
Straus, Cees.  "Cumulus from America,"  Parkett,  vol. 33, 1992. pp. 159-165. 
Muchnic, Suzanne.  "Artists Dip Brush Into Melting Pot,"  Los Angeles Times,  December 31, 1992. pp. F1, F11. 
"In Brief,"  Flash Art,  vol. XXV, no. 165, Summer, 1992. p. 133. 
Groys, Boris.  "The Total Art of Stalinism,"  Art Journal,  vol. 51, no. 2, Summer, 1992. p. 4. 
Gambrell, Jamey.  "Russian Artists Go to Jail,"  Art in America,  vol. 80, no. 5, May, 1992. p. 159. 
Brown, Patricia Leigh.  "Sears: the real America (according to these Russians),"  The New York Times,  February 13, 1992. pp. C1, C8. 
Akinsha, Konstantin.  "Moscow: Art in Prison - Butyrskaya City Prison,"  ARTnews,  vol. 91, no. 6, Summer, 1992. pp. 148-149. 
"About Elections,"  The New York Times,  Sunday, August 30, 1992.
Zinik, Zinovy.  "Pictures of my Moscow Friends,"  Modern Painters,  vol. 6, no. 4, Winter, 1993. pp. 47-53. 
"Portfolio by Vitaly Komar and Alexander Melamid: Stalin in New Jersey,"  The New Yorker,  vol. LXIX, no. 30, September 20, 1993. pp. 124-125. 
Weschler, Lawrence.  "Slight Modifications,"  The New Yorker,  July 12, 1993. Cover and pp. 59-65. 
"The Past - Requiem or Renewal?,"  Moscow Guardian,  vol. 3, no. 31, August 20, 1993. pp. 3,12-14, 17. 
Tallmer, Jerry.  "Irony is the big legacy of Iron Curtain,"  The New York Post,  Saturday, August 7, 1993.
Szanto, Andras.  "Every Exhibition is an Orgasm and Then You Die,"  New Art,  December, 1993. pp. 19-23. 
"Soviet Memories,"  The Washington Post,  Sunday, September 5, 1993. p. C6. 
Solomon, Andrew.  "Komar and Melamid,"  Artforum,  vol. XXII, no. 4, December, 1993. pp. 77-78. 
Schjeldahl, Peter.  "What Is To Be Undone?,"  The Village Voice,  vol. XXXVIII, no. 35, August 31, 1993. p. 90. 
Remnick, David.  "What Becomes a Lenin Most?,"  The Washington Post,  July 25, 1993. pp. G1, G6-7. 
Raynor, Vivien.  "Russians' Freewheeling Spirit Defies the Burden of History,"  The New York Times,  Sunday, October 31, 1993. p. 24. 
Pincus, Robert L.  "All-clay show ironically out of context with its theme,"  The San Diego Union-Tribune,  Sunday, March 7, 1993. p. E-2. 
O'Donnell, Paul.  "Russian Glee Room,"  New York,  vol. 26, no. 27, July 12, 1993. p. 20. 
The New Yorker,  September 13, 1993. p. 21. 
Napack, Jonathan.  "High (Nancy Kissinger) and Low (Mark Kostabi) Turn Out for Alex,"  The New York Observor,  September 27, 1993.
McGee, Celia.  "When Museumgoers Talk Back to the Art,"  The New York Times,  April 25, 1993. pp. Section 2, 37-38. 
Lufty, Carol.  "Emigre Artists: Rocky Landings,"  ARTnews,  vol. 92, No. 9, November, 1993. pp. 49-50. 
Listsova, Olga.  "Garden of New Lenin Art,"  The Moscow Tribune,  Saturday, August 7, 1993. p. 8. 
"Listings - Stalin's Choice,"  The Village Voice,  December 7, 1993. p. 84. 
"Monumental Propaganda,"  The Village Voice,  vol. 38, no. 33, August 17, 1993. p. 74. 
Levin, Kim.  "Listings - Art/Komar & Melamid,"  The Village Voice,  October 19, 1993. p. 73. 
"Museums,"  New York,  vol. 26, no. 36, September 13, 1993. p. 56. 
Larson, Kay.  "Hero Today, Gone Tomorrow,"  New York,  vol. 26, No. 47, November 29, 1993. pp. 66, 70. 
