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Zeitlin, Marilyn A.
Messages: Words and Images.
Freedman Gallery, Albright College. Reading, Pennsylvania. 1981.
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Frank, Peter.
Self Portraits.
Linda Farris Gallery. Seattle, Washington. 1983.
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Jacobs, Joseph.
Contemporary Perspectives 1984.
Sordoni Art Gallery. Wilkes-Barre, Pennsylvania. 1984.
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Tupitsyn, Margarita.
Sots Art Russian Mock-Heroic Style.
Semaphore Gallery. New York, New York. 1984.
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Wollen, Peter, Vitaly Komar and Aleksandr Melamid.
Komar & Melamid: The Fruitmarket Gallery.
Fruitmarket Gallery. Edinburgh, United Kingdom. 1985.
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Artists for Artists.
Charles Cowles Gallery. New York, New York. 1986.
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Beal, Graham J.
Second Sight: Biennial IV.
San Francisco Museum of Modern Art. San Francisco, California. 1986.
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Blanchette, Manon.
Resistance or Submission.
Walter Phillips Gallery. Banff, Canada. 1986.
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Adcock, Craig.
Nocturnes and Nightmares.
Florida State University Gallery and Museum. Tallahassee, Florida. 1987.
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Blau, Douglas.
Fictions.
Curt Marcus Gallery, Kent Fine Art. New York, New York. 1987.
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Bradley, Laurel.
Tragic and Timeless Today.
Gallery 400, University of Illinois at Chicago. Chicago, Illinois. 1987.
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Contemporary Soviet Art: The Will to Self-Expression in a Conformist Society.
Kennesaw College Art Gallery. Kennesaw, Georgia. January 22-February 22, 1987.
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Death Poems.
Moriarty Gallery. Madrid, Spain. October, 1988.
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Bohnen, Ulrich.
Hommage/Demontage.
Neue Gallery, Museum Ludwig. Aachen, West Germany. 1988.
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Hunter, Sam.
Object, Symbol & Allegory: Changing Perspectives in Contemporary Representation.
Marlborough Gallery. New York, New York. 1988.
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Russians in America.
Organized by Exhibits USA. University of North Texas. Denton, Texas. 1989.
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Stendhal Syndrome: The Cure.
Andrea Rosen Gallery. New York, New York. 1990.
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After Perestroika.
Irving Galleries. Sydney, Australia. 1991.
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Art of Advocacy.
Aldrich Museum of Contemporary Art. Ridgefield, Connecticut. 1991.
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Black Lights.
The Stedelijk Museum. Amsterdam, The Netherlands. 1991.
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Tupitsyn, Margarita and Martha Rosler.
After Perestroika: Kitchenmaids or Stateswomen.
Independent Curators Incorporated. New York, New York. 1993.
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Altered Egos.
Santa Monica Museum of Art. Santa Monica, California. July 8-September 4, 1994.
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Europa-Europa.
Kunst-und Ausstellungshalle der Bundesrepublik Deutschland. Bonn, Germany. May 27-October 16, 1994.
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Istanbul Biennial. Istanbul, Turkey. 1995.
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Tumarkin-Goodman, Susan.
Russian Jewish Artists in a Century of Change 1890-1990.
The Jewish Museum. New York, New York. 1995.
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20/20: The Visionary Legend of Doris Chanin Freedman.
Freedman Gallery/Albright College. Reading, Pennsylvania. 1996.
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Heroic Painting.
Southeastern Center for Contemporary Art, Winston-Salem, North Carolina. February 3-April 21, 1996.
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The Sixth International.
Hawaii Art Gallery. Honolulu, Hawaii. 1997.
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Komar & Melamid,
Die Beliebten und Ungeliebten Bilder.
Ludwig Museum. Cologne, Germany. 1997.
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Backstein, Joseph and Johanna Kandl.
It’s a Better World.
Wiener Secession. Austria. 1997.
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Komar & Melamid: Schön-Haslich.
Joint exhibition with Alex Melamid. Kunsthalle. Vienna, Austria. September 22-November 1, 1998.
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American Dreams.
Joint exhibition with Alex Melamid. Philadelphia Art Alliance. Philadelphia, Pennsylvania. January 16-March 11, 2001.
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Symbols of the Big Bang.
Yeshiva University Museum, Center for Jewish History. New York, New York. October 24, 2002-February 2, 2003, 2002.
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Weibel, Peter, Peter Galison, Dario Gamboni, Joseph Koerner, Bruno Latour, Adam Lowe, Hans Ulrich Obrist, and Boris Grois.
Iconoclash.
Center for Art and Media. Karlsruhe, Germany. 2002.
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Berlin-Moskau, Moskau-Berlin 1950-2000.
Nicolai-Berlag Berlin. Berlin, Germany. 2003.
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Hayash, Sumi.
Komar and Melamid: Desperately Seeking a Masterpiece.
Kawamura Memorial Museum of Art. Japan. 2003.
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Dream Factory Communism.
Schirn Kunsthalle Frankfurt. Frankfurt, Germany. September 24-January 4, 2003-2004.
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Berlin-Moskau, Moskau-Berlin.
Martin-Gropius-Bau. Berlin, Germany. September 28-January 5
(travelled to: State Historical Museum Moscow. Moscow, Russia. March 21-June 15). 2003-2004.
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Weinstein, Andrew, ed.
Vitaly Komar: Three-Day Weekend.
The Humanities Gallery, The Cooper Union for the Advancement of Science and Art. New York, New York. 2005.
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