Chu, Ingrid.
"The American Lawn: Surface of Everyday Life,"
Frieze,
no. 43, November/December, 1998.
p. 95.
Dietsch, Scott.
"The New Surrealism Gets Real,"
The Villager,
p. 1, November 4, 1998.
"Surreal Suburbia,"
Seen - The Canon World of Photography,
no. 8, Fall, 1998.
pp. 16-9.
Dillon, David.
"Domestic Arrangements: A variety of shows look at everything from sitcom houses to men and women working as design partners,"
Architectural Record,
1998.
pp. 25-9.
Leffingwell, Ed.
Art in America,
July, 2000.
pp. 103-4.
Baer, John.
"Photo Finish,"
New York Magazine,
March 20, 2000.
p. 14.
Aletti, Vince.
The Village Voice,
March 7, 2000.
p. 84.
The New Yorker,
Photography section, March 7, 2000.
p. 84.
"Suburbia,"
Detour Magazine,
Compass section, 2000.
p. 50.
Goldberg, Vicki.
"How Worshipers, Too, Can Denature Nature,"
The New York Times,
September 8, 2000.
Budick, Ariella.
"Shifting Landscapes,"
New York Newsday,
August 20, 2000.
Bulletin of the Detroit Institute of Arts,
vol. 74, no. 3/4, 2000.
Brusatin, M. and C.G. Ferrari.
"Pollution,"
Charta,
2000.
p. 37.
Davis, Mike.
"How Eden Lost It's Garden,"
Perspecta 30: The Yale Architectural Journal,
August, 2000.
pp. 69-75.
"If you could have any five artworks for your home, what would you choose? You have five minutes...,"
Frieze: 10th Anniversary Issue,
November/December, 2001.
pp. 65-80.
Budick, Ariella.
"When Photographers Are Part of the Picture,"
Newsday,
September 7, 2001.
Scott, Whitney.
"Art: East End Retrospective,"
Manhattan File Magazine,
Summer, 2001.
p. 28.
"Survey of Modern Photography at Guild Hall,"
The Southampton Press,
August 9, 2001.
p. B6.
Ammirati, Dominick.
"Real life and Elsewhere,"
Modern Painters,
vol. 14, no. 2, Summer, 2001.
"Snapshots from Suburbia,"
The Evening Standard,
March 19, 2001.
"The Dividing Lines Between Real Life and Fantasy in Photography,"
The Independent Sunday,
March 25, 2001.
"Settings and Players,"
Time Out London,
April 4-11, 2001.
p. 53.
Green, Alison.
"Why Photography,"
Art Monthly,
May, 2001.
p. 247.
Garriot-Stejskal, Richard.
"SITE SF Exhibit Plays with Photo, Film Media,"
Crosswinds Weekly, Art Scene,
March 29-April 5, 2001.
Clemmer, David.
"Gregory Crewdson Photographs,"
The Magazine,
April, 2001.
Williams, Carla.
"Suburban Netherworld,"
The Santa Fe Reporter, Visual Arts,
February, 2001.
pp. 14-20.
"Photographs by Gregory Crewdson,"
Indepth Arts News, Absolutearts.com,
2001.
Loke, Margarett.
"O. Winston Link, Photographer, Dies at 86,"
The New York Times,
February 2, 2001.
Vincent, Steven.
"Alice in Levittown,"
Art + Auction,
February, 2001.
pp. 107-12.
Foschi, Gigliola.
"Gregory Crewdson,"
Zoom International,
March/April, 2001.
pp. 58-61.
Hancock, Nelson.
"Making a Film In a Single Frame,"
The New York Times Magazine,
March 25, 2001.
pp. 51-3.
Kinzer, Stephen.
"Santa Fe Dusts off a venerable Theatre and a New Reputation,"
The New York Times,
April 17, 2001.
pp. 1-2.
Kunstler, J. Howard.
"Man in Nature: The Fiasco of Suburbia,"
Orion Magazine,
2001.
Spiegler, Marc.
"At the Fair: Art Basel,"
Art + Auction,
2001.
p. 60.
"New Work 6: Gregory Crewdson, Twilight,"
Concierge Guide to Aspen and Snowmass Colorado,
December, 2002.
Sobel, Dean.
"Ideas and Images,"
Aspen Magazine,
Holiday, 2002.
pp. 74-80, 213.
Tuschman, Sari Anne.
"Finding the Extraordinary in the Ordinary,"
Aspen Daily News,
December 5-11, 2002.
p. 4.