Knight, Christopher.  "Leave Them to Heaven,"  The Los Angeles Times,  March 7, 1993. pp. 6, 89. 
Klein, Chris.  "Saving History, Not Rewriting It,"  The Moscow Times,  no. 263, July 29, 1993. cover and p. 2. 
Kimmelman, Michael.  "Stalin's Painters: In Service of the Sacred,"  The New York Times,  Friday, December 10, 1993. pp. C1, C31. 
Kaufman, Michael T.  "New Socialist Realism: Emigres' Bleak Canvases,"  The New York Times,  Saturday, November 20, 1993. p. 25. 
Kaplan, Fred.  "On Lenin's day, sacrilege: campaign for a neon mausoleum,"  The Boston Globe,  Friday, April 23, 1993. p. 2. 
Kaplan, Andrew.  "Engineers of Post-Soviet Souls,"  Moscow Guardian,  April 30, 1993. p. 29. 
"Socialist Realism From Stalin to Sots,"  Artforum,  vol. 32, no. 2, October, 1993. pp. 72-75, 77, 115, 118. 
Hoberman, J.  "Bloc That Metaphor - The Impossible Dream of Socialist Realism,"  The Village Voice,  vol. 38, no. 10, March 9, 1993. pp. 22-33. 
Henry-Kunzel, Ginger.  "Collector's Corner - Ludwig's Voracious Appetite,"  ARTnewsletter,  vol. XIX, No. 7, November 30, 1993. p. 6. 
"Uncle Joe Invades P.S.1; Painting the Door of No Return,"  The New York Observer,  December 6, 1993.
Glueck, Grace.  The New York Observer,  November 22, 1993.
Gambrell, Jamey.  "Lenin's Ghost to Leave Red Square?,"  Art in America,  vol. 81, No. 12, December, 1993. p. 25. 
"Flash Art News,"  Flash Art,  vol. 26, no. 172, October, 1993. p. 62. 
"Recasting Leninist Icons,"  International Herald Tribune,  August 7-8, 1993. p.7. 
Erlanger, Steven.  "Mocking socialist Realism to Save It,"  The New York Times,  Tuesday, August 3, 1993. pp. C13, C14. 
Cotter, Holland.  "Art in Review,"  The New York Times,  Friday, July 16, 1993. p. C25. 
Chazan, Guy.  "Scavengers Amid Fallen Idols,"  The London Times,  April 28, 1993.
Bacon, George.  "Around the galleries,"  The Art Newspaper,  no. 30, July-September, 1993. p. 31. 
"An Exhibit That Causes Heads to Turn,"  The New York Times,  Wednesday, July 28, 1993. p. B3. 
Andre, Mila.  "Recycle Lenin or Bust,"  The Daily News,  July 18, 1993.
Zorpette, Glenn.  "Dynamic Duos,"  ARTnews,  vol. 93, no. 6, Summer, 1994. pp. 164-69. 
Woodward, Richard.  "The Perfect Painting,"  New York Times Magazine,  February 20, 1994. pp. 36-37. 
Wilson, William.  "Santa Monica's Exquisite Deceptions,"  LA Times,  July 16, 1994. pp. F4, F10. 
"Voice Choices: Komar & Melamid,"  The Village Voice,  March 22, 1994. p. 67. 
Vine, Richard.  "Numbers Racket,"  Art in America,  vol. 82, no. 10, October, 1994. pp. 116-19. 
Tupitsyn, Margarita.  "Shaping Soviet Art,"  Art in America,  vol. 82, no. 9, September, 1994. pp. 41-45. 
Steur, Joseph.  "There's No Accounting for Taste,"  Daily News,  Wednesday, March 16, 1994.
Spitz, Katherine.  "Art: We know what we like,"  The Beacon Journal,  August 18, 1994. pp. D1-D2. 
Sozanski, Edward J.  "Painting by the numbers,"  The Philadelphia Inquirer,  April 12, 1994. pp. E1, E6. 
"Sign of the times,"  Washington Times,  March 8, 1994.
Saltz, Jerry.  "Critic's Diary: A Year in the Life: Tropic of Painting,"  Art in America,  vol. 82, no. 10, October, 1994. pp. 90-101. 
"Russen und Amerikaner lieben es blau und schon,"  Art,  vol. 12, December, 1994. p. 10. 
"Komar & Melamid: The Alternative Museum, New York,"  Frieze,  vol. 16, May, 1994. pp. 59, 60. 
Rugoff, Ralph.  "Elvis on Blue Velvet,"  LA Weekly,  March 18, 1994. p. 33. 
O'Conner, Kelly.  "Cantor honors women,"  The Crusader,  September 30, 1994.
Oberg, James.  "Soviet Saucers,"  Omni,  vol. 16, no. 7, April, 1994. pp. 68-69. 
Morin, Richard.  "Unconventional Wisdom,"  The Washington Post,  May, 1994.
McPhee, John.  "The Ransom of Russian Art,"  The New Yorker,  vol. LXX, no. 33, October 17, 1994. pp. 78-105. 
"Komar and Melamid Poll the Nation,"  Flash Art,  vol. 27, no. 176, May/June, 1994. p. 53. 
"IN TO-OUT OF,"  Le Millenium,  no. 6, 1994.
Hughes, Robert.  "Icons of Stalinism,"  Time,  January 24, 1994. pp. 65-66. 
Hochfield, Sylvia.  "Reviews: Old Symbols/New Icons, Stuart Levy,"  Artnews,  vol. 93, no. 4, April, 1994. p. 171. 
Hixson, Katherine and Ann Wiens.  "Editorial,"  The New Art Examiner,  vol. 21, no. 8, April, 1994. p. 7. 
Freudenheim, Betty.  "Dinnerware, Noted Names and Chuckles,"  The New York Times,  December 4, 1994. p. NJ 21. 
"Flusspferd im Herbst,"  Der Spiegel,  no. 11, March, 1994. p. 210. 
Edmondson, Brad.  "Artist and Pollster Make Perfect Painting,"  Business Reports,  May, 1994. pp. 9-10. 
Dorning, Mike.  "By popular request-perfection,"  Chicago Tribune,  March 27, 1994. p. 10, 18. 
Coontz, Robert J.  "Last One Out, Get the Lights,"  Sciences,  vol. 34, no. 3, May/June, 1994. pp. 8-10. 
Camnitzer, Luis.  "The Art of Democracy,"  Art Nexus,  no. 14, October-December, 1994. pp. 68-70. 
Benavidez, Max.  "Angels' Flight,"  Art issues,  no. 32, March/April, 1994. pp. 17-19, cover. 
Atkins, Robert.  "Scene and Heard,"  The Village Voice,  March 22, 1994. p. 86. 
Artnews,  vol. 93, no. 2, February, 1994. p. 139. 
Allard, Tony.  "Painting by Numbers,"  New Times,  April 13, 1994.
Akinsha, Konstantin.  "The Avant-Garde in Central and Eastern Europe,"  ARTnews,  vol. 93, no. 9, November, 1994. pp. 168-69. 
Abbe, Mary.  "Art in exhibit commissioned by the masses,"  Star Tribune,  March 20, 1994.
Birkenhauer, Tracey A.  "Revolution Revisited: works explode myths of soviet women's roles,"  The Oakland Press,  Sunday, March 5, 1995. p. E-1. 
"After Perestroika,"  Flash Art,  vol. XXVIII, no. 184, October, 1995. p. 42. 
Andre, Mila.  "The Heart of Russian Jewish Art,"  Daily News,  September 29, 1995. p. 61. 
"ARTWALK to aid homeless,"  The Villager 65,  no. 19, October 11, 1995. p. 10. 
Avalanche,  "Hot List,"  Paper,  November, 1995. p. 141. 
Barker, Robert.  "Survey says: Americans like blue art,"  Huntington Beach Independent,  October 12, 1995. p. 6. 
Birkenhauer, Tracey.  "A revolution revisited,"  The Oakland Press,  March 5, 1995.
Brooks, Rosetta.  "Poll Vault,"  Los Angeles View,  October 27-November 2, 1995. p. 27. 
Colby, Joy Hakanson.  "A Russian revolution in the rise of feminist art,"  The Detroit News,  February 10, 1995.
"Copenhagen: No Man's Land,"  Flash Art,  vol. XXVIII, no. 182, May-June, 1995. p. 61. 
Curtis, Cathy.  "Boarding Area,"  Los Angeles Times,  October 3, 1995. pp. F1-2. 