"The Good Word; Visual Arts,"
The Aspen Times,
December 14-15, 2002.
p. B10.
"Gregory Crewdson Twilight,"
OBSCUUR De Verbeelding Van Stad En Architectuur,
no. 24, 2002.
Oksenhorn, Stewart.
"Movies on His Mind,"
Aspen Times Weekly, Arts and Entertainment,
December 21-22, 2002.
p. B1, B9.
"Portfolio: Gregory Crewdson Sees Stars in His 'Dream',"
The New York Times,
November 10, 2002.
pp. 39-50.
"Photography Past Forward,"
Aperture: 50th Anniversary 1952-2002,
no. 169, Winter, 2002.
p. 215.
Ratcliff, Carter.
"Sensibility on Parade,"
Art in America, Summer Shows II,
no. 10, October, 2002.
pp. 73-5.
Smith, Roberta.
"The New Season / Art,"
The New York Times,
September 8, 2002.
Blank, Bill.
"Too Much. The Triumph of High Production Values,"
C International Contemporary Art Magazine,
no. 75, Fall, 2002.
pp. 16-9.
Girst, Thomas.
"Auf Furchtbarem Boden,"
SUDDEUTSCHE ZEITUNG Magazine,
no. 44, October 11, 2002.
pp. 26-31.
Schwendener, Martha.
"American Beauty. Two Artist-Curated Groups Shows Explore Our National Psyche.,"
Time Out New York,
August 8-15, 2002.
p. 58.
Mantell, Suzanne.
"Suburbia, Mystified,"
Los Angeles Times,
June 29, 2002.
pp. F1, F16-F17.
Portfolio - Contemporary Photography in Britain,
no. 35, 2002.
pp. 28-31, 62.
Wingfield, Jonathan.
"Trouble Everyday,"
NUMERO,
no. 33, May, 2002.
pp. 38-9.
Vincent, Steven.
"The Producers,"
Art + Auction,
June, 2002.
pp. 118-27.
Kazanjian, Dodie.
"Twilight Zone,"
Vogue,
May, 2002.
pp. 268-73, 299-300.
Crager, Jack.
"Beneath the Surface,"
American Photo Magazine,
May/June, 2002.
pp. 62-4.
Moody, Rick.
"Made In The Shade,"
Guardian Unlimited,
April 6, 2002.
Chang, Chris.
"Gregory Crewdson,"
FILM COMMENT,
Sound and Vision section, March/April, 2002.
p. 17.
Santa Fe's Monthly Magazine of the Arts,
February/March, 2002.
Budick, Ariella.
"Shooting Onto The Scene. Photography has become part of the artistic mainstream, as evidenced by the pricey market, but some critics questions the 'conceptual' meduim's staying power,"
Newsday,
January 27, 2002.
pp. D18-D20.
"To Be Honest: I'm Having Trouble Sleeping,"
BABY,
no. 9, Fall, 2003.
"Gregory Crewdson. Into The Light,"
Juxtapoz, photo issue,
Winter Special, 2003.
pp. 22-9.
"Der Albtraum-Regisseur,"
Art Das Kunstmagazin,
no. 12, December, 2003.
pp. 45-59.
Ogilvie, Jen.
"Twilight,"
Time Out London,
August 13-20, 2003.
"Twilight, London,"
The Guardian Guide,
July 21, 2003.
Freedman, Cheryl.
"Twilight,"
What's On, London,
July 23, 2003.
"Nature,"
OWN,
no. 3, June, 2003.
p. 54.
"Exposing the Mysteries of Daily Life,"
Connections, PEM,
September/October, 2003.
pp. 8-9.
Ducklo, Matt.
"The Surreal Thing Gregory Crewdson,"
Surface Magazine,
Fall, 2003.
pp. 5-6.
Ferris, Alisson.
"Disembodied Spirits: Spirit Photography and Rachel Whiteread Ghost,"
Art Journal,
Fall, 2003.
p. 45, 54.
Eggers, Dave.
"Something Might Plummet. Something Might Soar,"
The Guardian Weekend,
August 2, 2003.
pp. 16-7.
Allen Anderson, Paul.
"About the Light: The Uncomfortable Worlds of Gregory Crewdson and Raymond Pettibon,"
ART PAPERS,
July/August, 2003.
pp. 12-3.
Hall, Peter.
"Gardening at Night,"
Print Magazine,
July/August, 2003.
pp. 41-9.
DeFoore, Jay.
"Crewdson Digs Deep,"
Behind the Lens, PDN Magazine,
May, 2003.
pp. 22-3.
Beem, Edgar Allen.
"Yale MFA Program,"
PDN Magazine,
May, 2003.
pp. 66-7.
PDN Magazine,
May, 2003.
p. 91 and cover.
"What Lies Beneath: Gregory Crewdson on Joel Sternfeld,"
PDN Magazine,
May, 2003.
p. 260.
"Flights of Fantasy at MoCA; Master of Mystification,"
The Berkshire Eagle,
April 4, 2003.
p. D1, D4.
"The Most Important Photographers Now,"
American Photo Magazine,
May/June, 2003.
p. 52.
Bishop, Philip E.
"Photography Toys with Reality as an Art Form,"
Orlando Sentinal,
March 22, 2003.
Bonetti, Charles.
"Focus on the Fantastic; Mass MoCA Show Looks at Ways Artists Rethink World's Realities,"
The Berkshire Eagle,
March 7, 2003.
p. D1, D3.
"Wagner's 'Goetterdaemmerung',"
Bayerische Staatsoper program,
February 28, 2003.
p. 27.
Finkel, Jori.
"The Twilight Zone: The Market for Gregory Crewdson,"
Art Index,
Winter, 2003.
pp. 85-6.
Skopik, Steven.
"Contemporary Photography and the Recuperation of the Aesthetic Mode,"
Exposure, The Society for Photographic Education,
vol. 36, no. 1, 2003.
pp. 3-9.
Davy, Jennifer.
"No Place Like Home,"
Come Forward; Emerging Art in Texas,
2003.
pp. 110-1.
Crewdson, Gregory.
"'80s Again,"
Artforum International,
March, 2003.
p. 71.
"Amazing Pictures,"
The Santa Fe's Monthly Magazine of the Arts,
February/March, 2003.
"Making Middle Class Mysterious,"
Aspen Sojourner,
Winter/Spring, 2003.
p. B12.
"Embracing the Present: The USB Art Collection,"
Phoenix Art Museum Members Magazine,
December/January/February, 2003-2004.
p. 9.
Crewdson, Gregory.
"Aesthetics Of Alienation,"
Tate Etc,
vol. 1, no. 1, Summer, 2004.
pp. 42-7.
Mercier, Clementine.
"Desillusion d'Optique,"
Liberation,
August 30, 2004.
pp. 42-3.
Cotton, Charlotte.
"The Photography As Contemporary Art,"
Thames & Hudson World of Art,
2004.
p. 68.
"Speaking With Hands. Photographs from The Buhl Collection,"
Guggenheim Museum Publications,
2004.
p. 53, 209.
Woodward, Richard B.
"Shooting Star,"
V Life,
August/September, 2004.
pp. 20-3.
Pollock, Lindsey.
"Why Hopper's So Hot?,"
ARTnews,
vol. 103, no. 9, October, 2004.
pp. 156-7.
Row, D.K.
"To the limits: Style, artifice and beauty converge in the photography from the Ovitz Family Collection,"
The Oregnonian,
April 7, 2006.
Luby, Abby.
"The Journey to Utopia and back,"
Greenwich Times,
January 29, 2006.
Littman, Brett.
"Fire in the Sky,"
Black Book,
October/November, 2006.
p. 68.
Johnson, Ken.
"Grounded in a Century of Riddles, Geometry and Hallucinations,"
The New York Times,
February 24, 2006.
p. E35.
Hoff, Cornelia.
"Terribelle,"
ARTinvestor,
January, 2006.
pp. 40-9.
Helmore, Edward.
"The witching hour,"
The Guardian,
October 4, 2006.
Gouveia, Georgette.
"Artists in suburbia,"
The Journal News,
February 5, 2006.
p. 1E, 4E.
Glueck, Grace.
"Happiness Is a 2-Car Garage and a Quarter-Pounder Roof Overhead,"
The New York Times,
March 24, 2006.
p. E33.
Gallivan, Joseph.
"from Hopper to Hitchcock,"
Portland Tribune,
April 14, 2006.
p. B1, B6.
Feist, Silvia.
"In die Seele leuchten: Gregory Crewdsons Bilder sind Selbstportraits eines genialen Tiefenpsychologen,"
Feuilleton,
August 3, 2006.
p. 37.
Crewdson, Gregory.
"Portfolio,"
C photo magazine,
no. 2, 2006.
pp. 119-29.
Crewdson, Gregory.
"Fireflies (Portfolio),"
Blind Spot,
no. 33, 2006.
pp. 1-2, 5-10.
 for the Esprit House.jpg)