Dubin, Zan.  "We the People, in Order to Form More Perfect Art,"  Los Angeles Times,  October 13, 1995. p. F34. 
Gambrell, Jamey.  "Report from Russia: The Post-Bulldozer Generations,"  Art in America,  vol. 83, no. 5, May, 1995. pp. 51-59. 
Herbstreuth, Peter.  "Ars 95 Helsinki,"  Atelier,  no. 821, October, 1995. pp. 28-41. 
Jones, Kristin.  "Readers' Reads,"  Artforum,  vol. XXXIV, no. 3, November, 1995. p. 11. 
Knaff, Devorah.  "Giving them what they want,"  The Orange County Register,  Thursday, September 21, 1995. p. 5. 
Kuspit, Donald.  "Is a Russian Jewish Art Show an Oxymoron?,"  Forward,  October 6, 1995. p. 11. 
Levin, Kim.  "Choices,"  The Village Voice,  vol. XL, no. 17, April 25, 1995. p. 8. 
"Russian Jewish Artists in a Century of Change, 1890-1990,"  Village Voice,  vol. XL, no. 44, October 31, 1995. p. 10. 
Lewis, Jo Ann.  "Trove from the Underground,"  The Washington Post,  May 14, 1995. pp. G1, G6. 
Miro, Marsha.  "Behind A Brave Front,"  Detroit Free Press,  Sunday, February 19, 1995. pp. 1G, 8G. 
"Museum & Dealer Catalogues,"  The Print Collector's Newsletter,  vol. XXVI, no. 5, November-December, 1995. p. 190. 
Napack, Jonathan.  "Peeling Chintz and Rooms of Art; Cast Those Dealers!,"  The New York Observer,  May 22, 1995. p. 20. 
"News From the Loop,"  Flash Art,  vol. XXVIII, no. 185, November-December, 1995. p. 45. 
Pagel, David.  "Russians Give Americans What They Want,"  Los Angeles Times,  Thursday, September 21, 1995. p. F3. 
"Primaries,"  George,  October-November, 1995. p. 50. 
Rhein, Alice.  "The Myth of the Soviet Superwoman,"  Detroit Metro Times,  March 1-7, 1995.
Ross, Andrew.  "Poll Stars. Komar & Melamid's 'The People's Choice',"  Artforum,  vol. XXXIII, no. 5, January, 1995. pp. 72-77, 109. 
"Russian 'dissident' art exhibit makes public bow at Rutgers,"  New Jersey Sunday Herald,  Sunday, November 12, 1995. p. A-3. 
Schoenkopf, Rebecca.  "The Badge of Badness,"  OC Weekly,  October 13-October 19, 1995. p. 21. 
Serber, Robert with Robert P. Crease.  "Eyewitness to the Bomb,"  The Sciences,  vol. 35, no. 4, July/August, 1995. p. 23. 
Solomon, Andrew.  "Works From the Underground, Freed by Glasnost,"  The New York Times,  Sunday, June 18, 1995. pp. 31-32. 
"Produced in the Soviet Dark, Collected by a Secret Admirer,"  The New York Times,  Sunday, October 15, 1995. p. 47. 
"Trust at Tramway,"  Flash Art,  vol. XXVIII, no. 183, Summer, 1995. p. 61. 
Volk, Gregory.  "Komar and Melamid,"  ARTnews,  vol. 94, no. 7, September, 1995. p. 144. 
Chervokas, Jason & Tom Watson.  "Artists Realize Visions on Dia Site,"  The New York Times on the Web,  April 22, 1996.
Dery, Mark.  "Artists Spin the Web,"  ARTnews,  vol. 95, no. 3, March, 1996. pp. 97-99. 
"Flash Art News: Now On View: World's Largest Collection of Soviet Dissident Art,"  Flash Art,  vol. XXIX, no. 186, January-February, 1996. p. 35. 
Heartney, Eleanor.  "Assimilation and Alientation,"  Art in America,  vol. 84, no. 2, February, 1996. pp. 51-54. 
Jacoby, Russell.  "Wither Marxism?,"  Transition 69,  Spring, 1996. pp. 100-15. 
Kimmelman, Michael.  "History Painting: Yes, Those Enormous Canvases,"  The New York Times,  August 30, 1996.
Larson, Kay.  "Art of the Modern Century - An Introduction. Chapter 35: Sex and Politics: Identity as Theater,"  Atelier,  no. 825, March, 1996. pp. 64-70. 
Levi, Lawrence.  "Shows Not to Miss,"  Art & Antiques,  vol. XIX, no. 9, October, 1996. p. 20. 
Lord, Roberta.  "Downsizing Heroism,"  New Times (Kansas),  August 29-September 11, 1996. p. 26. 
Mekas, Jonas.  "Art: Museums: Queen's Museum of Art,"  New York Magazine,  vol. 85, August 5, 1996. p. 83 (illustration). 
Oliva, Achille Bonito.  "Neoromanticismoe iperrealismo del concetto,"  Tema Celeste,  no. 57, Spring, 1996. p. 43. 
Patterson, Tom.  "The style may be heroic, but the message is strongly anti-,"  Winston-Salem Journal,  February 11, 1996. p. E3. 
"SECCA exhibit turns heroism on its ear,"  Charlotte Observer,  March 17, 1996. pp. F1-2. 
Schjeldahl, Peter.  "Heroism Addiction,"  The Village Voice,  vol. XLI, no. 32, August 6, 1996. p. 68. 
Tupitsyn, Victor.  "l'estetica della trasparenza,"  Tema Celeste,  no. 57, Spring, 1996. pp. 42-49. 
Twardy, Chuck.  "We Can be Heroes,"  The News & Observer,  March 22, 1996. pp. D1-3. 
Van de Walle, Mark.  "Mark Van de Walle's Hot List,"  Artforum,  vol. XXXIV, no. 6, February, 1996. p. 16. 
Volk, Gregory.  "Report From Istanbul: Between East and West,"  Art in America,  no. 5, May, 1996. pp. 39-43. 
Zimmerman, David.  "Art Exhibit Casts a Critical Eye at Common Concepts of Heroism,"  USA Today,  October 29, 1996. p. 6D. 
Hogrefe, Jeffrey.  "Komar and Melamid’s Dreams: Dannheisser’s Prima Donnas,"  The New York Observer,  October 20, 1997. p. 30. 
Akinsha, Konstantin.  "Moscow: Pavillion Politics,"  ARTnews,  vol. 96, no. 6, June, 1997. p. 66. 
Bell, J. Bowyer.  "Komar & Melamid,"  Review,  vol 3, no. 4, November 1, 1997. pp. 51-52. 
Boym, Svetlana.  "Taster's Choice,"  Bookforum,  Winter, 1997. p. 37. 
Del Re, Gianmarco.  "Imagined Communities,"  Flash Art,  vol. XXX, no. 192, January/February, 1997. p. 63. 
Fels, Thomas Weston.  "Review of Tracing Cultures,"  On Paper,  vol. 2, no. 1, September-October, 1997. pp. 47-8. 
Groys, Boris.  "Top Ten x 12: The Year in Review,"  Artforum,  vol. XXXVI, no. 4, December, 1997. p. 95. 
Hess, Barbara.  "Komar & Melamid,"  Flash Art,  vol. XXX, no. 197, November-December, 1997. p. 118. 
Hogrefe, Jeffrey.  "Komar & Melamid's Dreams; Dannheisser's Prima Donnas,"  The New York Observer,  October 20, 1997. p. 30. 
Johnson, Ken.  "Komar & Melamid,"  The New York Times,  October 31, 1997. p. E35. 
"Komar & Melamid,"  Flash Art,  vol. XXX, no. 196, October, 1997. p. 59. 
Lamarre, Paul and Melissa Wolf.  "Assassination of the NEA or the Following is Not Funded by the NEA,"  The Exhibitionist,  no. 1, April/May, 1997. pp. 17-22. 
Levin, Kim.  "Komar & Melamid,"  The Village Voice,  October 21, 1997. p. 13. 
"Komar & Melamid,"  The Village Voice,  November 4, 1997. p. 2. 
"Painting by the Polls,"  The New York Times,  December 11, 1997. p. A26. 
Pascucci, Ernest, and others.  "Exhibition Preview...Winter/Spring '97,"  Artforum,  vol. XXXV, no. 5, January, 1997. pp. 9-14. 
Smith, Roberta.  "Silence In Venice: Bad Sign For Bienale,"  New York Times,  May 14, 1997. pp. C11-16. 
Tommasini, Anthony.  "Opera With Washington and Lenin? Revolutionary!,"  The New York Times,  October 14, 1997. p. E-5. 
YD,  "Preview: Komar & Melamid,"  Artforum,  vol. XXXVI, no. 1, September, 1997. p. 69. 
Zimmerman, David.  "Heroism Reconsidered,"  Art & Antiques,  vol. XX, no. 2, February, 1997. pp. 81-82. 
Bumgardner, Ed.  "Heroic Gestures,"  Winston-Salem Journal,  February 4, 1997. p. E1-2. 
Amy, Michael.  "Komar & Melamid at Ronald Feldman,"  Art in America,  vol. 86, no. 4, April, 1998. p. 118. 
"At Last, a People's Art,"  The Economist,  January 17, 1998. p. 77. 
Bartelik, Marek.  "Komar & Melamid,"  Artforum,  vol. XXXVI, no. 5, January, 1998. p. 101-102. 
Flynn, Tom.  "The People’s Painting-Only What We Deserve,"  The Art Newspaper,  vol. 86, November, 1998. p. 55. 
Gampell, Jennifer.  "These Artists Work for Peanuts,"  The Wall Street Journal,  July 15, 1998.
Kakutani, Michiko.  "Portrait of the Artists As a Focus Group,"  The New York Times Magazine,  March 1, 1998. p.26. 
Landi, Ann.  "Radical Chic,"  ARTnews,  vol. 97, no. 6, June, 1998. p. 34. 
Mesch, Claudia.  "Komar & Melamid: The People’s Choice,"  Dialogue,  vol. 21, no. 5, November/December, 1998. p. 13. 
Molok, Nikolaï and Fiodor Romer.  "Komar & Melamid, ou la déconstruction ironique,"  Courrier International,  vol. 423, Décembre 10-16, 1998. pp. 3, 59-61. 
Heard, Alex, ed.  "My Elephant Could Paint That,"  The New York Times Magazine,  November 8, 1998. p. 25. 
Pinchbeck, Daniel.  "Trunks of Talent,"  The Art Newspaper,  No.85, October, 1998. p. 58. 
Pruzan, Todd.  "Making Mischief,"  Print,  vol. LII, no. VI, November/December, 1998. pp. 86-92. 
"Vanités II, icônes contemporaines,"  L’art contemporain,  1998. pp. 50-51. 
Sante, Luc.  "They Know What We Like,"  The New York Times Book Review,  January 4, 1998. p. 8. 
"Centerfold Project: Komar & Melamid,"  Nyarts,  vol. 3, no. 2, February, 1999. pp. 39-41. 
Eskin, Blake.  "Palette of the Apes,"  ARTnews,  vol. 98, no. 3, March, 1999. p. 152. 
Hillings, Valerie L.  "Komar and Melamid’s Dialogue with (Art) History,"  Art Journal,  vol. 58, no. 4, Winter, 1999. p. 49-61. 
Jaeger, William.  "Russian Art at the end of the Millennium,"  Art New England,  April/May, 1999. pp. 29, 88. 
Merewether, Charles.  "The Rise and Fall of Monuments,"  Grand Street 68,  Summer, 1999. pg. 182-191. 
"Public Art: 1998 in Review,"  Art in America,  August, 1999. p. 50. 
Smith, Roberta.  "The Modern Looks at Artists Looking at Museums,"  New York Times,  March 12, 1999. pp. E37, E40. 
Zinik, Zinovy.  "Letter From Bangkok,"  The Times Literary Supplement,  January 22, 1999. pg. 15-16. 
Kaplan, Fred.  "Art From the Massives,"  Boston Sunday Globe,  March 19, 2000. pp. A1, A29. 
Zizek, Slavoj.  "Modernism and the Stalinist Sublime,"  Parkett 58,  Summer, 2000. pp. 6-9. 
"Pachyderm Picassos?,"  Art in America,  vol. 88, no. 5, May, 2000. p. 39. 
"Trunk Treasures,"  On Paper,  vol. 4, no. 5, May-June, 2000. p. 27. 
Tupitsyn, Victor.  "Arte Sots,"  Tema Celeste,  vol. 79-80, Spring, 2000. p. 158. 
"Zaproszenia,"  Gazeta Wyborzca,  May 4, 2001.
"Watalij Komar I Aleksander Melamid,"  Gazeta Wyborcza,  April 21-22, 2001.
Tulovskaya, Yulia.  "American Dreams,"  Artchronika,  no. 3, 2001. p. 125. 
"Szybciutko do CSW!,"  Gazeta Wyborcza,  June 1, 2001.
Smith, Roberta.  "Body and the East,"  The New York Times,  March 2, 2001.
Perreault, John.  "It’s Free, It’s Democratic, It’s Slow,"  NY Arts,  vol. 6, no. 7/9, July/August, 2001. pp. 20-21. 
Ollman, Leah.  "Losing Ground: Public Art at the Border,"  Art in America,  vol. 89, no. 5, May, 2001. pp. 69-71. 
"Mowia Komar i Melamid,"  Gazeta Wyborcza,  April 24, 2001.
Mirska, Anna and Agnieszka Boruszkowska.  "Uroki landszaftu,"  Zycie,  April 24, 2001. p. 9. 
Miliszkiewicz, Janusz.  "Gust ludo,"  Zwierciadlo,  May, 2001.
Malkowska, Monika.  "Niewypal nowoczsnosci,"  Rzeczypospolita,  May 19-20, 2001.
Malkowska, Monika.  "Ladna kobieta niezupelnie ubrana,"  Rzeczypospolita,  April 20, 2001. p. 20. 
Malkowska, Monika.  "A jednak jelen,"  Rzeczypospolita,  April 27, 2001.
Malkowska, Monika.  "A jednak jelen,"  Rzeczypospolita,  April 21-22, 2001.
Kowalska, Agnieszka.  "Statystyczny jelen,"  Gazeta Wyborcza,  April 21-22, 2001. p. 3. 
Kowalska, Agnieszka.  "Jakiej sztuki chca Polacy?,"  Gazeta Wyborcza,  April 20, 2001.
Kolodzey, Natalya.  "Ronald Feldman: I am looking for an ultimate outsider,"  Artchronika,  no. 3, 2001. pp. 112-116. 
Kalman, Maira.  "Art, A Crash Course,"  The New Yorker,  January 15, 2001. pp. 35-36. 
Jarecka, Dorota.  "Wola Ludo,"  Gazeta Wyborcza,  April 23, 2001. p. 2. 
Jablonski, Maciej.  "Sztuka manipulacji,"  Zycie Warszawy,  April 30, 2001.
Huntington, Richard.  "Art and Politics,"  The Buffalo News,  January 19, 2001. p. 19. 
"Gust Ludo,"  Miedzy Nami,  April, 2001.
Gazeta Olsztynska,  May 11, 2001.
Borowski, Jacek.  "Konie na tonie,"  Wprost,  May 6, 2001. p. 94. 
"Bez jelenia,"  Zycie,  April 25, 2001.
Barron, James.  "Russian Art, Homeward Bound,"  The New York Times,  November 6, 2002. p. A22. 
Belasco, Daniel.  "Star Gazers,"  The Jewish Week,  November 22, 2002. pp. 49-50. 
Chan, Vera, H-C.  "When Elephants Paint…,"  The Mercury News,  April 9, 2002.
Coignard, Jérôme.  "la fin du portrait officiel?,"  Connaissance des Arts,  no. 594, May, 2002. pp. 74-81. 
"Iconoclash,"  Tema Celeste,  vol. XIX, no. 93, September/October, 2002. p. 35. 
"Inspirations,"  Museums New York,  vol. 8, no. 4, Fall/Holiday, 2002. p. 160. 
Kovalev, Andrey.  "The Story of K & M,"  NY Arts Magazine,  vol. 7, no 11, November, 2002. p. 71. 
Mehring, Christine.  "Four of a Kind: The Art of Blinky Palermo,"  Artforum,  vol. XLI, no. 2, October, 2002. pp. 138-143. 
Menand, Louis.  "What Comes Naturally,"  The New Yorker,  November 25, 2002. pp. 96-101. 
"Museums & Institutions,"  Time Out New York,  no. 372, November 14-21, 2002. p. 79. 
"On the Edge,"  Museums New York,  vol. 8, no. 4, Fall/Holiday, 2002. pp. 70-71. 
Poumpianski, Alexandre.  "Sorokine: le scandaleux de Moscou,"  Courrier,  no. 629, November 22-27, 2002. p. VI-VIII. 
Szanto, Andras.  "A Business Built on the Hard-to-Sell,"  The New York Times,  October 6, 2002. pp. AR 35, 37. 
Tedeschi, Bob.  "E-Commerce Report,"  The New York Times,  June 17, 2002. p. C6. 
Tomkins, Calvin.  "After the Towers,"  The New Yorker,  July 15, 2002. pp. 59-67. 
Donohoe, Victoria.  "Soviet émigrés link mysticism, science,"  The Philadelphia Inquirer,  2003.
Glueck, Grace.  "Komar & Melamid: Symbols of the Big Bang,"  The New York Times,  Friday, January 3, 2003. p. E42. 
Glueck, Grace.  "Komar & Melamid,"  The New York Times,  Friday, January 10, 2003. p. E47. 
Hecht, Jamey.  "Dream Factory Communism: The Visual Culture of the Stalin Era,"  NY Arts,  September-October, 2003. p. 73. 
Iampolski, Mikhail.  "Symbol and Origin,"  Fulcrum: an annual of poetry and aesthetics,  no. 2, 2003. pp. 315-332. 
Kaye, Daniel Sean.  "Two new exhibits at Temple Judea Museum offer a big bang that will leave you spinning,"  Ticket,  December 10-11, 2003. p. 4. 
Kort, Pamela.  "Berlin-Moscow/Moscow-Berlin 1950-2000,"  Artforum,  vol. XLII, no. 1, September, 2003. p. 95. 
Remsen, Jim.  "Linking Hanukkah’s light to the light of the Big Bang,"  The Philadelphia Inquirer,  Sunday, December 21, 2003.
Zekri, Sonja.  "Der Tag, als Stalin starb,"  Süddeutsche Zeitung,  vol. 15, no. 53, March, 2003. p. 5. 
"Three-Day Weekend,"  Jewish Renaissance,  vol. 4, no. 4, July, 2004. pp. 38-39. 
Christofori, Ralf.  "Dream Factory Communism,"  Frieze,  no. 81, March, 2004. pp. 103-104. 
Fineman, Mia.  "In Art We Trust (Since We Can’t Explain It),"  The New York Times,  June 27, 2004. pp. AR 27-28. 
Friedländer, Michael.  "Does Berlin Equal Moscow?,"  Art Papers,  March/April, 2004. pp. 28-33. 
King, Sarah S.  "Summer Preview,"  Art in America,  no. 6, June/July, 2004. p. 59. 
MacMillan, Kyle.  "Star deserves to shine brighter locally,"  DenverPost.com,  December 24, 2004.
Perreault, John.  "The Art Couple,"  NY Arts,  vol. 9, no. 3/4, 2004. p. 9. 
Robu, Julian.  "Dream Factory Communism,"  Flash Art,  vol. XXXVII, no. 234, January/February, 2004. p. 58. 
Wallach, Amei.  "Cold War Icons Revisited,"  Art in America,  no. 6, June/July, 2004. pp. 80-87, 89. 
Armetta, Amoreen.  "Vitaly Komar,"  Flash Art,  vol. XXXVIII, no. 244, October, 2005. p. 75. 
Baker, R.C.  "Voice Choices,"  The Village Voice,  July-27-August 2, 2005. p. 72. 
Johnson, Ken.  "Vitaly Komar,"  The New York Times,  Friday, July 1, 2005. p. E36. 
Pollack, Barbara.  "Russia’s Jump-Start,"  Art in America,  no. 6, June/July, 2005. pp. 106-111. 
Rosenberg, Karen.  "Soviet Reunion,"  New York Magazine,  vol. 38, no. 31, September 12, 2005. p. 96. 
Stillman, Nick.  "Vitaly Komar,"  artforum.com,  June, 2005.
"What’s On,"  The Art Newspaper,  no. 160, July-August, 2005. p. 2. 
"Vitaly Komar,"  The New Yorker,  July 11 & 18, 2005. p. 21. 
Tupitsyn, Margarita.  "Shaping the Social,"  Artforum,  vol. 46, no. 7, March, 2008.
Griffin, Tim.  "Social Realities,"  Artforum,  vol. 46, no. 7, March, 2008.
Holmes, Pernilla.  "Blast from the Past,"  ARTnews,  vol. 107, no. 1, January, 2008.
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